Architecture Commons^™

Blind Spot, Andrea Macias-Yañez

Architecture Thesis Prep

Negotiating between the physical and software means mediating perception, therefore physical space is defined by endo-perception and software space by exo-perception.

An Architecture Of Dimensions: 2d, 3d, 4d, Etc., Tiffany Montanez

Architecture Thesis Prep

A funhouse, a building equipped with trick mirrors, shifting floors, and other devices designed to scare or amuse people as they walk through is the program of choice. Funhouses are designed for the perception of the user. They provide an amusing architecture, as well as an architecture driven by position, form, and most importantly, experience.

Perception, Megan Rand

Architecture Thesis Prep

In today’s age of technology, online media allows wider access

to architectural photos and information. Through images provided

by architectural firms, magazines, amateur photographers, official

websites, and social media, one can experience a building to

an extent, without ever visiting that physical place. This greatly

impacts the discipline of architecture, as the general public is

able to view, interpret, and criticize works without the consent

or the input of the architect. Before the rise of social media,

architects had great control over what information and images

were released for a project, controlling the perception of the

general public.

Beyond The Object: The Phenomenon Of Memory In Architecture, Greg Bencivengo

Architecture Thesis Prep

"The goal is not to replace our understanding of collective memory, but through fostering an awareness of self and one’s relationship to the past and site, to distinguish memory as an entity distinct from representation and objectification."

Urban Engagement: Social Interaction Through Urban Spectacle, Philip Gleason

Architecture Thesis Prep

"Cinematic devices are utilized in film to distort and alter perception, layer events and situation, and manipulate the understanding of time. The translation of such ideas through architecture will lead to the development of a Cinema Center that will function as an extension of film into habitable space. The Cinema Center is intended to be a multi media experience capable of interrupting ones sense of time and place while altering emotion, and perception of the urban environment, much like ones reaction to film. The Cinema Center has the potential to energize the newly developed Boston Greenway by creating new connections …

Filmed Architecture: The Nature Of Vision, Theodore C. Grothe

Architecture Thesis Prep

"By researching the methods, technologies, theories, and criticism of motion film, one can begin to gain an understanding of these phenomena. Tha language of film becomes apparent, and can then be used in architectural discourse.

How can these methods and techniques begin to translate into the discipline of architecture? What can the discipline gain from them In what capacity can we begin to augment their affects on our perception of architecture, form, reality, and space?"

Intertwined Boundaries, Naomi Susman

Architecture Thesis Prep

"This thesis will explore ways in which a narrative experience influenced by tradition and cultural exchange serves to stimulate and depict one's understanding of the collaborative product of technique, design, and social movement."

Intertwined Boundaries, Naomi Susman

Architecture Thesis Prep

"This thesis will explore ways in which a narrative experience influenced by tradition and cultural exchange serves to stimulate and depict one's understanding of the collaborative product of technique, design, and social movement."

The Specific Engagement: A Didactic Center In Collaboration With The Adjacent Children's Museum, Aaron Bancroft

Architecture Thesis Prep

"Architecture transcends the act of 'making space' when it can engage the visitor through the realization of the what had yet to be perceived. This didactic realization can be accomplished through a series of specific moments which relate directly to the entirety of the complete experience. The sequence can be so intense or emotional that the visitor recognizes that they are meant to interact with the architecture through the varying levels of engagement and understanding."

Methods Of Perception, Caleb Mitchell

Architecture Thesis Prep

"Architecture can teach an observer about itself both physically and metaphysically; this can be managed though interactive processes which demand haptic experiences.

(Methodoloy:) To investigate the capacities of mechanistic or interactive devices to reveal meaning (physical and metaphysical); and to eventually develop at full (or large) scale an artifact capable of operating through functional and meaningful interactions with a user."

Phenomenological Perception: A Memorial For Fishermen Lost At Sea, Joel Kline

Architecture Thesis Prep

"This thesis contends that through the exploration of tactile issues of arhitectural perception, architecture can be tested for its broader role as an effective mediator between us and the world, the individual in society, and life and death."

On Memory And Architecture, Stacey Hopkins

Architecture Thesis Prep

"The symbiotic relationship between architecture and memory is forged in each one's appropriation of the other to make connection in space and time; the fragmentation between present and past disappears as one place, through imagery, unites with another. Memory and architecture relate to one another in that they use man's perception of and empathy with imagery to recall particulars of place, the connection of one place to others, and the way that these connections might explain time in tangible terms. For memory, architecture symbolizes a point of reference in time - a proscenium against which experience can be recalled; in …