Architecture Commons^™

Reserved For The Whole Earth: Forms Of Evidence, Ought Anxiety, And The Futures Of Geographic Inquiry, Eric M. Robsky Huntley

Theses and Dissertations--Geography

This dissertation examines geographic forms of evidence in the practices of landscape architects and geographers. I analyze evidence not only as an epistemic phenomenon, but as an aesthetic one, as well. Convincing an audience that the world is (or should be) one way and not another requires that knowledges be stacked, extended, and stitched together in a manner admissable to an audience. In the first two chapters, I use the case of the landscape architect Ian McHarg to examine how his approach to integrating scientific knowledge---a aesthetic response to what I theorize as 'ought anxiety'---grew alongside the environmental bureaucracy in …

Using Phytotechnology To Redesign Abandoned Gas Stations, Matt Hisle

Landscape Architecture & Regional Planning Masters Projects

Hazardous pollutants that exist in contaminated soils represent a threat to human, animal, and environmental health if left unmanaged. Phytoremediation in the U.S. was generally named and formally established in the 1980s and applied as an alternative method using plants to cleanse contaminated soils on site in a more economically and environmentally friendly way than removing contaminated soils off site. High expectations and mixed performances with failures outnumbering successes led to a crash of phytoremediation with a decline in environmental research funding by the early 2000s. “Phyto”, a book by landscape architects Kennen and Kirkwood (2015) recently reintroduces the subject …

Rhyme Or Reason:That Is The Question?, Jim Roche

Articles

Noting that “the aesthetic should not be limited merely to the way things look” the organisers of this conference sought “in part to address the discursive limitation in architecture and related subjects by broadening the aesthetic discourse beyond questions relating to purely visual phenomena in order to include those derived from all facets of human experience”.

So where does etchics come in? Well, the introductory brochure noted that most philosophical trained aestheticians will say that “the aesthetic is everything” hinting perhaps of the necessity for a more haptic experience of architecture. It also drew on Wittgenstein’s quote that “ethics and …