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Full-Text Articles in Architecture
Introduction To The Ethics Of Physical Embodiment, Linda M. Johnston
Introduction To The Ethics Of Physical Embodiment, Linda M. Johnston
Siegel Institute Ethics Research Scholars
Introduction to the Ethics of Physical Embodiment
Introduction To The Ethics Of Clothing And Clothing Production, Linda M. Johnston
Introduction To The Ethics Of Clothing And Clothing Production, Linda M. Johnston
Siegel Institute Ethics Research Scholars
Introduction to the Ethics of Clothing and Clothing Production
Material Poetics, Ellen G. Reid
Material Poetics, Ellen G. Reid
Masters Theses, 2010-2019
quench: /kwen(t)SH/
a : put out, extinguish
b : to put out the light or fire
c : to cool suddenly by immersion
d : to cause to lose heat or warmth
e : to bring to an end typically by satisfying, damping, cooling, or
decreasing
f : to relieve or satisfy with liquid
This is often how projects begin, a haunting idea, word, or experience inundates my consciousness and sub-consciousness. How could the body directly relate to an experience of quenching? This provoked the idea of the extreme sport: freediving. To adequately depict the definition of quenching, any …
On Craft, William Lentjes
On Craft, William Lentjes
Bachelor of Architecture Theses - 5th Year
Craft is a relationship - a dialogue - between craftsman, tool, and material. Craft begins with the intent of all of these loci, and all of these loci are rooted in Being.
Being is known through the consciousness, awareness, and perception of a subject. Being is the inherent existence and totality of "what is."
Being crafts us; Craft imbues Being.
This thesis re-examines the pedagogical approach of an architectural education. The focus is placed on craft through presuppositionless phenomenology.
In an age of endless mechanized production and spiritless materialism, the practice of craft can teach us to return to the …
On Craft, William Lentjes
On Craft, William Lentjes
KSU Journey Honors College Capstones and Theses
Craft is a relationship - a dialogue - between craftsman, tool, and material. Craft begins with the intent of all of these loci, and all of these loci are rooted in Being.
Being is known through the consciousness, awareness, and perception of a subject. Being is the inherent existence and totality of "what is."
Being crafts us; Craft imbues Being.
This thesis re-examines the pedagogical approach of an architectural education. The focus is placed on craft through presuppositionless phenomenology.
In an age of endless mechanized production and spiritless materialism, the practice of craft can teach us to return to the …
Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore
Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore
School of Art, Art History, and Design: Theses and Student Creative Work
This thesis examines reliquaries and objects associated with medieval Christian practice in fourteenth-century Aachen. The city's cathedral and treasury contain prestigious relics, reliquaries, and liturgical items, aided by its status as the Holy Roman Empire's coronation church. During the reign of Holy Roman Emperor Charles IV (r. 1349-1378), reliquaries, pilgrimage, and architecture reflect late medieval interests in vision, optics, and transparency. Two mid-fourteenth century reliquaries from the Aachen Cathedral Treasury, the Reliquary of Charlemagne and the Three-Steepled Reliquary, display relics through rock crystal windows, in contrast to the obscuring characteristics of earlier reliquaries. Not only do the two reliquaries visually …