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Full-Text Articles in Architecture

City Of Felt And Concrete: Negotiating Cultural Hybridity In Mongolia's Capital Of Ulaanbaatar, Joshua Hagen, Alexander Diener Jul 2015

City Of Felt And Concrete: Negotiating Cultural Hybridity In Mongolia's Capital Of Ulaanbaatar, Joshua Hagen, Alexander Diener

Joshua Hagen

Capital cities play an integral role in the construction of national identity. This is particularly true when the capital is the country's only major urban center. Over the course of its history, Mongolia's capital of Ulaanbaatar has been periodically reshaped to reflect competing trajectories of national culture. This article examines the evolving symbolism of architecture, urban design, and public space in Ulaanbaatar as a means of exploring Mongolia's complex negotiation between its traditional culture (mobile pastoralism and Shamanism/Buddhism), its socialist legacy, and globalization. Amidst the rampant social change of the last two decades, rather ambiguous national narratives have emerged in …

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Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton Feb 2007

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …

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The Mosque: History, Architectural Development & Regional Diversity, Ed. By Martin Frishman And Hasan-Uddin Khan (Review), Roberta Dougherty Dec 1995

The Mosque: History, Architectural Development & Regional Diversity, Ed. By Martin Frishman And Hasan-Uddin Khan (Review), Roberta Dougherty

Roberta L. Dougherty

Readers who are already familiar with mosque architecture in Central Asia, Iran, or the Arab homelands are sure to learn something new from this book. Those wishing a detailed comparative presentation of the regional differences in mosque architecture--from the rammed-earth mosques of West Africa with their striking vertical buttresses perhaps deriving from pagan African ancestral pillars, to the well-known stalactite muqarnas of Andalusian, North African, and Levantine mosques, to the pagoda-like roofs and manicured gardens of mosques in China, to the Hindu-inspired centralized vertical thrust of Southeast Asian mosques--will find this title a useful resource.

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Owen Jones' The Grammar Of Ornament: Field Theory In The Post-Modern Studio, Kresten Jespersen Dec 1987

Owen Jones' The Grammar Of Ornament: Field Theory In The Post-Modern Studio, Kresten Jespersen

Kresten Jespersen

A suggested use of Owen Jones's great encyclopedia of ornament for the contemporary architectural studio. the article is the outcome of a course given for the students in the Undergraduate Architecture Program by Prof. Kent Bloomer and myself in 1984.

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Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen Dec 1986

Form And Meaning: The Conventionalization Of The Leaf Ornament, Kresten Jespersen

Kresten Jespersen

As did Owen Jones, Bloomer argues for a modern style of ornament to decorate a modern architecture. Based on formal laws rather than theories of classical or naturalistic imitation, conventionalization can be seen as being explicitly modern. Moreover, deriving from the work of ornament, these laws are dependent on intrinsic rather than extrinsic principles.

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