Architecture Commons^™

Digitizing Delphi: Educating Audiences Through Virtual Reconstruction, Kate Koury

The Journal of Purdue Undergraduate Research

Implementing a 3D model into a virtual space allows the general public to engage critically with archaeological processes. There are many unseen decisions that go into reconstructing an ancient temple. Analysis of available materials and techniques, predictions of how objects were used, decisions of what sources to reference, puzzle piecing broken remains together, and even educated guesses used to fill gaps in information often go unobserved by the public. This work will educate users about those choices by allowing the side-by-side comparison of conflicting theories on the reconstruction of the Tholos at Delphi, which is an ideal site because of …

Rehabilitating El-Sakakini Pasha’S Palace As A Museum Of Architecture, Souzan Ibrahim Hassanein

Journal of the General Union of Arab Archaeologists

إعادة تأهيل قصر السكاكيني باشا كمتحف يروي تاريخ العمارة[Ar]

يُعاني قصر حبيب السكاكيني من الإهمال السيئ الذى كان حافزًا كبيرًا للباحث لإيجاد حلول قابلة التنفيذ لإعادة تأهيله وإعادته للحياة مرة أخري. يهدف هذا البحث إلى تحويل القصر إلى متحف. يُعتبر قصر حبيب السكاكيني من أهم القصور المصرية لإتباعه لأسلوب فني يُعرف باسم »الروكوكو«. يتسم هذا القصر بموقعه الفريد بحي الظاهر والذى كان مليئًا بالحياة حتى وفاة السكاكيني باشا الذى فُقِدَ ميراثه . يُعد استخدام الأدبيات السابقة لجمع وتحليل البيانات حول القصر نقطة الإنطلاق لهذا البحث. علاوة على ذلك، تهدف الدراسة الميدانية للقصر إلى زيادة …

The Museum As Object Of Display: Experiencing The Ashmolean, Jack Z. Chen

Armstrong Undergraduate Journal of History

Conventionally, museums are most often considered as a series of objects displayed, but I argue that the museum itself should be seen, first and foremost, as the object on display. The Ashmolean Museum in Oxford, built at the high tide of British Imperialism, is a very interesting case study. Interested in its engagement with its own past, I do not seek to investigate the actions it takes as an institution, for instance, as regards to the politics of repatriation. Instead, I want to explore the whole experience it facilitates as an object in its own right.

This experience begins with …

The Eight Grids: A New Method To Enhance Students’ Sketching Skills In The Schools Of Architecture, Mohamad Tohme

Architecture and Planning Journal (APJ)

Sketching is one of the required courses for architecture and design students in higher education since it is considered a necessary skill for architects and designers. However, the lack of visualization skills and practice, students were met with difficulties in grasping the complex concepts of this course, concurrent with the teachers’ lack of familiarity with the various methods. The aim of this paper is to find a new method that allows students to carry out their sketches by examining the problems faced by first-year undergraduate students at the Faculty of Architecture, Design & Built Environment in BAU, Lebanon. To achieve …

Moorish Revival Synagogue Architecture: Community And Style, Past And Present, Emily S. Jelen

Binghamton University Undergraduate Journal

The Moorish architectural style, originating in medieval Spain, was revived in the mid-nineteenth century. It became strongly linked with synagogues, first in Germany and then throughout the Western world. My research analyzes why the architects and Jewish communities were so attracted to the Moorish Revival style. During this period, European Jewish communities were tasked with constructing synagogues that could showcase their newfound freedoms as well as their history, culture and aspirations. Many argue that this style was chosen to demonstrate the connection between the communities and their ancient Middle Eastern history.

Cartographier L’Essor D’Un Modèle : Le Chapiteau Ionique De Michel-Ange De L’Invention Au Début Du Xviie Siècle, Federica Vermot

Artl@s Bulletin

This study proposes to map the propagation of an alternative type of ionic capital invented by Michelangelo in 1563. We proceed to a comparative analysis of the new buildings erected in Rome from the invention of the new capital to the beginning of the 17th century, in order to highlight spatial and temporal correlations peculiar to its diffusion. The study of this issue allows to understand the perception of the capital that the next generation of roman architects developed, which is a less known aspect of Michelangelo's reception. Overall, it invites to shape the stylistic evolution of an architectural motif.

Provenance Of Place And Past: Designing A Bathhouse For Charlottesville (Print), Maya Chandler

James Madison Undergraduate Research Journal (JMURJ)

Site, to an architect, should comprise not only the topographical and physical markers of the place, but also the cultural, historical, atmospheric, ritualistic, or intangible qualities of place. New projects ask us to examine what has preceded the proposed architecture and invite it into the work that we place on a site—not ignoring the past, mowing it down, or covering it up—but allowing it to point us in the direction of an architectural intervention. This project redesigns the historic Albemarle County Jail in downtown Charlottesville, Virginia, into a bathhouse. The place-based bathhouse design acknowledges several key elements in the jail’s …

Sur Les Traces De La Fabrique Artistique : Quelques Réflexions Sur La Dimension Spatiale Et Matérielle De L’Histoire De L’Art, Vincent Veschambre

Artl@s Bulletin

This text gives a reading of the notion of trace in the perspective of a geographer’s scientific trajectory, committed to grasping individual and social relations to space. Applying this notion to art history probes into the identification of who inscribes art in space, and for what purpose. Such an approach bears similarities with archeology, which cares for the lesser known or recognized traces, and is able to recast the wealth of social actors that have been concealed by history.

Change Over Time: Neatline And The Study Of Architectural History, Lisa A. Reilly

Artl@s Bulletin

This article discusses how the usual study of architecture from the perspective of a single moment in time, usually the moment of its creation is limiting. New methodologies make it possible to add to the current rich variety of approaches available to the architectural historian in order to consider the dynamic history of the forms we study. This problem can be resolved in part through the use of digital tools, in particular Neatline, (www.neatline.org) which allows the viewer to see and understand how a building changes over time.

Perspective: Of Time And Eternity, James G. Lawson

Journal of Humanistic Mathematics

This paper considers geometric perspective in relation to devotional requirements in Italian religious painting from about 1250 to about 1450. The content of the altarpiece consisted in antithetical elements---the graphic exposition of Christian dogmatics, and a dramatis personae increasingly to be identified in empathetic terms. The one-point perspective system that was invented towards the end of that period, then, presented an opportunity and a difficulty. It enabled the creation of a naturalistic space, aiding empathetic identification with psychologically plausible individuals in the pictured world. On the other hand, whilst superficially the space marked out by the geometry of the vanishing …