Architecture Commons^™

You're Making Me Sentimental, Chris Geng

Masters Theses

My project is a personal search for a different way to see the footprint we have left on the landscape. A way of seeing that finds potential in existing buildings without placing the building in the background, that instead engages sentiments in order to approach reuse as an act of layering that retains the memories of before. I went about uncovering the memories of a site through film photography, a process equally rooted in nostalgia and sentimentality. These images attempt to capture the beauty of melancholy and in turn, ask the architect and audience to slow down and contemplate as …

Acknowledging Our Past: Race, Landscape And History, Alea Harris, Kaycia Best, Dieran Mcgowan, Destiny Shippy, Vera Oberg, Bryson Coleman, Luke Meagher, Rhiannon Leebrick Ph.D., Phillip Stone

Student Scholarship

This book is the product of nearly a year's worth of student research on Wofford College's history, undertaken as part of a grant by the Council of Independent Colleges in the Humanities Research for the Public Good initiative. The research was supervised and directed by Dr. Rhiannon Leebrick.

"Guiding Research Questions:

How did Wofford College and its early stakeholders support and participate in slavery?

How is the legacy of slavery present in the landscape of our campus (buildings, statues, names, etc.)?

How can we better understand Wofford as an institution during the time of Reconstruction through the Jim Crow era? …

I Hear You Now, I See You Then, Quinn Hunter

Art + Design Masters Theses

In the research driven project I Hear You Now, I See You Then, I refer to the contemporary and historical erasure of the labor of African American women using research gathered from the southern plantation economy to create an art installation. The objects in this installation are primarily made with artificial hair integrations and utilizing labor intensive methods that are similar to those used to install the hair on the Black body. The objects I make reference the luxury items in the domestic spaces of historic plantation sites that have been re-branded to be used in the wedding /tourism industry. …

Intimate Nevada: Artists Respond, Lauren Paljusaj, Anne Savage

Calvert Undergraduate Research Awards

Creative Works Winner

Most of us know Nevada beyond the Strip. It’s a place of houses, of shopping plazas, of movie theaters, and grocery stores. A place of hotels that are also places of work. A place of basins, ranges, vistas, and nature. A place of personal history. For Intimate Nevada: Artists Respond, curators Lauren Paljusaj (ENG BA ‘20) and Anne Savage (CFA BA ‘22), draw on photographs found in UNLV Special Collections to uncover the intimate visuality of a Nevada of past centuries. The exhibition focuses on how the imaged built landscape of early 20th century Southern Nevada …

Remembering The City: An Augmented Reality Reconstruction Of Memory, Power, And Identity In Ho Chi Minh City Through Cartography & Architecture, Thuy Dinh

Senior Independent Study Theses

Cartography and architecture are official channels that facilitate remembrance in Ho Chi Minh City. Maps and buildings serve as sites for actors of memory to manipulate the city's narratives and shape its collective identity. Power enables the production of space and knowledge through sites of memory. The ruling regimes of Ho Chi Minh City have leveraged control over the natural environment and the local population to create new forms of materials that propagate their ideologies and ideals for the city. Alterations to the natural and built environments in the city legitimize the authorities' official narratives for its history and future …

Fences: Physical And Socio-Cultural Boundaries, Vanessa Baehr

Senior Projects Fall 2018

Fences, walls, and lines exist around the world, across many cultures, and are generally universally understood symbols of defense, inclusion, and exclusion. Barriers are created intentionally and their purposes vary. Fences can act as a tension or relief between public and private spaces. Physical barriers can been seen as metaphors for social dynamics and relations; boundaries can be reflections of both our internal and external landscapes. Incorporates fences / walls from a number of perspectives; historical, anthropological, archaeological, and cultural. Inspired by a reflexive moment in moving to a new town, buying a house, having a garden, and wanting a …

Memory + Architecture | The Act Of Forgetting, Mariel Mora Llorens

Architecture Senior Theses

This thesis proposes the activation and repurposing of buildings associated with traumatic memories as a means of studying the ways in which architecture embodies memories and aids in the process of forgetting. Architecture and the built environment are linked to the creation and recollection of memories because they trigger four of the senses that are related to memory.

To forget is an active, not passive endeavor. Conscious forgetting is not an act of erasing memories, but transforming them by removing the emotional responses that are produced by our recollection of these memories. Like memories in our brains, buildings that have …

Architectural Constructions Of Memory & The Ruin In Post-1989 Berlin, Gilda Hanna Gross

Senior Projects Spring 2016

Senior Project submitted to The Division of Arts of Bard College.

El Valle De Los Caídos: Spain’S Inability To Digest Its Historical Memory, Michael Heard Johnson

Senior Projects Spring 2016

Senior Project submitted to The Division of Social Studies of Bard College.

Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments And Memorials, Catherine Bourg Haws

University of New Orleans Theses and Dissertations

ABSTRACT

This thesis is concerned with the question of how America’s citizen soldiers are remembered and how their services can be interpreted through monuments and memorials. The paper discusses the concept of memory and the functions of memorialization. It explores whether and how monuments and memorials portray the difficulties, hardships, horror, costs, and consequences of armed combat. The political motivations behind the design, formation and establishment of the edifices are also probed. The paper considers the Vietnam War monuments and memorials erected by Americans and Vietnam expatriates in New Orleans, Louisiana, and examines their illustrative and educational usefulness. Results reflect …

The Praxis Of Horst Hoheisel: The Countermonument In An Expanded Field, Juan Felipe Hernandez

Masters Theses 1911 - February 2014

This paper examines the work of German artist Horst Hoheisel in Latin-America. I open the conversation by including Hoheisel’s provocative participation in the 2005 memory debates in Buenos Aires, Argentina. Here, I introduce the nature of Hoheisel’s reasoning and the dialectical self-reflectiveness that is at work in his artifacts. In each project, I look for the way in which Hoheisel lays down the “memorialistic substance” of a specific site together with the self-critical rationality that characterizes his creation. The second part of this essay attempts to construct the theoretical parameters for the expansion of the definition of the countermonument. This …