Open Access. Powered by Scholars. Published by Universities.®

Architecture Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Architecture

Living In The Past: Preservation, Interpretation, And Engagement, And The 19th – Early 20th Century Home, Kirsten Jarrett Jan 2014

Living In The Past: Preservation, Interpretation, And Engagement, And The 19th – Early 20th Century Home, Kirsten Jarrett

Kirsten Jarrett

In recent years, boundaries between curated domestic space (typically open to the public, maintained by museum professionals, and supported by government or charitable funding), and privately occupied dwellings, have on occasion been eroded. Each year, usually as part of annual heritage events run by non-profit organisations, a small number of residents permit members of the public to view features of historic interest within their homes. Furthermore, extensive opportunities to share information, images, and data on-line allow residents to ‘virtually’ display historical features within otherwise closed domestic spaces. Adopting approaches from ‘Rescue’, Research, and Public Archaeology, the Living in the Past …


The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier Jan 2012

The Decagonal Tomb Tower At Maragha And Its Architectural Context: Lines Of Mathematical Thought, Carol Bier

Carol Bier

No abstract provided.


"Representations Of Domestic Space In Medieval Italian Painting" Paper Delivered At The Fordham Medieval Conference: The Family In The Middle Ages, Samuel D. Gruber Dr. Mar 1995

"Representations Of Domestic Space In Medieval Italian Painting" Paper Delivered At The Fordham Medieval Conference: The Family In The Middle Ages, Samuel D. Gruber Dr.

Samuel D. Gruber Dr.

This paper, presented at a conference in 1995, presents impressions about the interior spaces of medieval Italian urban houses based on architecture, literature and painting. The paper in its present state refers to many works of art but is not illustrated or annotated.