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Full-Text Articles in Architecture
The Use Of Green Pond Conglomerate As Building Stone In Morris County, New Jersey, Gregory A. Pope
The Use Of Green Pond Conglomerate As Building Stone In Morris County, New Jersey, Gregory A. Pope
Department of Earth and Environmental Studies Faculty Scholarship and Creative Works
Green Pond Conglomerate (GPC) is a maroon colored quartzite with white quartz pebbles, a classic “puddingstone”. GPC derives from a NW-SW-trending sliver of Paleozoic sediments, the “Green Pond Outlier”, surrounded by older metamorphic and igneous rocks of Morris and Passaic Counties. Buildings, retaining walls, field fences, and monuments incorporate the durable and attractive stone, in a distinct geographic area of Morris County. Several instances of structures completely constructed or faced with GPC occur in and around Morristown, limited to affluent houses and one prominent church. In these cases, GPC stones were dressed and faced, a labor-intensive effort. Elsewhere in the …
Meubles: The Ever Mobile Middle Ages, Elizabeth Emery
Meubles: The Ever Mobile Middle Ages, Elizabeth Emery
Department of World Languages and Cultures Faculty Scholarship and Creative Works
Medieval furnishings preserved in aristocratic estates and ecclesiastical institutions took on new life in the nineteenth century as the turmoil of the French Revolution reactivated their use value, transforming them into collectibles, fuel, or raw materials for new building projects. This essay relies on the taxonomies of reuse proposed by archaeologist Michael Schiffer to evaluate the preservation, recycling, and repurposing of objects such as medieval choir stalls, chests, and beds by conservators, architects, artists, and collectors Alexandre Du Sommerard, Eugène-Emmanuel Viollet-le-Duc, Albert Jacquemart, Victor Hugo, Pierre Loti, and Frédéric Spitzer. These prominent figures' repurposing of antique furniture mirrors nineteenth-century constructions …
Madame Chrysanthemum’S Sisters, Elizabeth Emery
Madame Chrysanthemum’S Sisters, Elizabeth Emery
Department of World Languages and Cultures Faculty Scholarship and Creative Works
English translation of two articles published in the newspaper Le Temps by Adolphe Brisson in April and May 1900. They are dedicated to the twelve "geishas" brought from Japan to perform at the Panorama du Tour du monde, the "sisters" of Pierre Loti's “Madame Chrysanthemum” (the model for Puccini's Madama Butterfly). Brisson's interviews with a number of figures important for Japonisme (Hayashi and Bigot, in particular) provide insights into Franco-Japanese relations in 1900 and to the living and working conditions of foreign performers at the Paris Exposition.