Architecture Commons^™

Review: Dairy Queens: The Politics Of Pastoral Architecture From Catherine De' Medici To Marie-Antoinette By Meredith Martin, Jean-François Bédard

School of Architecture - All Scholarship

Bédard gives a review of Meredith Martin's Dairy Queens: The Politics of Pastoral Architecture from Catherine de' Medici to Marie-Antoinette (Harvard University Press, 2011). This book traces the history of the pleasure dairy, a feature of the pastoral movement in Europe from a feminist perspective. Martin study draws on the literature dealing with the role of the visual arts in the construction of female subjectivity in Modern France to make the case of the importance of pleasure dairies as sights of empowerment from French Noblewomen. Bédard states that Dairy Queens is a strong contribution to discussions of how architecture and …

Review: Jules Hardouin-Mansart; Jules Hardouin-Mansart, 1646–1708; Bâtir Pour Le Roi: Jules Hardouin-Mansart (1646–1708), Jean-François Bédard

School of Architecture - All Scholarship

In this review, Jean-François Bédard examines two book projects that look at Jules Hardouin-Mansart, who became First Architect to the King in 1681 and Superintendent of Works in 1699. His tenure was marked by a great flurry of activity and the generation of an immense quantity of documents. However, Hardouin-Mansart's professional and social success had a negative impact on the critical reception of his work. In fact many architectural historians doubted that he was behind many of the projects. The projects attempt to reevaluate Hardouin-Mansart's legacy as a designer. Bertrand Jestaz's two volume Jules Hardouin-Mansart is a greatly expanded and …

Interactive Environments: Redefining Sense Of Place In The ‘Noosphere’, Kathleen Callaghan

Honors Capstone Projects - All

The rapid growth of the internet and the far-reaching ubiquity of our virtual networks within the last decade have spurred an entirely new generation of interactive devices and technologies; these include the technologies seen in cell phones, video games, televisions and computers. Furthermore, online social networks such as Facebook and our portable Internet devices, mainly the iPhone, have begun to redefine our sense of time and place in a world of global connectivity and instant-access. This phenomenon results in a constant flow of communication and information that blankets the globe and marks a cultural paradigm shift to a much more …

Infrastructured: Opportunistic Infrastructure, Urban Revitalization, And Socioeconomic Reconciliation At Boundaries In Downtown Syracuse, Ny., Nilus Klingel

Honors Capstone Projects - All

The contention of this thesis is that large-scale infrastructures, such as highway systems, energy networks, or water supply complexes – as well as more abstract infrastructures, such as the infrastructures of capitalism or mercantilism – have, as the ‘harbingers’ of Modernity, an indelible impact upon the lives of the human beings who exist under their influence. Eradicating the traditional way of life that preceded them, these structures provide only one point of reference: the unknown future, in which the human struggles to find an identity.

Recent recuperations of infrastructures illustrate how the transformation of former agents of alienation can build …

Graduate Sessions 6: Televisuality, Jon Yoder, James L. Hepokoski, James Utterback

School of Architecture - All Scholarship

The Televisuality symposium was organized by Jon Yoder and the students of Architectural Theory + Design Research, a core component to the graduate curriculum in the School of Architecture.

Marcel Breuer And Postwar America, Marcel Breuer, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …

Marcel Breuer And Postwar America, Barry Bergdoll, Jonathan Massey

School of Architecture - All Scholarship

At the center of Slocum Hall, four stories below a large skylight, stands a big shaggy lens - a deep, fur-lined scoop framed by a broad rectangle eight feet high. Between stepped floor and slanted ceiling is a curved wall punctuated by a trapezoidal aperture through which you glimpse a purple-tinted fragment of face. Forehead and cheeks, a nose and two eyes: Marcel Breuer.

The lens, a pavilion encasing deep embrasures, marks an exhibition of material from the archive of this leading 20th century architect. It points you toward the adjacent gallery, where more than 120 drawings and photographs reproduced …

Prints By Gabriel Huquier After Oppenord's Decorated Ripa, Jean-François Bédard

School of Architecture - All Scholarship

This article discusses the ways in which Gabriel Huquier altered the designs of other artists and printmakers to create new prints. In particular, Bédard examines Huquier's reproduction of a copy of Cesare Ripa's Iconologia. Huquier did not appropriate Oppenord's Ripa in its entirety or follow the original sequence of drawings. Instead he produced a series of prints that feature elements randomly chosen from it. Bédard argues that Oppenord and Huquier were both bricoleurs, but who had different objectives for their projects. While Oppenord attempted to interpret the text, Huquier was concerned with profit.