Architecture Commons^™

Reframing Perceptions Of Signares In French Colonial Senegal, Gabriela E. Weaver

Swarthmore Undergraduate History Journal

Fifteenth to nineteenth-century French Colonial Senegal was a period of unprecedented cultural contact and convergence in Western Africa. With these interactions came new social hierarchies and the emergence of the signare identity. Signares were wealthy mixed-race and African Women who became involved with French men. This paper examines nineteenth-century art by Frenchman David Boilat and Stanislas Darondeau, and the eighteenth-century house of signare Anne Pepin. It critiques the racism and sexism depicted within Boilat and Darondeau’s work as well as its misinterpretations by contemporary scholars Mark Hinchman and George E. Brooks. Signares were knowledgeable entrepreneurs rather than manipulative and seductive …

The Museum As Object Of Display: Experiencing The Ashmolean, Jack Z. Chen

Armstrong Undergraduate Journal of History

Conventionally, museums are most often considered as a series of objects displayed, but I argue that the museum itself should be seen, first and foremost, as the object on display. The Ashmolean Museum in Oxford, built at the high tide of British Imperialism, is a very interesting case study. Interested in its engagement with its own past, I do not seek to investigate the actions it takes as an institution, for instance, as regards to the politics of repatriation. Instead, I want to explore the whole experience it facilitates as an object in its own right.

This experience begins with …

Jason Herbeck. Architextual Authenticity: Constructing Literature And Literary Identity In The French Caribbean. Liverpool Up, 2017; 2020., Nathan H. Dize

Studies in 20th & 21st Century Literature

Review of Jason Herbeck. Architextual Authenticity: Constructing Literature and Literary Identity in the French Caribbean. Liverpool UP, 2017; 2020. x + 330 pp.

Moorish Revival Synagogue Architecture: Community And Style, Past And Present, Emily S. Jelen

Binghamton University Undergraduate Journal

The Moorish architectural style, originating in medieval Spain, was revived in the mid-nineteenth century. It became strongly linked with synagogues, first in Germany and then throughout the Western world. My research analyzes why the architects and Jewish communities were so attracted to the Moorish Revival style. During this period, European Jewish communities were tasked with constructing synagogues that could showcase their newfound freedoms as well as their history, culture and aspirations. Many argue that this style was chosen to demonstrate the connection between the communities and their ancient Middle Eastern history.

The Charms Of An American Queen Anne: Rediscovered A-Lá Covid-19, David T. De Celis

Interiority

This moment, the 2020 COVID-19 pandemic, has provided an opportunity—sometimes forced via crisis, or via moments of quiet reflection—to consider the inside, interior time and space, in new ways. In America, like other countries, architectural styles have come to us from foreign lands. Numerous domestic structures were influenced by British events from the 1700s–1800s. These styles—these architectures—were transformed by local/regional/national influences and events—events like this current international pandemic—that push the proverbial pause button, and cause us to re-think design. The author, who now resides and works (along with his family) in an 1886 Queen Anne style home, contemplates the various …

Cartographier L’Essor D’Un Modèle : Le Chapiteau Ionique De Michel-Ange De L’Invention Au Début Du Xviie Siècle, Federica Vermot

Artl@s Bulletin

This study proposes to map the propagation of an alternative type of ionic capital invented by Michelangelo in 1563. We proceed to a comparative analysis of the new buildings erected in Rome from the invention of the new capital to the beginning of the 17th century, in order to highlight spatial and temporal correlations peculiar to its diffusion. The study of this issue allows to understand the perception of the capital that the next generation of roman architects developed, which is a less known aspect of Michelangelo's reception. Overall, it invites to shape the stylistic evolution of an architectural motif.

Provenance Of Place And Past: Designing A Bathhouse For Charlottesville (Print), Maya Chandler

James Madison Undergraduate Research Journal (JMURJ)

Site, to an architect, should comprise not only the topographical and physical markers of the place, but also the cultural, historical, atmospheric, ritualistic, or intangible qualities of place. New projects ask us to examine what has preceded the proposed architecture and invite it into the work that we place on a site—not ignoring the past, mowing it down, or covering it up—but allowing it to point us in the direction of an architectural intervention. This project redesigns the historic Albemarle County Jail in downtown Charlottesville, Virginia, into a bathhouse. The place-based bathhouse design acknowledges several key elements in the jail’s …

Dame Zaha Hadid, Architect: Her History, Style, And How They Uniquely Qualified Her To Design The Guangzhou Opera House, Allison Foster

AWE (A Woman’s Experience)

This paper provides a brief background on the accolades of Dame Zaha Hadid, architect, and expresses the significance of her international acclaim in light of being a woman architect. Hadid’s experiences developing into a successful, professional architect, despite existing gender and cultural minority biases working against her, are compared to the city of Guangzhou’s economic success, despite a history of foreign occupation. Hadid’s personal experiences of working and living in areas with strong multicultural influences relate to Guangzhou’s multicultural population, as it exists as a hub for immigration and trade into mainland China. Hadid’s personal style, as inspired by her …

Polygons, Pillars And Pavilions: Discovering Connections Between Geometry And Architecture, Sean Patrick Madden

Journal of Catholic Education

Crowning the second semester of geometry, taught within a Catholic middle school, the author's students explored connections between the geometry of regular polygons and architecture of local buildings. They went on to explore how these principles apply famous buildings around the world such as the monuments of Washington, D.C. and the elliptical piazza of Saint Peter's Basilica at Vatican City within Rome, Italy.

Margaret C. Flinn. The Social Architecture Of French Cinema, 1929-1939. Liverpool: Liverpool Up, 2014., Hazel Hahn

Studies in 20th & 21st Century Literature

Review of Margaret C. Flinn. The Social Architecture of French Cinema, 1929-1939. Liverpool: Liverpool UP, 2014.

Change Over Time: Neatline And The Study Of Architectural History, Lisa A. Reilly

Artl@s Bulletin

This article discusses how the usual study of architecture from the perspective of a single moment in time, usually the moment of its creation is limiting. New methodologies make it possible to add to the current rich variety of approaches available to the architectural historian in order to consider the dynamic history of the forms we study. This problem can be resolved in part through the use of digital tools, in particular Neatline, (www.neatline.org) which allows the viewer to see and understand how a building changes over time.

Perspective: Of Time And Eternity, James G. Lawson

Journal of Humanistic Mathematics

This paper considers geometric perspective in relation to devotional requirements in Italian religious painting from about 1250 to about 1450. The content of the altarpiece consisted in antithetical elements---the graphic exposition of Christian dogmatics, and a dramatis personae increasingly to be identified in empathetic terms. The one-point perspective system that was invented towards the end of that period, then, presented an opportunity and a difficulty. It enabled the creation of a naturalistic space, aiding empathetic identification with psychologically plausible individuals in the pictured world. On the other hand, whilst superficially the space marked out by the geometry of the vanishing …

Moche Architectural Vessels: Small Structures, Big Implications, Juliet Wiersema

Andean Past

No abstract provided.