Architecture Commons^™

Spatial Justice: Deductions, Demonstrations, And Derivations, Fabio Capra-Ribeiro

Faculty Publications

No abstract provided.

The History Of Uofsc's Gibbes Green, Lydia M. Brandt, Samantha Clark, Morgan Edlin, Lauren N. Eleazer, Francis Hampton, Mason Joiner, Hannah Macdonald, Ellis Mcclure, Emmah M. Muema, Madeline Owens, Graciela D. Perez, Noah Safari, Anna Spaschak, Sarah Helen Vandevender, David Walls, Grant Wong, Christian Anderson

Faculty Publications

The following report is a culmination of papers from the Spring 2022 students of Dr. Christian Anderson’s Evolution of Higher Education and Dr. Lydia Brandt’s History of American Architecture courses. The report contains research conducted on the creation of Gibbes Green on the University of South Carolina’s campus. Gibbes Green was the first major expansion made by the university, and signifies an era of development and growth for both the school and Higher Education as a whole.

Usc South Campus: A Last Look At Modernism, Lydia M. Brandt, Paul Haynes, Andrew Nester, Robert Wertz, Ana Gibson, Margaret Mcelveen, John Benton, Adam Bradway, Hatara Tyson, Caley Pennington, Carly Simendinger

Faculty Publications

This is a class project from ARTH 542: American Architecture taught at the University of South Carolina by Lydia Mattice Brandt in Spring 2016.

With more Americans attending college than ever before; urban renewal; racial integration; the expansion of coeducation; and the architecture community’s advocacy for holistic relationship between planning, architecture, and landscape architecture, the American college campus developed rapidly and dramatically in the mid twentieth century. Using the University of South Carolina’s Columbia Campus as a case study, this project explores the history of American architecture in the mid-twentieth century.

Review: City Choreographer: Lawrence Halprin In Urban Renewal America, Anthony Raynsford

Faculty Publications

No abstract provided.

Form And Meaning, John K. Jespersen

Faculty Publications

As did Owen Jones, Bloomer argues for a modern style of ornament to decorate a modern architechture. Based on formal laws rather than theories of classical or naturalism imitation, conventionalization can be seen as being explicitly modern. More-over, deriving from the work of ornament, these laws are dependent on intrinsic rather than extrinsic principles.