Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Journal

Social and Behavioral Sciences

CLCWeb: Comparative Literature and Culture

Media studies

Articles 31 - 60 of 67

Full-Text Articles in Entire DC Network

Dialogue Between Meaning Systems In Intermedial Texts, Cristina Peñamarín Sep 2011

Dialogue Between Meaning Systems In Intermedial Texts, Cristina Peñamarín

CLCWeb: Comparative Literature and Culture

In her article "Dialogue between Meaning Systems in Intermedial Texts" Cristina Peñamarín analyzes visual-verbal texts showing different ways of conceiving and representing the world, that in each case involves certain ways of reinforcing or challenging preconceptions about the object and ways of positioning author and addressee. Peñamarín's aim is to explore a method by which to address presupposed world visions in the texts and to ask how images and plurisemiotic texts are used to confirm, discuss, or expand the boundaries of systems of meaning. She raises the question of the possibilities of dialogue, hybridization, cultural translation, and the change …


Discourses And Models Of Intermediality, Jens Schröter Sep 2011

Discourses And Models Of Intermediality, Jens Schröter

CLCWeb: Comparative Literature and Culture

In his article "Discourses and Models of Intermediality" Jens Schröter discusses the question as to what relations do different discourses pose between different "media." Schröter identifies four models of discourse: 1) synthetic intermediality: a "fusion" of different media to super-media, a model with roots in the Wagnerian concept of Gesamtkunstwerk with political connotations, 2) formal (or transmedial) intermediality: a concept based on formal structures not "specific" to one medium but found in different media, 3) transformational intermediality: a model centered around the representation of one medium through another medium. Model 3) leads to the postulate that transformational intermediality is not …


A Case Study Of (Inter)Medial Participation, Steven Tötösy De Zepetnek Sep 2011

A Case Study Of (Inter)Medial Participation, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "A Case Study of (Inter)medial Participation" Steven Tötösy de Zepetnek presents survey data followed by quantitative and qualitative analysis about the daily intake of media in cultural participation. The survey data of the study are the result of questionnaires conducted 2001-2002 with advanced undergraduate students enrolled in media and communication studies at Northeastern University and with advanced undergraduate and graduate students at the University of Halle-Wittenberg. As the survey was conducted in 2001-2002, the data and the analysis have "historical" relevance with regard to (inter)medial cultural participation in the digital age. The data are from a mid-size …


Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek Sep 2011

Bibliography Of Publications In Media And (Inter)Mediality Studies, Geert Vandermeersche, Joachim Vlieghe, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.


Computer Mapping Of Geography And Border Crossing In Scandinavia, Øyvind Eide Sep 2011

Computer Mapping Of Geography And Border Crossing In Scandinavia, Øyvind Eide

CLCWeb: Comparative Literature and Culture

In his article "Computer Mapping of Geography and Border Crossing in Scandinavia" Øyvind Eide discusses computer based methods for enquiry into a set of border protocols created in the mid-eighteenth century based on interviews with inhabitants of northern Scandinavia. Most of the interviews are with common people: semi-nomadic reindeer herders, fishers, and farmers of Sámi, Norwegian, Swedish, and Finnish origin. Eide discusses the value of the interview material as source material which can be used to understand the way people spoke, especially about geographical matters. The data and their analysis suggest the relevance of mediality and materiality with not only …


Intermediality And Aesthetic Theory In Shklovsky's And Adorno's Thought, Oleg Gelikman Sep 2011

Intermediality And Aesthetic Theory In Shklovsky's And Adorno's Thought, Oleg Gelikman

CLCWeb: Comparative Literature and Culture

In his article "Intermediality and Aesthetic Theory in Shklovsky's and Adorno's Thought" Oleg Gelikman places the concept of intermediality in the context of the unresolved conflict between philosophical aesthetics and aesthetic theory. The conflict originated in the response of an influential generation of thinkers to the crisis of the neo-Kantian schools and the emergence of modernism in the 1910s. Despite superficial similarities, aesthetic theory is neither a revamped aesthetics of the subject nor a theoretical vindication of modernism. By severing the connection between subject-object epistemology and theory of artworks, the practitioners of aesthetic theory such as Victor Shklovsky and Theodor …


Comparativism And Cyberculture: A Review Article Of New Books By Płaszczewska And Zawojski, Michał Ostrowicki Mar 2011

Comparativism And Cyberculture: A Review Article Of New Books By Płaszczewska And Zawojski, Michał Ostrowicki

CLCWeb: Comparative Literature and Culture

No abstract provided.


Japanese Science Fiction And Conceptions Of The (Human) Subject, Maria Poulaki Sep 2010

Japanese Science Fiction And Conceptions Of The (Human) Subject, Maria Poulaki

CLCWeb: Comparative Literature and Culture

In her article "Japanese Science Fiction and Conceptions of the (Human) Subject" Maria Poulaki discusses the crisis that almost all essentialist categorizations have been facing in late modernity, in the context of which science fiction texts offer fertile ground to investigate the transitions brought about with the intensified invasion of the "human self" by its "nonhuman other." The analysis of a Japanese science fiction film draws a seemingly paradoxical connection between the Japanese version of modernity and self-identity with the relevant "Western" articulations found in the work of Bruno Latour and Alain Badiou. This connection points at a broader re-conceptualization …


Authorship, Collaboration, And Art Geography, Martin De La Iglesia Sep 2010

Authorship, Collaboration, And Art Geography, Martin De La Iglesia

CLCWeb: Comparative Literature and Culture

In his article "Authorship, Collaboration, and Art Geography" Martin de la Iglesia explores the connection between geographical spaces and works of art, a connection often made, but hardly theorized, by scholars in the field of art geography. He suggests that the link between space and object is established by the creator of the object. A feasible method is devised to determine the creator's geographical identity, which in turn determines which space is assigned to the object. Particularly, the implications of multiple authorship for such a methodology are considered. The procedure is exemplified by a geographical analysis of the comic book …


The Metaphysics Of Electronic Being, Michał Ostrowicki [Aka Sidey Myoo] Sep 2010

The Metaphysics Of Electronic Being, Michał Ostrowicki [Aka Sidey Myoo]

CLCWeb: Comparative Literature and Culture

In his article "The Metaphysics of Electronic Being" Michał Ostrowicki discusses the electronic environment as a sphere of being. To this end, the notion of the "electronic sphere" is used as a subject of ontological analysis. Ostrowicki postulates that the problematics of the electronic sphere represents a part of ontology and designates it as "ontoelectronics." He makes a distinction made between an electronic image and an electronic being, thus indicating that they differ from each other in their existential status and thereby deny any metaphysical equivalence between the two. This distinction between an electronic image and an electronic being is …


A Talk Show In Hungary And The Question Of "Proper Distance", Lajos Császi Dec 2009

A Talk Show In Hungary And The Question Of "Proper Distance", Lajos Császi

CLCWeb: Comparative Literature and Culture

In his article "A Talk Show in Hungary and the Question of 'proper distance'" Lajos Császi discusses the phenomenon of the talk show in its specific post-communist Hungarian context. During the past few years, Hungarian commercial television programs have been the target of frequent ideological attacks. At the same time, they have become increasingly popular among audiences. In my study I focus on the "Mónika" talk show, one of the most popular programs. Analyzing this new media phenomenon, I attempt to combine the political-economic and the socio-cultural perspectives of tabloid media, which are often opposed to each other. I ask …


Obama, Africa, And The Post-Racial, Michael Janis Jun 2009

Obama, Africa, And The Post-Racial, Michael Janis

CLCWeb: Comparative Literature and Culture

In his article "Obama, Africa, and the Post-Racial" Michael Janis examines aspects of U.S. president Barack Obama's election in the context of the epistemology and history of racism. Following an introduction to the history of racism in Europe and in the U.S., Janis discusses the media in the U.S. and in Africa in relation to African American and African politics. The debates on race ignited by the campaign are considered in the light of Africana perspectives on relations between Africa and the West and on the history of slavery and colonialism. Based on selected data in the media of the …


Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi Sep 2008

Towards A Cultural Framework Of Audience Response And Television Violence, Lajos Császi

CLCWeb: Comparative Literature and Culture

In his paper "Towards a Cultural Framework of Audience Response and Television Violence" Lajos Császi argues that media violence is not a reification of social violence; rather, a popular ritual allowing contemporary societies to sublimate, to substitute, and to discuss aggression in the public sphere. Császi reviews the central questions of contemporary debates about television violence including Stuart Hall's thought on this topic and introduces the ideas of Elias, Geertz, Turner, Bettelheim, Benjamin, Girard, and others in order to locate the representation of violence in an interdisciplinary context. Using the genre of the horror film as an example, Császi suggests …


Thompson's And Acosta's Collaborative Creation Of The Gonzo Narrative Style, Shimberlee Jirón-King Mar 2008

Thompson's And Acosta's Collaborative Creation Of The Gonzo Narrative Style, Shimberlee Jirón-King

CLCWeb: Comparative Literature and Culture

In her article "Thompson's and Acosta's Collaborative Creation of the Gonzo Narrative Style," Shimberlee Jirón-King presents an analysis of Hunter S. Thompson's and Oscar Zeta Acosta's works and a correction about the origins of Gonzo Journalism. Jirón-King suggests that Thompson's and Acosta's writings express the authors' disillusionment about the loss of the American Dream and that their texts suggest the revolutionary movements they hoped for would transform a disintegrating culture have only fallen prey to the shortsightedness of US-American culture. The counter culture they observe simply develops its own forms of racism, classism, power-mongering, and corruption that re-inscribe hegemonic discourses …


Literary And Cinematic Responses To The Crime Story In Contemporary France, Deborah Streifford Reisinger Dec 2007

Literary And Cinematic Responses To The Crime Story In Contemporary France, Deborah Streifford Reisinger

CLCWeb: Comparative Literature and Culture

In her paper, "Literary and Cinematic Responses to the Crime Story in Contemporary France," Deborah Streifford Reisinger examines society's relationship to violence in an era of increased media dominance. Reisinger's interdisciplinary approach integrates media, cinema, and literary studies to analyze how the crime story functions as a site of discursive struggle. Reisinger focuses on the sensational Paulin and Succo affairs that became mobile signifiers about crime, insecurity and the Other in France in the 1980s. By situating these crime stories in a larger historical and political context, she analyzes how media and politicians use the crime story as a tool …


Media In A Capitalist Culture, Barbara Trent Mar 2007

Media In A Capitalist Culture, Barbara Trent

CLCWeb: Comparative Literature and Culture

In her article, "Media in a Capitalist Culture," Barbara Trent looks at the negative effects that capitalism has on the media and how those effects may be overcome. Trent intertwines personal experience with socio-historical context to give the reader a genuine feel for political filmmaking in a Hollywood dominated world. She describes how her Academy Award winning film The Panama Deception was removed from a Cineplex, even after out-grossing all of the other films there, because Warner Brothers wanted the screen. After an examination of the impact a dominant Hollywood has on local culture around the world, Trent offers three …


Media, Communication, And The Relevance Of Caragiale's Work Today, Cristian Stamatoiu Dec 2006

Media, Communication, And The Relevance Of Caragiale's Work Today, Cristian Stamatoiu

CLCWeb: Comparative Literature and Culture

Cristian Stamatoiu discusses in his paper "Media, Communication, and the Relevance of Caragiale's Work Today" media structures in the corpus of Romanian writer and thinker Ion Luca Caragiale (1852-1912). Stamatoiu argues that in addition to the artistic sophistication of his work, Caragiale anticipated the impact of new media revolution and its forms as an imitation of "pathological situations" of public discourse and communication per se. Caragiale is, therefore, a writer of surprisingly up-to-date relevance today because, despite his air of the belle époque, in his grotesque farces and in his short stories we discover mental structures found in and characteristic …


A Comparative Analysis Of Website Expressions Of National Culture And Mediation, Paule Salerno-O'Shea Jun 2006

A Comparative Analysis Of Website Expressions Of National Culture And Mediation, Paule Salerno-O'Shea

CLCWeb: Comparative Literature and Culture

In her paper, "A Comparative Analysis of Website Expressions of National Culture and Mediation," Paule Salerno-O'Shea identifies what the official websites of the National Ombudsman in Ireland and France reveal about mediation in those national cultures. The way both national mediators are portrayed indicates how mediation is represented at the national level: 1) these institutions were created by acts emanating from national representative assemblies; 2) the ombudspersons are nominated by representatives of the nation (in Ireland, the appointment is made by the president upon resolution passed by both Houses of the Oireachtas [Parliament] and in France by a presidential decree …


Laying The Foundation For A New Work On The Pseudo-Virgilian Culex, Lisa St. Louis Mar 2006

Laying The Foundation For A New Work On The Pseudo-Virgilian Culex, Lisa St. Louis

CLCWeb: Comparative Literature and Culture

In her paper "Laying the Foundation for a New Work on the Pseudo-Virgilian Culex," Lisa St. Louis discusses work undertaken on a prolegomenon to a new edition of the pseudo-Virgilian poem Culex. Fifty manuscripts are selected according to criteria such as ownership, geographical area or membership in a group defined by previous scholars. The catalogue of manuscripts is carefully structured in order to include all information needed to locate a given manuscript and trace its history. Manuscripts are collated in detail and their variant readings are entered into Adain software which is designed to determine the relationship between manuscripts. The …


Aesthetics And Audiovisual Metaphors In Media Perception, Kathrin Fahlenbrach Dec 2005

Aesthetics And Audiovisual Metaphors In Media Perception, Kathrin Fahlenbrach

CLCWeb: Comparative Literature and Culture

In her paper, "Aesthetics and Audiovisual Metaphors in Media Perception," Kathrin Fahlenbrach presents a model of audiovisual analysis where focus is on audiovisual aesthetics perceived physically and affectively. Fahlenbrach starts out from the assumption that image and sound are inseparable in audiovisual media and must be treated as a unit, a "synchresis" (Chion). Fahlenbrach proposes that only this premise is able to cover the pre-consciously perceived elements sufficiently, namely the sensorial and affective structures of audiovisual aesthetics. Fahlenbrach articulates some aspects for an audiovisual aesthetics that concentrate on the interfaces between audiovisual perception and audiovisual design and employs to this …


Selected Bibliography Of German-Language Books In Media, Communication, And Cultural Studies (2000-2005), Martin Grimm Dec 2005

Selected Bibliography Of German-Language Books In Media, Communication, And Cultural Studies (2000-2005), Martin Grimm

CLCWeb: Comparative Literature and Culture

No abstract provided.


A New Look At Robert J. Flaherty's Documentary Art, Gerhard Lampe Dec 2005

A New Look At Robert J. Flaherty's Documentary Art, Gerhard Lampe

CLCWeb: Comparative Literature and Culture

In his paper, "A New Look at Robert J. Flaherty's Documentary Art," Gerhard Lampe challenges the general view of documentary film director Robert J. Flaherty's work. In film studies, it is generally assumed that Flaherty ignored cinematographic developments and kept repeating himself by telling his stories of mythical battles of the individual against the powers of nature in always the same old-fashioned way. He is said to have improved his "photographic eye" with the help of improved lenses and more detailed shots; nevertheless, he did not show any interest in editing problems and sound recording. By comparing Flaherty's Nanook of …


Mental Models Of Communication And Television Advertising, Detlev Nothnagel, Gilda Vera Aguirre Dec 2005

Mental Models Of Communication And Television Advertising, Detlev Nothnagel, Gilda Vera Aguirre

CLCWeb: Comparative Literature and Culture

In their paper, "Mental Models of Communication and Television Advertising," Detlev Nothnagel and Gilda Vera Aguirre discuss the question whether and if so, how and to what extent television advertisement spots differ cross-culturally. In contrast to the majority of studies on this topic, Nothnagel and Aguirre concentrate on a protocol-based formal analysis that is statistically oriented. In a more general perspective, the relation between face-to-face communication and communication mediated by technology is scrutinized. Provided that there are important differences, one hypothesis would be that they originate in habits of communication older than those found in technically-mediated communication. That would, at …


An Analysis Of Websites Of Bi-National Heterosexual Couples, Sadashivam Rao Dec 2005

An Analysis Of Websites Of Bi-National Heterosexual Couples, Sadashivam Rao

CLCWeb: Comparative Literature and Culture

In his paper "An Analysis of Websites of Bi-national Heterosexual Couples," Sadashivam Rao discusses the design of world wide web homepages of bi-national couples. Rao shows how such websites become locations of the re-invention of notions of culture, generating a particular practice of representation, namely that of "hyphenating." Rao contends that the subjects of personal homepages enter the domain of the internet as entities already embedded in many other domains of discourse such as those of nationalism, culture, and media. Further, Rao proposes that this specific genre of websites reflects traces of these discourses. Of course, in the process of …


Media Icons Of War And The Instrumentalisation Of Images In Us-American Media Today, Reinhold Viehoff Dec 2005

Media Icons Of War And The Instrumentalisation Of Images In Us-American Media Today, Reinhold Viehoff

CLCWeb: Comparative Literature and Culture

In his paper "Media Icons of War and the Instrumenalisation of Images in US-American Media Today," Reinhold Viehoff argues that the destruction of Saddam Hussein's statue in Baghdad in April 2004 by the US army represents an attempt to instrumentalise the logic of mass media as a strategy of public diplomacy. Viehoff explains the logic of mass media and public diplomacy of the US government and US media today in the context of the history of the destruction of monuments as played out on the landscape of media during and following the demise of the Soviet empire. Viehoff proposes that …


Introduction To Media And Communication Studies At The University Of Halle-Wittenberg, Reinhold Viehoff Dec 2005

Introduction To Media And Communication Studies At The University Of Halle-Wittenberg, Reinhold Viehoff

CLCWeb: Comparative Literature and Culture

No abstract provided.


The Canonization Of German-Language Digital Literature, Florian Hartling Dec 2005

The Canonization Of German-Language Digital Literature, Florian Hartling

CLCWeb: Comparative Literature and Culture

In his paper, "The Canonization of German-language Digital Literature," Florian Hartling discusses "Net Literature," a relatively young phenomenon, that has its roots in experimental visual and concrete poetry and hypertext. With the use of new media technology, this new genre of literature has acquired much interest and is now considered to be one of the most important influences in contemporary art. Not only does Net Literature connect sound, video, and animation with interactivity and allows new forms of artistic expression, it also impacts significantly on the traditional functions of the literary system. Hartling suggests that, in relation to Net Literature, …


Television And Politics In The Former East Germany, Claudia Dittmar Dec 2005

Television And Politics In The Former East Germany, Claudia Dittmar

CLCWeb: Comparative Literature and Culture

In her paper, "Television and Politics in the Former East Germany," Claudia Dittmar analyzes how in the former East Germany (GDR) while television audience was restricted severly by government, at the same time West German broadcasts acquired a substantial audience and what the impact of these broadcasts had on the audience. West German television programs enjoyed a high level of popularity with the East German population, thereby posing the greatest competition to the GDR's own television stations. As a result, GDR television was forced to counteract the impact of West German television. Dittmar discusses how the West German media were …


New Books In German Media And Communication Studies, Martin Grimm Dec 2005

New Books In German Media And Communication Studies, Martin Grimm

CLCWeb: Comparative Literature and Culture

No abstract provided.


Reality Tv, Faking It, And The Transformation Of Personal Identity, Joanne Morreale Jun 2005

Reality Tv, Faking It, And The Transformation Of Personal Identity, Joanne Morreale

CLCWeb: Comparative Literature and Culture

In her paper, "Reality TV, Faking It, and the Transformation of Personal Identity," Joanne Morreale examines the hybrid makeover, game, and reality TV show Faking It as a cultural form that portrays the transformation of personal identity through performance. Morreale argues that the contents and performance of the show intensify the link between consumer culture and the fabrication of identity by teaching that fulfillment comes from becoming, rather than having, a commodity. In the show, participants learn to perform new selves that are perceived as "better." Faking It thus puts on display the processes of fabrication whereby the self is …