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Searching For The Transatlantic Freedom: The Art Of Valerie Maynard, Karen Berisford Getty Jan 2005

Searching For The Transatlantic Freedom: The Art Of Valerie Maynard, Karen Berisford Getty

Theses and Dissertations

This thesis focuses on an African-American female artist, Valerie Maynard, examining how she synthesizes African and American elements in her works. It provides detailed formal and iconographical analyses, revealing concealed meanings and paying special attention to those works with which the artist mirrors the Black experience in the United States and Africa on the other side of the Atlantic. In the process, the thesis sheds new light on the significance of Valerie Maynard's work and how she has used some of them to embody the Black quest for freedom and social justice during the Civil Rights struggle of the 1960s …


Landescape, Dragana Crnjak Jan 2004

Landescape, Dragana Crnjak

Theses and Dissertations

Shape, color and line are three basic elements I use to explore the possibilities of visual language. The process in itself is important since what is left on the paper are simply records of moments from which a work is constructed. These moments are mixtures of my memory, my everyday observation, my struggles and hopes. The starting point is always in between known and unknown, and it is always a new attempt for clarity. Rather than expressing what I already understand and know, I have a need to change my working methods quite often in order to expand my own …


Narrating Friendship: The Reciprocal Relationship Between J.B. Childers And Myself, James Thomas Engelmann Jan 2004

Narrating Friendship: The Reciprocal Relationship Between J.B. Childers And Myself, James Thomas Engelmann

Theses and Dissertations

For the past ten months I have explored the life of a deceased artist named Joseph Barley "J.B." Childers. In the graduate catalog Gregory Volk summarizes Childers as, "an alienated Korean War Veteran, who took up painting as a refuge from his troubles, and who also doesn't exist. Childers who is naturally right-handed, painted everything left-handed because of a war wound, and so Engelmann, who is left-handed, painted with his right hand, which is quite a limitation." Of course, there's more to the story than that and the writings that follow will explain many of my reasons for pursuing this …