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Under English Eyes: The Disappearance Of Irishness In Conrad's The Secret Agent, Graham Macphee
Under English Eyes: The Disappearance Of Irishness In Conrad's The Secret Agent, Graham Macphee
English Faculty Publications
No abstract provided.
Lyotard, Beckett, Duras, And The Postmodern Sublime, Andrew Slade
Lyotard, Beckett, Duras, And The Postmodern Sublime, Andrew Slade
English Faculty Publications
Samuel Beckett's texts are populated with characters who have been so deprived of their humanity that humanity appears as essentially absent from his texts. The characters' presence in the diegesis is marked by unmistakable absences-absence of vision, of mobility, of sense, of name. Beckett's characters are often without: without hair, without teeth, without foreseeable future. The human character is at the limit of humanity and runs the risk of passing over into the grey zone of the inhuman. They lose track of their place, of their time, of their names. They frequently belong to no time and no place. When …
Liberated Jokes: Sexual Humor In All-Female Groups, Janet Bing
Liberated Jokes: Sexual Humor In All-Female Groups, Janet Bing
English Faculty Publications
Females have formerly been under-represented in jokes. Many scholars have claimed that joke making is primarily a male activity, particularly in the domain of sexual jokes. In this paper, I discuss sexual jokes that women share with each other both in all-female groups and by e-mail. After reviewing some widely held assumptions about women and jokes, I explore liberated women's jokes, including their structure, use of stereotypes, and subversive ideas. Finally, I discuss why humor theory is incomplete without the inclusion of a female perspective and suggest that women should tell more jokes.