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"At First The Attempt To Remember, And Then Remembrance Itself:" A Phenomenological Study Of Alfred Schnittke's Piano Quartet, Harry Lee Ward

Masters Theses

Phenomenology, in its etymological sense, is the activity of giving an account of the way things appear. Thus, a phenomenology of time attempts to account for the way things appear to us as temporal or how we experience time. Alfred Schnittke’s Piano Quartet lends itself well to phenomenological analysis due to the anachronistic placement of Gustav Mahler’s unfinished, G-minor scherzo sketch into the subjective, intentional realm of time-consciousness. Schnittke’s meticulous manipulation of Mahler’s theme intentionally creates multi-dimensional objects in time and sound that suggest both small- and large-scale circular-patterns of memory, a musical epitaph for both Mahler and himself.In order …