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Body/Text/History: Violation Of Borders In Assia Djebar's Fantasia, David Waterman
Body/Text/History: Violation Of Borders In Assia Djebar's Fantasia, David Waterman
Studies in 20th & 21st Century Literature
Assia Djebar's novel Fantasia: An Algerian Cavalcade (1985) can be read as a political novel which examines the permeability of borders, especially between Algeria and the female body. As the primary site of signification and meaning, the body becomes a text which attempts to circulate knowledge and encourage resistance outside a position of mastery, and the same body/text suffers as it is inscribed by the dominant power. The distinction between nature and culture is interrogated as the borders of the body/text overlap the borders of war, writing, history, and sexuality. Ultimately, given the position of the female body within the …
"A Myth Becomes Reality": Kaspar Hauser As Messianic Wild Child , Ulrich Struve
"A Myth Becomes Reality": Kaspar Hauser As Messianic Wild Child , Ulrich Struve
Studies in 20th & 21st Century Literature
The topos of the "Wild Child" occupies an important place in the mythic and literary imagination of the West. The European climax of a long line of wild children, Kaspar Hauser was a nineteenth-century German foundling whose fate has inspired a host of novels, dramas, novellas, poems, songs, and movies, even an opera and a ballet. It has been treated by Paul Verlaine, R. M. Rilke, and Klaus Mann, by the Dada poet Hans Arp, by the dramatist Peter Handke, and by the filmmaker Werner Herzog. This article offers a brief historical sketch of Hauser's life before discussing a key …
Travels Through Heterotopia: The Textual Realms Of Patrick Modiano's Rue Des Boutiques Obscures And Mikhail Kuraev's Kapitan Dikshtein, Vitaly Chernetsky
Travels Through Heterotopia: The Textual Realms Of Patrick Modiano's Rue Des Boutiques Obscures And Mikhail Kuraev's Kapitan Dikshtein, Vitaly Chernetsky
Studies in 20th & 21st Century Literature
Within contemporary prose, one distinct mode or paradigm that can be discerned is constituted by the texts that daringly tackle the dark, suppressed, erased parts of our history and mentality; however, they approach this task not by way of self-righteous denunciatory investigations, but by provocatively problematizing the most established everyday facts, by depriving the reader of the possibility of even conceiving any firm ground of the stable construct of an origin or a self-identification—historically and culturally. Their irreverent and playful deconstruction of the all-pervasive national cultural mythologies has mounted a powerful challenge to ideological constructs big and small. This article …