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The Fatale Monstrum And The Nasty Woman: Public Portrayals Of Cleopatra Vii And Hillary Rodham Clinton, Emma Baker
The Fatale Monstrum And The Nasty Woman: Public Portrayals Of Cleopatra Vii And Hillary Rodham Clinton, Emma Baker
AWE (A Woman’s Experience)
No abstract provided.
Leaving Neverland For Narnia: Childhood And Gender In Peter Pan, The Secret Garden, And The Lion, The Witch And The Wardrobe, Calabria Turner
Leaving Neverland For Narnia: Childhood And Gender In Peter Pan, The Secret Garden, And The Lion, The Witch And The Wardrobe, Calabria Turner
English MA Theses
British gender expectations are often epitomized in mature adults, either in society or within novels, but in Peter Pan, The Secret Garden, and The Lion, The Witch and The Wardrobe gender roles are interpreted by the child protagonists. J. M. Barrie’s Peter Pan inhabits the world of the Neverland, but the gender roles of Victorian England follow them from London to the home below the tree where Peter, Wendy, her brothers, and the Lost Boys reside in a pseudo-domestic sphere. Peter often engages in literal discussion of what it means to become an English man, while Wendy lives …
Cross-Dressing In Greek Drama: Ancient Perspectives On Gender Performance, Abbey Kayleen Elder
Cross-Dressing In Greek Drama: Ancient Perspectives On Gender Performance, Abbey Kayleen Elder
Chancellor’s Honors Program Projects
No abstract provided.
"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth
"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth
Electronic Theses and Dissertations
Author's abstract: McTeague, Frank Norris's Naturalistc text written in 1899, depicts the corruption of a California couple due to influences outside of their control. In positioning Trina McTeague as a woman unable to identify with either of the two major feminine ideologies of the day, the Angel in the House and the New Woman, this paper examines her identity as conflicted because of this lack of autonomy. Her failure to identify herself leads to a mental break that is reflected in the domestic spaces she inhabits. The places she lives each become smaller and dirtier reflecting her diminished mental capacity. …
Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten
Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten
Political Science Faculty Publication Series
This article examines the scholarly preoccupation with the hypothesis that Nietzsche was gay by offering a reading of Nietzsche's texts as autobiographical that puts them in conversation with Euripides's drama The Bacchae. Drawing a number of parallels between Nietzsche, self-avowed disciple of Dionysus, and Pentheus, the main character of The Bacchae and demonstrated antidisciple of Dionysus, I argue that both men experience their sexual attraction to women as somehow intolerable, and they negotiate this discomfort—which is simultaneously an unjustified paranoia and fear of the feminine—through the appropriation of feminine capacities and qualities for themselves. This appropriation ultimately expresses these men's …
Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten
Nietzsche/Pentheus: The Last Disciple Of Dionysus And Queer Fear Of The Feminine, C. Heike Schotten
C. Heike Schotten
No abstract provided.