Digital Commons Network^™

Anger, Genre Bending, And Space In Kincaid, Ferré, And Vilar, Suzanne M. Uzzilia

Dissertations, Theses, and Capstone Projects

This dissertation examines how women’s anger sparks the bending of genre, which ultimately leads to the development of space in the work of three Caribbean-American authors: Jamaica Kincaid, Rosario Ferré, and Irene Vilar. Women often occupy subject positions that restrict them, and women writers harness the anger provoked by such limitations to test the traditional borders of genre and create new forms that better reflect their realities.

These three writers represent Anglophone and Hispanophone Caribbean literary traditions and are united by their interest in addressing feminist issues in their work. Accordingly, my research is guided by the feminist theoretical frameworks …

From Establishment To Final Independence: A Study Of The National Archives Of The United States Of America From 1934–1985, Daniel M. Frett

Dissertations, Theses, and Capstone Projects

This thesis is a study of the National Archives of the United States from the institution’s establishment in 1934 under the presidency of Franklin Roosevelt to becoming the National Archives and Record Administration in 1985. The Archives during the 1930’s and 1940’s functioned as an independent agency, until the Archives lost their independence under the Hoover Commission. In 1949 the Archives became part of the newly formed General Services Administration. During the 1950’s and 1960’s National Archives helped change the archival profession. Furthermore, we see how the two independence movements in the 1960’s and 1980’s that were ultimately successful in …

The Way We Dream Now: History, Theory, And Lgbtq Memoir In America, Megan Paslawski

Dissertations, Theses, and Capstone Projects

This dissertation examines American memoirs written after 2000 by lesbian, gay, bisexual, transgender, and queer authors with an eye to how the recent institutionalization of queer theory and the open production of LGBTQ histories affect these writers’ conceptions of their lives, aspirations, and cultures. I argue that these memoirs, sometimes consciously, find themselves struggling with what are also competing ideas within queer theory about the queerness of futurity even as they turn to the past of queer/trans literature and history to bolster their senses of possible identities and communities. This often has the effect of positioning contemporary LGBTQ writers as …