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Stratospheric Variability And Trends In Models Used For The Ipcc Ar4, P. M. De F. Forster, Eugene Cordero Nov 2006

Stratospheric Variability And Trends In Models Used For The Ipcc Ar4, P. M. De F. Forster, Eugene Cordero

Faculty Publications, Meteorology and Climate Science

Atmosphere and ocean general circulation model (AOGCM) experiments for the Intergovernmental Panel on Climate Change Fourth Assessment Report (AR4) are analyzed to better understand model variability and assess the importance of various forcing mechanisms on stratospheric trends during the 20th century. While models represent the climatology of the stratosphere reasonably well in comparison with NCEP reanalysis, there are biases and large variability among models. In general, AOGCMs are cooler than NCEP throughout the stratosphere, with the largest differences in the tropics. Around half the AOGCMs have a top level beneath ~2 hPa and show a significant cold bias in their …


Assessment Of Temperature, Trace Species, And Ozone In Chemistry-Climate Model Simulations Of The Recent Past, V. Eyring, N. Butchart, D. W. Waugh, H. Akiyoshi, J. Austin, S. Bekki, G. E. Bodeker, B. A. Boville, C. Brühl, M. P. Chipperfield, E. Cordero, M. Dameris, M. Deushi, V. E. Fioletov, S. M. Frith, R. R. Garcia, A. Gettelman, M. A. Giorgetta, V. Grewe, L. Jourdain, D. E. Kinnison, E. Mancini, E. Manzini, M. Marchand, D. R. Marsh, T. Nagashima, P. A. Newman, J. E. Nielsen, S. Pawson, G. Pitari, D. A. Plummer, E. Rozanov, M. Schraner, T. G. Shepherd, K. Shibata, R. S. Stolarski, H. Struthers, W. Tian, M. Yoshiki Nov 2006

Assessment Of Temperature, Trace Species, And Ozone In Chemistry-Climate Model Simulations Of The Recent Past, V. Eyring, N. Butchart, D. W. Waugh, H. Akiyoshi, J. Austin, S. Bekki, G. E. Bodeker, B. A. Boville, C. Brühl, M. P. Chipperfield, E. Cordero, M. Dameris, M. Deushi, V. E. Fioletov, S. M. Frith, R. R. Garcia, A. Gettelman, M. A. Giorgetta, V. Grewe, L. Jourdain, D. E. Kinnison, E. Mancini, E. Manzini, M. Marchand, D. R. Marsh, T. Nagashima, P. A. Newman, J. E. Nielsen, S. Pawson, G. Pitari, D. A. Plummer, E. Rozanov, M. Schraner, T. G. Shepherd, K. Shibata, R. S. Stolarski, H. Struthers, W. Tian, M. Yoshiki

Faculty Publications, Meteorology and Climate Science

[1] Simulations of the stratosphere from thirteen coupled chemistry-climate models (CCMs) are evaluated to provide guidance for the interpretation of ozone predictions made by the same CCMs. The focus of the evaluation is on how well the fields and processes that are important for determining the ozone distribution are represented in the simulations of the recent past. The core period of the evaluation is from 1980 to 1999 but long-term trends are compared for an extended period (1960–2004). Comparisons of polar high-latitude temperatures show that most CCMs have only small biases in the Northern Hemisphere in winter and spring, but …


The Sound Of The Suburbs: A Case Study Of Three Garage Bands In San Jose, California During The 1960s, Paul Kauppila Oct 2006

The Sound Of The Suburbs: A Case Study Of Three Garage Bands In San Jose, California During The 1960s, Paul Kauppila

Faculty and Staff Publications

The Chocolate Watchband, the Count Five, and the Syndicate of Sound were three garage bands from San Jose, California. During the 1960s, before the high‐tech economy transformed the Santa Clara Valley into Silicon Valley, San Jose was a culturally sleepy suburb. This paper will examine these three groups in the context of 1960s culture and society and will compare and contrast their image and musical output with that of the better‐known “hippie” music scene originating an hour north in San Francisco.


Nova Law Review-Volume 31-2006-2007, Joanne Charles, Nicholas Lake, Michelle Jaffe, Lundi Mccarthy, Dara Jebrock, Bryan Kaufman, Kristen A. Lake, Michelle Shabo, Jennifer Viciedo, Stacy Bennings, Gabriela Cortes, Paul Farago, Laura Jacobson, Meredith Lester, Ethan Wall, Jason Weissbein, Sarah L. Andich, Bradley Davis, Janine Garlitz, Jon Michael Kendrick, Elisabeth Divine Reid Oct 2006

Nova Law Review-Volume 31-2006-2007, Joanne Charles, Nicholas Lake, Michelle Jaffe, Lundi Mccarthy, Dara Jebrock, Bryan Kaufman, Kristen A. Lake, Michelle Shabo, Jennifer Viciedo, Stacy Bennings, Gabriela Cortes, Paul Farago, Laura Jacobson, Meredith Lester, Ethan Wall, Jason Weissbein, Sarah L. Andich, Bradley Davis, Janine Garlitz, Jon Michael Kendrick, Elisabeth Divine Reid

Law Review Mastheads

No abstract provided.


Ilsa Journal Of International And Comparative Law-Volume 13-2006-2007, Ilya Torchinsky, Jennifer Lucas Keesler, Jessica Kahn, Jaclyn Sheehan, Nalini Dayelsingh, Jennifer Kramer, Annette Novela, Andrea Martini, Jessica Hazelcorn, Tanya Garcia, Kerri O'Brien, Sara Weiss, Misty April-Cygan Oct 2006

Ilsa Journal Of International And Comparative Law-Volume 13-2006-2007, Ilya Torchinsky, Jennifer Lucas Keesler, Jessica Kahn, Jaclyn Sheehan, Nalini Dayelsingh, Jennifer Kramer, Annette Novela, Andrea Martini, Jessica Hazelcorn, Tanya Garcia, Kerri O'Brien, Sara Weiss, Misty April-Cygan

ILSA Journal Mastheads

No abstract provided.


An Unpublished Letter Of Lord Byron To Lady Caroline Lamb, Paul Douglass Sep 2006

An Unpublished Letter Of Lord Byron To Lady Caroline Lamb, Paul Douglass

Faculty Publications, English and Comparative Literature

Lord Byron took a highly ambivalent attitude toward female authorship, and yet his poetry, letters, and journals exhibit many proofs of the power of women's language and perceptions. He responded to, borrowed from, and adapted parts of the works of Maria Edgeworth, Harriet Lee, Madame de Stael, Mary Shelley, Elizabeth lnchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robmson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, …


Lord Byron’S Feminist Canon: Notes Toward Its Construction, Paul Douglass Aug 2006

Lord Byron’S Feminist Canon: Notes Toward Its Construction, Paul Douglass

Faculty Publications, English and Comparative Literature

Lord Byron took a highly ambivalent attitude toward female authorship, and yet his poetry, letters, and journals exhibit many proofs of the power of women’s language and perceptions. He responded to, borrowed from, and adapted parts of the works of Maria Edgeworth, Harriet Lee, Madame de Staël, Mary Shelley, Elizabeth Inchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robinson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, …


Paradise Decomposed: Byron’S Decadence And Wordsworthian Nature In Childe Harold Iii And Iv, Paul Douglass Apr 2006

Paradise Decomposed: Byron’S Decadence And Wordsworthian Nature In Childe Harold Iii And Iv, Paul Douglass

Faculty Publications, English and Comparative Literature

No abstract provided.


Reinventing San Jose, California: An Experiment In Multiculturalism, Jan English-Lueck Feb 2006

Reinventing San Jose, California: An Experiment In Multiculturalism, Jan English-Lueck

Faculty Publications, Anthropology

No abstract provided.


From Memphis To Kingston: An Investigation Into The Origin Of Jamaican Ska, Paul Kauppila Jan 2006

From Memphis To Kingston: An Investigation Into The Origin Of Jamaican Ska, Paul Kauppila

Faculty and Staff Publications

The distinguishing characteristic of most Jamaican popular music recordings, including reggae and its predecessor, ska, is an emphasis on the offbeat or afterbeat instead of on the downbeat, as found in most US pop music. A study is presented that critically examines proposed theories to explain this tendency through historical and musicological analysis and concludes that the prevalence of the downbeat is a mixture of Jamaican folk and African-American pop music influences in its earliest incarnation but was later deliberately emphasized in an attempt to create a unique new musical style.