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Early Identification Of Students At Academic Risk Based On Learning Management System Log Data, Roger Sheng So Jan 2024

Early Identification Of Students At Academic Risk Based On Learning Management System Log Data, Roger Sheng So

Theses and Dissertations

Understanding student engagement with the institution from the first day of classes to the end of the semester would help inform the institution of the potential risk that a student will drop out of a class or of the school. Learning Management Systems (LMS) record student interactions with the system and might be able to be used to identify students who are at academic risk. The scope of this study is to retrospectively analyze first-year student activity for the Spring 2022 semester for early warning signs worthy of intervention. A student risk assessment will be determined by reviewing student LMS …


An Action Research Study On Lms Assessment Tools And Faculty Practice In English Composition Courses Of A Community College, Sophia Mitra Apr 2022

An Action Research Study On Lms Assessment Tools And Faculty Practice In English Composition Courses Of A Community College, Sophia Mitra

Theses and Dissertations

This mixed methods action research study aimed to understand the use of LMS assessment tools by faculty teaching English Composition (Eng 101) at a New Jersey Community College in order to increase that use for assessment of outcomes. In spite of administrative push for faculty to use the LMS for data based decision-making, there is still limited use of LMS tools. In writing-intensive fields like Eng 101 grading and feedback could be accelerated along with monitoring student performance on outcomes using LMS assessment tools. Forming a virtual faculty learning committee that collaborated in the study's data collection and analysis, volunteers …


Organic Space, Lisa Gardner Jan 2007

Organic Space, Lisa Gardner

Theses and Dissertations

My works evolve from a concrete vision but tend to lack recognizable imagery. Color and texture are central to my process. By isolating the element of color, I strive for purely formal qualities in my color field paintings. Working on textured suraces, such as burlap, allows me to capture textural elements, which further adds to the aesthetic components of my art. The lack of realistic imagery provides an opportunity for the viewer to personally interpret the visual elements. It is my objective that during the aesthetic experience, the viewer becomes captivated by the unique ways that colors play within tiny …


Creative Matrix, Bonnie Gay Mcginn Jan 2007

Creative Matrix, Bonnie Gay Mcginn

Theses and Dissertations

My personal life experiences are reflected in my art. I use symbolic and expressive marks in developing my abstract imagery, which acts as a visual language. The combining of my past and current art work, fused together, has become what I call a creative matrix. I see my images as choreographed compositions using a mixed media approach. The open-ended interpretation of my art have expanded the never ending possibilities of creation.


This Art Is For The Birds, Shawn Earl Heller Jan 2007

This Art Is For The Birds, Shawn Earl Heller

Theses and Dissertations

I use bright colors to portray birds. Typically, the birds are modeled after herons, peacocks, woodpeckers, and roadrunners. I am interested in the curvilinear forms or colorful plumage of these birds. Why birds? I wonder that myself. The rational part of me wants to know why I use bird imagery, while the intuitive side of me likes the fact that if is unknown, I haven't been able to answer that burning question. In my sculpture, wire connectors, kitchen funnels, electrical tape, caps, marker parts, cleaning bottles, and watering cans are just some of the many plastic items I use. In …


Inspirational Journey: People And Places, Leigh Ann Withrow Jan 2006

Inspirational Journey: People And Places, Leigh Ann Withrow

Theses and Dissertations

My paintings are inspired by the places I have seen, as well as the people God has placed in my path. The individuals in my portraits are some of the people with whom I have shared a special bond. Upon reflection, they have been instrumental in deepening my faith. Their love, prayers, support, and deep questioning of my beliefs have enhanced my understanding of God and helped to strengthen my relationship with Him. 1 am very thankful for the ability to paint their portraits as an expression of my gratitude and love. God has also blessed me with opportunities to …


Everyday Haunting, Thomas John Condon Jr. Jan 2006

Everyday Haunting, Thomas John Condon Jr.

Theses and Dissertations

This document outlines a journey of self-exploration, discovery, construction and destruction. It is a story of learning, a testament to impermanence, and a proposal for possibility. The words and work contained in this document are exclusive to the thoughts and actions of one man that hopes to share with others.


From The Edge, Leslie Corder Rousseau Jan 2006

From The Edge, Leslie Corder Rousseau

Theses and Dissertations

Paintings and drawings are the physical representations of my dialogue with the world around me. Art is how I connect to what is too large, or too vague, or too personally meaningful to express in any other way. Space and its transformation by light and color have always been central to this dialogue. I am particularly intrigued by spatial ambiguity. Space exists for us only in how it relates to us and so, space changes. One viewpoint or state of mind might make space seem freeing, while another makes the same space feel confining. Barriers are sometimes delineated, sometimes obscured. …


Natural Flow, Holly Armstrong Jan 2006

Natural Flow, Holly Armstrong

Theses and Dissertations

Nature never ceases to amaze me with momentary observations of fluid energy: the purposeful curvature of a blue heron's neck; the pattern of water as it sweeps across a rock sculpted by that very motion; the changing light and shadows created as wind blows through tall grasses. The spark of beauty in these moments lies in the energy that causes this constant change. To capture this energy, either potential or kinetic, and embody it through textures and flow of mass, is my essential goal as an artist.


Kick Me, Jennifer Stackpole Jan 2006

Kick Me, Jennifer Stackpole

Theses and Dissertations

Human experience, particularly the trials and tribulations of growing up, is the foundation on which I build. In this body of work, I represent these somewhat unsettling times. I use flattened space, strong diagonals, and vibrant color to add energy to the compositions. An underlying structure of fragmented shapes suggests the incomplete nature of adolescence.


Light Of Life, Sabina I. Henry Jan 2006

Light Of Life, Sabina I. Henry

Theses and Dissertations

The path through life is filled with light and darkness but light casts shadows and can darken one's life. With this metaphor, I use light to symbolize the positive and shadows to represent the negative things that every one of us encounters. In my landscape paintings, the combination of light and darkness symbolizes my journey through life. There is a predominance of light in my paintings. Therefore, my intention is to portray the positive over the negative. In other words, I want to portray the light at the end of the tunnel.


Trees, Kara M. Drinkwater Jan 2006

Trees, Kara M. Drinkwater

Theses and Dissertations

The intention behind my work is to draw the viewer's attention to the intimate, beautiful details found in nature. For example, I am awed and inspired by the unique qualities found in every tree whose varieties are seemingly infinite. The basic concept of my work is to portray the images of trees close to the viewer's eye to instill a sense of nature's grandness.


The Un-Still Life, Joyce A. Beiermann Jan 2006

The Un-Still Life, Joyce A. Beiermann

Theses and Dissertations

Contrary to the common definition of still life painting as a grouping of inanimate objects, I want my still life paintings to be full of life. I have always been intrigued by the numerous approaches and different mediums used by artists for still life arrangements. I want the objects I paint to appear three dimensional. I strive to effectively create the illusion of actual senses: smell, taste, and touch. To accomplish this, I carefully arrange objects in my composition so color, line, and form work to enhance a rhythmic flow. Contrasting warm and cool colors help add to this flow. …


Opening The Heart, Gail Z. Carlin Jan 2006

Opening The Heart, Gail Z. Carlin

Theses and Dissertations

It is my discovery of the mandala that has had the most significant influence on me as an artist. The mandala, Sanskrit word for circle or center, is found in a majority of my pieces, either literally or symbolically. My interest in and subsequent use of the mandala began twenty years ago and continues to this day. The mandala is a primordial image found in the macrocosm of the universe, the microcosm of nature, and in the psyche of man. The circle has been used throughout the world in image and architecture as a sacred symbol since the beginning of …


Cooking With Paint, Jody Lynn Schwab Jan 2006

Cooking With Paint, Jody Lynn Schwab

Theses and Dissertations

Graduate school has been a time of travel through experimentation. The journey has almost always been a search for materials and sources that match my need for working with the self-referential narrative within the framework of a process. Repeatedly, I would venture out and turn back, only to venture out again, packed with new materials and image sources, in search of a complete process. In retrospect, there have been no dead ends, only quenched curiosities that sometimes cleanly, often clumsily, lead one to the other. What is left is a series of explorations from which I can pluck similarities, clues …


Forging Space, Chance Burdick Liscomb Jan 2006

Forging Space, Chance Burdick Liscomb

Theses and Dissertations

I naturally like sculpture. My artistic medium of choice is sculpture because it occupies physical space commands attention and thought. The expressive qualities found in steel are numerous as they are in manipulation of found materials. Both materials involve a process of discovery on an evolving road towards any sculpture's ultimate conclusion. My primary goal is that my sculpture should be personal and capture the viewer's eye, stir his or her subconscious, and serve as a form of communication.


Country Views, Rebecca Massie Jan 2005

Country Views, Rebecca Massie

Theses and Dissertations

Over the years I have created many different images and explored a variety of media along my artistic journey. Similar images continue to occur in my work - images from my life as a child and as an adult in rural settings. I lived on a poultry farm and was involved in working with my parents there. When I married, my husband was a cattle farmer so I continued to live on a farm and use rural images in my work. Living in the country makes me constantly aware of the relationship between God, nature and man. I believe that …