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Aaron Gerow

2018

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

No abstract provided.

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

No abstract provided.

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

No abstract provided.

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

No abstract provided.

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

No abstract provided.

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Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow Apr 2018

Kawabata And Cinema The Ambivalence Of Knowledge Medium And Influence.Pdf, Aaron Gerow

Aaron Gerow

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Kawabata And Cinema: The Ambivalence Of Knowledge, Medium, And Influence, Aaron Gerow Jan 2018

Kawabata And Cinema: The Ambivalence Of Knowledge, Medium, And Influence, Aaron Gerow

Aaron Gerow

Many researchers have considered the involvement of Kawabata Yasunari in cinema and the medium’s possible influence on his literature. Such approaches, however, tend to assume a definition of the motion pictures as visuality or montage that then influences Kawabata instead of first considering Kawabata’s own conception of cinema, his own film theory. By analyzing his writings on film, including his film criticism, short stories involving cinema, and his involvement in the film A Page of Madness, this paper outlines Kawabata’s conception of cinema and argues that he developed a portrait of cinema that posed it as a challenge to …

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