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Welcome To The Sitting Garden At The Busy Hands Museum, Stacie Sabady Jan 2023

Welcome To The Sitting Garden At The Busy Hands Museum, Stacie Sabady

Theses and Dissertations

I wanted to attend VCU to learn how to unravel my mind and find the words to describe it. While I did make progress in that area, my surprise discovery is that I need to unravel my body too. It has become unbalanced from years of neglect. When working, I find solace through escape. I find a positive outlet for my perfectionist tendencies. I find a way to visually illustrate my obsessive qualities. Throughout the years of these findings, I have ignored my body pleading with me to take it easy. I have always honored the materials and the tools, …


You Wouldn't Download An Art, Rice Evans Jan 2021

You Wouldn't Download An Art, Rice Evans

Theses and Dissertations

To quote the late Alaskan Senator Ted Stevens, “The internet is a series of tubes.” Like my art practice, these tubes meander through concepts, techniques, and mediums to arrive at a messy, confusing, and overwhelming shared experience of digital life. It is here where we find humor, creativity, and most importantly our own folk culture.


Beauty In Imperfection: Post-Hyperreal Cosmetic Containers, Se Hee Jang Jan 2019

Beauty In Imperfection: Post-Hyperreal Cosmetic Containers, Se Hee Jang

Theses and Dissertations

An unhealthy reliance on vision alone, fed by pervasive, doctored, hyperreal imagery in the mass media, suppresses a more balanced use of other senses, reinforcing superficial beauty standards. Trapped by an uncritical preference for the visually “perfect” and harmonious, people increasingly seek to remove physical attributes they consider “imperfect,” without first considering how these “imperfections” benefit and distinguish them as unique individuals.

This thesis addresses superficial beauty standards by shifting focus from singularly visual experience to a more nuanced sensory aesthetic that also considers haptic qualities. Through a combination of research writing and targeted making, my work examines society’s understanding …


A Sacred Gift: Rebalancing Our Relationship With Water, Noora Naser Melhim Jan 2019

A Sacred Gift: Rebalancing Our Relationship With Water, Noora Naser Melhim

Theses and Dissertations

In the Middle East, and specifically Qatar, water has significant cultural history and preciousness as a commodity. Today, the rapid economic development has resulted in a disconnection from the past leading to subconscious overconsumption of water.

This thesis investigates water from the context of cultural relevance, by examining systems of distribution before and after the discovery of oil. It reinterprets the materiality of the traditional ceramic vessels used to contain and preserve water with the intention of using the natural properties of clay, such as cooling and filtering, to produce new artifacts. The intent of this research is to critically …


Polyanthroponemia: A Pursuit Of Mystery, Magdolene Dykstra Jan 2018

Polyanthroponemia: A Pursuit Of Mystery, Magdolene Dykstra

Theses and Dissertations

I wish I could believe in something. Having grown up in a religious household, I have continually teetered between faith and doubt. Landscapes seen and unseen are my last source of awe; here my doubt is suspended – for a moment. Using unfired clay, I create alternate landscapes inspired by sublime philosophy. The sublime experience is born in a sense of amazement linked to fear of something beyond our understanding or control. The amazing intricacy of microbiology, a whole universe existing alongside and inside us, fascinates me. The abundance of unfamiliar life in my work triggers a cautious curiosity. My …


Lullaby, Amber M. Smith Jan 2015

Lullaby, Amber M. Smith

Theses and Dissertations

I have been investigating the way in which my mind has altered my memories, especially from childhood. The more a moment is recalled, the less precise it becomes. The most inaccurate memories from childhood are the ones I have fixated on. Bedrooms are spaces where dreaming, sleeping and reverie take place leading to even more fragmenting. The intimate space of a bedroom allows me to represent the personal distorted recollections. The bedroom furniture is missing parts, shifted in height and placement or combined together. By making doubles of furniture, a direct comparison can be made from the real piece to …


Threshold, Marisa Finos May 2014

Threshold, Marisa Finos

Theses and Dissertations

Are the threshold experiences encountered between waking and sleeping similar to the liminal space between life and death? The sights, sounds, and bodily sensations experienced in the unconscious void blur the lines between the unknown and our conscious existence. Using the figure, I portray how the body might exist in these transitional moments. Through my investigations into sleep paralysis, dream states, and notions of an afterlife and the soul, I explore how we perceive the self in these altered states of consciousness.


The Dragons In Your Dreams, Jacquelyn Walther May 2012

The Dragons In Your Dreams, Jacquelyn Walther

Theses and Dissertations

What if every craving that you ever felt stayed with you forever? Suppose facades couldn’t exist, and what should only be the deepest, densest core of a desire was formed into a mass, a body. Its will matching yours in its physical presence. I make creatures that are embodiments of emotions. In this study I mainly focus on desires and inhibitions surrounding romance. I explore anatomical structures and how material make-up can directly reflect emotional character. In this exploration, the materiality of clay allows for a thorough manipulation of the composition of the creatures. In this I am also able …


Based On A True Story, Mary Elkins Apr 2011

Based On A True Story, Mary Elkins

Theses and Dissertations

Trying to remember is a form of forgetting. Memory fades, changes meaning, and disappears over time. While trying to find other ways to preserve stories about my family, it occurred to me that I could recreate what I remember in clay. I am creating collections of physical mementos of the memories that fill my head, focusing mainly on my childhood. Remembering is in itself an act of forgetting, and thus this is my memory preservation kit. I am recording memories of my family for posterity in clay before I have a chance to forget.


Indeterminate Lines, Hyun Kyung Yoon Jan 2007

Indeterminate Lines, Hyun Kyung Yoon

Theses and Dissertations

My thesis work is about flow. Indeterminate lines symbolize the developing plant form and explore the perception of space by experimenting with the subject's proportion and shape. Movement is also a vital factor of space, a notion found in the early forms of cursive script (grass script) of Far Eastern calligraphy. My individual plant pieces work as dots and lines of cursive script. An installation's ceramic pieces illustrate similar flow and movement when viewed as a whole.


Love Of Nature, Marguerite Z. Ratliff Jan 2006

Love Of Nature, Marguerite Z. Ratliff

Theses and Dissertations

I stand in awe of nature's beauty. The natural forms and colors of my subjects inspire me to create paintings and three-dimensional clay pieces. As I marvel at God's handiwork, my soul is enriched by the pure sight of His canvas. The rich bright colors of the organic shapes compel me to visually interpret what I experience as an expression of who and what I am, and what I want others to see. My intent is to focus on the elements of the subject matter where the color, shape, and form dominate the space.


Frame Of Mind, Jeffrey Brooks Warden Jan 2006

Frame Of Mind, Jeffrey Brooks Warden

Theses and Dissertations

The creative process offers me an escape and tranquility worthy of sharing. When creating art, I reflect on the people, places, and things that move me. I convey my frame of mind through the brush to the canvas. The result is intense strokes of color that deliver clarity of emotion for others to experience. The intention of my work is to share a world that satisfies the eyes, mind, and soul. There is something about each piece that I hope will keep the viewer returning to absorb, contemplate, and enjoy.


Tinged With Fire, Margo J. Nolan Jan 2006

Tinged With Fire, Margo J. Nolan

Theses and Dissertations

I have created art that has evolved from my own personal experiences. Life is capricious, and with the changes wrought by age, joy, and grief, I have found this self-referential work inevitable. Here, I have documented the journey that has brought me through personal wars, battles, and truces. I have come to believe that although my individual experiences may be unique, my responses to them are not. Loss and victory are universal.


Making The Forest Together: Young Children Represent A Shared Experience In Clay, Anna Mary Golden Jan 2006

Making The Forest Together: Young Children Represent A Shared Experience In Clay, Anna Mary Golden

Theses and Dissertations

This thesis examines the strategies young children use to develop a common set of goals when collaborating on a group art work. Teachers at Sabot School spend a great deal of time in discussion of children's group work. By concentrating on one project in my preschool classroom, I reached a greater understanding of the way children work together on a group project. This understanding enriched my practice of teaching so that I could become a better facilitator of similar projects in the future. The information is valuable to me and the other Sabot School teachers when planning future group projects, …


Textural Diversity, Paul Eskew Jan 2006

Textural Diversity, Paul Eskew

Theses and Dissertations

The sculptures I create reflect the elements of the natural world such as trees, the lumpy bush, clumps of turf. They have imperfect yet fascinating textures, picturesque in form, seemingly fractal in design, working together harmoniously to serve the aesthetic. My sculptures, like these natural shapes, are heavy or thicker toward the bottom and lighter toward the top, like a tree or stone. I strive to echo the mercurial, the animated natural surfaces, and the enticing vignettes one would experience on a woodland stroll.


Natural Selection, Jeffrey A. Vick Jan 2006

Natural Selection, Jeffrey A. Vick

Theses and Dissertations

My thesis work is about imagination. I use the collaborative efforts of the viewer's mind and my sculptures, or specimens, to make associations of real life animals. I feel this engages the viewer and in turn invites them to inspect the work on closer level. This is my ultimate goal in the work, to take hold of the viewer's curiosity and have them examine the work on a closer level.


Light And Life, Christine Elizabeth Bishop Jan 2006

Light And Life, Christine Elizabeth Bishop

Theses and Dissertations

Faith and family are the aspects of my life that bring me joy and inspiration. This joy is represented as light and is present both literally and symbolically in all my work. I use light or a flame in my ceramic pieces to represent warmth, love, and spirituality. Images of nature are employed to suggest life. My most recent ceramic work embodies aspects of family and the joy of motherhood. My paintings focus on my family and are centered on the moments or memories that are significant to them. I try to paint the light of their lives.


Choice And Chance: Thoughts On My Journey, Leann Sasamoto Jan 2006

Choice And Chance: Thoughts On My Journey, Leann Sasamoto

Theses and Dissertations

My love of learning, teaching, and providing creative spaces for people to connect informs my work and my life. For me, art is like life: messy, physical, and, if done with intent, beautiful. It is more about the process than the result; it is about recognizing that although we make choices, there are many things we cannot control; it is about being so present in the moment that everything else fades away. How I live, what I do, what I believe, and my art are all the same.


Natural Flow, Holly Armstrong Jan 2006

Natural Flow, Holly Armstrong

Theses and Dissertations

Nature never ceases to amaze me with momentary observations of fluid energy: the purposeful curvature of a blue heron's neck; the pattern of water as it sweeps across a rock sculpted by that very motion; the changing light and shadows created as wind blows through tall grasses. The spark of beauty in these moments lies in the energy that causes this constant change. To capture this energy, either potential or kinetic, and embody it through textures and flow of mass, is my essential goal as an artist.