Digital Commons Network^™

Technology Of Story: Documenting Culturally Sustaining Anti-Racist Teaching, Frances Vitali

Proceedings from the Document Academy

Our education system, an extension of our society, has created a monster of historical sociocultural and linguistic inequities, traumas, structural racism, and oppressions. Culturally responsive and sustaining pedagogy honor students’ funds of knowledge as their authentic power and voice. The oral family stories became vehicles to navigate and facilitate educational partnerships in becoming more culturally responsive for these teacher candidates. Oral stories, as documents, became the content within the context of the writing workshop process. These documented stories became the technological bridge that supported students’ home experiences with academic language and content to meet curricular goals.

During the writing process, …

Documental Fixity, Asy Sanches, Ronald E. Day

Proceedings from the Document Academy

The article discusses the concept of fixity in documents and documentality. Issues of control and power are discusses as related to these concepts.

The Ontological Status Of Sound Recording: An Artistic Blend Between Documentation And Sonic Aesthetics, Gaute Barlindhaug

Proceedings from the Document Academy

This paper discusses how different ways of defining the ontological status of recorded sound have developed throughout the 20th century. My claim is that even within the period of analog technology, sound recording was moving away from its purposes of preserving and documenting real life musical performances. I will illustrate this by using three different examples. First, I will look at how John and Alan Lomax´s folkloristic documentation of blues music in the 1930s changed the very culture they documented by introducing a new medium that enabled the sharing and dissemination of music beyond the word of mouth. Secondly, I …

Rhizome Blues: Introducing Document Teratology, Arthur Perret, Olivier Le Deuff, Clément Borel

Proceedings from the Document Academy

The aim of this paper is to defend a richer theoretical understanding of what we call monsters, and to argue for the development of document teratology, which we see as an important scientific issue for documentology. We start from the premise that the default state of communication is incommunication, and that documentation, developed to counter this, seems to have become overwhelmed from the inside by its own problematic development. We then discuss the opportunity of a document teratology, based on nuanced description of what the word monster means. We describe two strong imperatives, monstration and categorisation, and the tension between …

The Vampire That Refused To Die: Dracula And Nosferatu, Louis J. D'Alton

Proceedings from the Document Academy

This paper considers the efforts of the Stoker estate to stop an infringing work, Nosferatu, in a new medium while simultaneously attempting to create new vehicles to exploit the legacy of Dracula. Focusing on the works as they pass and transform through overlapping and related frames allows the consideration of both the private and public lives of the document. It also highlights the limitations of policy frames and the continuing relevance of these historical processes in discussions of the document.

Embracing Monsters, Laurie J. Bonnici, Brian C. O'Connor

Proceedings from the Document Academy

We propose monsters are documents. Monsters show us, make evident to us, teach us. An exploration of five monsters, both popular and unknown, reveals they fit within a standard model of message making; the binary nature of that model separates meaning from message enabling explanation of evolving interpretations of a monster. We examine the coding and decoding of monster documents through a functional ontology lens. We posit that monsters defy protype and thus serve as attempts at documenting the undocumented. Simultaneously monsters present clues to understanding through imagery that spans the unfamiliar and the familiar allowing the recipient to engage …

Navigating Monsters: Credibility In The Twittersphere, Carrie A. Boettcher

Proceedings from the Document Academy

The increasing use of OSM during emergency, or potentially threatening, situations creates conditions in which emergency planners and responders need a high level of investigative skill to weed through a dynamic information landscape to determine the quality of information to contribute to improved situation awareness. This weeding process transforms the big data environment of OSM to focused information retrieval. Inquiry into indicators of quality in OSM (authority, objectivity, currency, coverage, and glyphicality) during severe weather situations informs how OSM impacts the information behavior of the severe weather enterprise of the U. S. Specifically, this paper focuses on investigation into how …

“What Is Truly Scandinavian?”—A Sas Commercial And The Document Complex Surrounding It, Roswitha Skare

Proceedings from the Document Academy

Scandinavian airlines (SAS) published a video (2:43 minutes long) under the title “What is truly Scandinavian?” on February 11, 2020, on the company’s social media sites. The ad was removed later that day, and a new and shorter version was published the day after. This paper takes a closer look on the video and the reactions on it. By focusing on the official Facebook-page of Scandinavian airlines and a range of documents that were published by SAS and others, the document complex surrounding the film is discussed in terms of connectivity and transformation.

Ishi, Briet's Antelope, And The Documentality Of Human Documents, Martin I. Nord

Proceedings from the Document Academy

Ishi, the “last wild Indian in North America,” was “discovered” in 1911 and spent the last years of his life living in an anthropology museum. There he was studied by anthropologists and viewed by the public as a living exhibit. In this paper, I take some initial steps in arguing that Ishi, the person, became a document to most people. The similarities between Ishi and Suzanne Briet’s hypothetical antelope, newly discovered and placed in a zoo, are eerie. Ishi, like the antelope, is brought into public knowledge as both an initial document and a wide variety of secondary documents derived …

Three Monstrosities Of Information, Ronald E. Day

Proceedings from the Document Academy

This article discusses three of my books and the types of information monstrosities they present.

Books And Imaginary Being(S): The Monstrosity Of Library Classifications, Melissa Adler, Greg Nightingale

Proceedings from the Document Academy

Thomas Jefferson sold his personal library and its classified catalog to the Library of Congress after the original library was burned in the War of 1812. He viewed the act of submitting his collection to the U.S. Congress as a means to inscribe his legacy and political agenda into the intellectual and cultural realm of the nation. Jorge Luis Borges was both a municipal librarian and the Librarian for the National Library of Argentina, as well as a prolific fiction and poetry writer. Borges’s fictions are a kind of catalogue in and of themselves, in which all books, all ideas, …

Seeing Indonesian Ghost Films Through Document Theory, — Suprayitno, Dian Novita Fitriani, Rusdan Kamil, — Rahmi

Proceedings from the Document Academy

Hantu, or ghosts, are portrayed as the incarnation of monstrous or evil souls wishing to harm humans. Most modern Indonesians still believe in ghosts, as suggested by a growing number of ghost films in recent years. From the 1970s until the present, more than 320 ghost films have been made and can be differentiated according to each culture, custom, and religion in Indonesia. Indonesian people believe that ghost films in Indonesia are scarier than ghost films from abroad because of a symbolic bond between ghosts and traditional myths represented in the films. This paper aims to understand ghost films …

The Brazilian Neodocumentalist Movement: An Historical Perspective, Gabriela Fernanda Ribeiro Rodrigues

Proceedings from the Document Academy

This article presents early studies on the repercussion of the neo-documentation movement in Brazilian Information Science, through a literary review on the history and evolution of Documentation in Brazil. Some currently approached questions by Brazilian researchers are presented here, with regard to the document and documentation under the neo-documentation perspective. Based on the work of these Brazilian researchers, by means of reconstituting the theoretical steps in the construction of these researches, it is traced to the pathways that indicate an original Brazilian Information Science neo-documentation movement. It is recommended that the subject be widely explored in the future, for being …

The Dragonslayer: Folktale Classification, Memetics, And Cataloguing, Alex Mayhew

Proceedings from the Document Academy

Tales of great heroes overcoming great monsters have been a part of storytelling since time immemorial. Some of these tales follow recurring patterns, and one such pattern is that of ‘The Dragonslayer.’ From tales of Tristan and Iseult and Saint George and the Dragon, to the confrontation with the dragon Smaug in The Hobbit, ‘The Dragonslayer’ has been an enduring example of a recurring pattern in storytelling.

Different knowledge organization systems seek to arrange and connect texts and their recurring patterns in different ways. Folklorists look for recurring motifs and some wiki editors look for common tropes in …

Two-Headed Calves, Unicorn Horns, And Trephined Skulls: An Essay About Beautiful Museum Monsters, Kiersten F. Latham

Proceedings from the Document Academy

This essay is part personal exploration, part scholarly study, as I use my own material and experience to seek out the answers to questions that began from personal encounters with monsters in museums.

Documentary Ghosts, Tim Gorichanaz

Proceedings from the Document Academy

This paper explores how they documents provide evidence, particularly in anomalous cases, where the evidence is specious. I suggest that it is fruitful to consider such cases with the metaphor of ghosts, as ghosts suggest a breakdown in our everyday understandings of the link between life and death. I describe three types of ghosts and consequently three types of documentary ghosts. Documentary Ghost 1 is a document whose object no longer exists; Documentary Ghost 2 is a document that seems to evince one object, but upon scrutiny it evinces something else; and Documentary Ghost 3 is a document that seems …