Digital Commons Network^™

James Inmon Art399 Portfolio, James Inmon

Professional Practices (ART 399)

My work has its roots in structures; the regularity of structural components feel right to me and serves as a counterpoint to the visual noise of the natural world. My most recent work has focused on houses and home structures. Most contemporary houses are only a slight variation on one another, and there doesn’t seem to be too many models to choose from. The suburbs are full of sameness which can become pattern. This observation sparked my interest, so with my latest pieces I’ve been exploring this idea of multiplicity in a suburban setting, whether it be with a watercolor …

Fife, Malcolm Art 399 Portfolio, Malcolm Fife, Malcolm Fife

Professional Practices (ART 399)

My life would make a perfect decadent novel. Nothing happens, but it happens with style. The time we live in now is an exceedingly decadent one, and I am interested in making connections and comparisons to periods of historical decadence. Aesthetically and thematically I am interested in the art and literature of the 1890s and 1920s, especially the Aesthetic, Decadent, and Art Nouveau movements. Art that is ornate and intricate attracts me. Superfluous ornament is something that makes life more bearable. One way this shows up is a consistent use of historical settings in my work. The people in my …

Syke, Aurora Zwyghuizen

B.F.A. Practicum Exhibition (ART 498)

“Colour is, on the evidence of language alone, very bound up with feelings.” -Marion Milner

The psychology behind color has intrigued me greatly. I’ve wondered how exactly it affects people and their mood. There are many similar meanings to every color. I have been researching a set of colors and what psychologists have to respond with. With this research, I am creating an article about color and fashion; and how it can affect the wearer. I created this product using my photography and asking people how a certain color makes them feel. Every person was photographed in a public place …

Barkedin Bs Graphic Design Exhibition, Katlyn Hall

B.A./B.S. Practicum Group Exhibit (ART 499)

Katlyn Hall

BS/BFA Group Exhibition

April 28th, 2020

Barkedin Animal Rescue

My design project is based on local animal rescues. I am inspired by communities that volunteer time and money into the welfare of animals. The animal rescue brand is called Barkedin. This is a made up rescue as a case study for my exhibition. The name Barkedin is a play on from the word Linkedin as a way to connect veiwers of the purpouse of the rescue.To connect with potential adopters and find homes for strays and animals that are on the euthanasia list in shelters due to overcrowding. …

A Ceiling And Four Walls, Cara Crowley

B.F.A. Practicum Exhibition (ART 498)

When someone presents nothing about themselves to anyone other people rush in to fill the gaps in this person’s behavior. In my work I like to explore the tension between craving vulnerability and trying to hide yourself away. When I create an image, I try to think about what I can obscure and what I can reveal in the picture plane and how that impacts the meaning of the work. Layering imagery allows me to cover up and reveal different things in the composition, through this method, I can push certain things backwards and accentuate others by pulling them forward. …

The Whole Shabang, Bohui Liu

B.A./B.S. Practicum Group Exhibit (ART 499)

We all live on the same planet, but we look very different. Sometimes people can be criticized by their skin color or country they are from. People always define a person in a glance, simply through someone's appearance can be concluded that he or she has some characteristics. But in addition to skin color and language is different, everyone has their own personality, there are advantages and disadvantages. If we just see the appearance then to comment on a person is also irrational and unfair. In this theme, I represent that we have lots of differences outside but we are …

Roby Joe Dream Boat, Roby Blackwell

Professional Practices (ART 399)

Love is everywhere, we see it all the time. It is something that I myself have even become obsessed with. Showing love through a surreal childlike eye with a twist of tongue-in-cheek, I desire to evoke the sense of complication through maximalism. My generation really inspires their endless influx of media; how Instagram profiles have turned into perfectly planned out color schemes, with set saturations and grain levels. I make work about millennials, the love within us. Exploring how we portray ourselves on social media, and the fantasy of how we portray this curated life, combined with pop culture is …

Finally., Jade Simpson

B.A./B.S. Practicum Group Exhibit (ART 499)

I create graphic design pieces with the goal of inciting a feeling in the viewers. I have found through the years that creating a well developed color pallet is a major part of my process as an artist. This is because color can help enhance the specific emotion or idea that I am pushing for. I enjoy designing a variety of posters over subjects from music to commentary on social issues. The reason I choose the topics of mental health awareness, suicide awareness, gender roles, domestic violence, drug abuse, and other similar topics is because I want people to stop …

Professional Blend Vii, Jade Simpson

Professional Practices (ART 399)

I create graphic design pieces with the goal of inciting a feeling in the viewers. I have found through the years that creating a well developed color pallet is a major part of my process as an artist. This is because color can help enhance the specific emotion or idea that I am pushing for. I enjoy designing a variety of posters over subjects from music to commentary on social issues. The reason I choose the topics of mental health awareness, suicide awareness, gender roles, domestic violence, drug abuse, and other similar topics is because I want people to stop …

Apitt_Proprac, Allison Pitt

Professional Practices (ART 399)

I have always been an “outside-the-box” kind of person. I feel like I don’t fit into the mold of an “artist”. However, I’ve used this aspect about myself to use it to create my art. Unlike the others in my classes, I haven’t found myself fascinated by one idea or material. As a future art educator, I feel like this change is something I can use to my benefit to adapt and relate to each student and their unique backgrounds that come through with their art. I hope to inspire my students to be their true self, and let their …

Koryn Hatfield, Koryn Hatfield

Professional Practices (ART 399)

Creating art allows me to delve into my mind and acknowledge specific memories and associations I have made with people, places, and events in my life. My works are created in a stream of conscious state and involve me recording my thoughts in a visual dialogue. The process itself then, becomes important because it is during this time, I uncover these parts of myself and my life.

My goal is for the viewer to make connections within the work but still be left in a sense of wonder. One of the most recognizable aspects of my work is my use …

Talitha Cunningham, Talitha Cunningham

Professional Practices (ART 399)

I have explored a number of ideas and media since starting my journey toward becoming an art educator. One that I seem to find myself returning to regularly is my interest in exploring mental illness. This derives from my experience with people in my life that have dealt with and continue to deal with mental illness, myself included. I want to raise awareness about mental health and the impact it has on the sufferer through my art.

I have touched on this idea in some of my past works, including a photo diptych that depicts the highs and lows of …

Cara Crowley Selected Works, Cara Crowley

Professional Practices (ART 399)

When someone presents nothing about themselves to anyone other people rush in to fill the gaps in this person’s behavior. In my work I like to explore inevitable duplicity of living, such as the mind versus the body and saying versus thinking. When I create an image, I try to think about what I can hide and what I can reveal in the picture plane and how that impacts the meaning of the work. Layering imagery allows me to cover up and reveal different things in the composition, through this method, I can push certain things backwards and accentuate others …

Invasive Flora, Sadie Burnash

B.F.A. Practicum Exhibition (ART 498)

Flowers are a beautiful, ever changing part of nature. Historically, flowers have been symbols for beauty, love, and fertility. However, I choose to paint poisonous flowers to represent the fatal beauty of the things we are drawn to even when they are not good for us. Within my work, poisonous flowers symbolize negative thoughts and emotions I have about self-harm and being trapped.

Little moments in my life bring about anxious feelings. To both represent and to combat these feelings, I create images of domestic space relatable to the viewer, but fraught with tense energy from proliferating flowers and intense …

Ana's Exhibition, Ana Wahlers

Professional Practices (ART 399)

Artist Statement

I make fantasy inspired scenes that are naturalistic. This means the scene itself isn’t realistic, just the bodies or individual forms. Everything else is just various things put together that you wouldn’t normally see together. That way the scene is comprehensible, but you also can’t say, “That’s not accurate”. Real everyday scenes are kind of boring because there’s nothing to invoke an emotion in me, so I like to bring things that can only exist from the human mind into the picture. For example, I’ve done a few scenes of monsters or figures in a house or room. …

Head In The Clouds, Dakota Vincent

B.F.A. Practicum Exhibition (ART 498)

As an anxious kid, everything said or done could be distorted and inflated over time in my mind. Consequences of such small actions grew disproportionately in importance. I would focus my breath downward to avoid adding the resulting force to any destructive winds in the far distance. Pulling from this experience, I direct the viewer's’ attention to the small elements in painting that built up to create tension in a painting; the vague expectations and worries that interrupt the experience of space. The process is mainly working the surface of my paintings to set an explorable stage for the viewer …

Remembering, Taylor Mccord

B.F.A. Practicum Exhibition (ART 498)

Time doesn’t wait for anyone. It always changes the way you look at something, or the way it looks. This is something I learned from a young age, and have tried to battle against it in order to preserve memories I’ve made. I started out collecting family photos, then I moved on to taking my own, but as I got older I realized there is no real way to preserve a memory, it’s always changing. As years pass little moments are forgotten even physical relics from the past deteriorate and age with you. Because of this, I soon realized there’s …

Professional Blend Ii, Dakota Vincent

Professional Practices (ART 399)

My work references physical relation to interpreted spaces, I want people to experience the visual plane as if they were traveling through it. Inside the picture plane I mix organic and inorganic shape to visit the ideas of humanity, evolution, and the divisions between what we see and what we decide to be natural or unnatural.

My interest in symbolist art brought me to poetry. I find poets have this delicacy of description wherein a poet like Joseph Fasano could describe his journey away from civilization in Hermitage with such painterly expressions that reading his poem feels like viewing a …

Final Portfolio/ Digital Commons Assignment Art 399-01 Sp17, Troian Cummings

Professional Practices (ART 399)

My body of work is based in nature; it deals with concepts of comfort, discomfort, and in shared human perception and emotion. The malleability and durability of metal reflects my desire for control while its unpredictability aids in my desire to emulate nature. I am drawn toward natural elements because of my upbringing in Yosemite National Park, where nature is life. It is inevitable, when you live in such a natural place, that you see nature as art. Also, I have always been very aware of my thoughts and feelings in comparison to others. I have a tendency to tell …