Digital Commons Network^™

Les Socialistes Français Et Le Maroc Au Début Du Xxe Siècle, Ali El Jaoui

Dirassat

The French Socialists and Moroccan at the Beginning of the XX Century

At the beginning of the 20^th century, the French socialists did not form a strong and active political party in its struggle against the policy pursued by the government of Paris. Many parties had come together to form 1901 two socialist parties: the socialist party of France around Jules Guesde and the French Socialist Party around Jean Jaures. Admittedly, French socialism had become part of national political life because of the attachment of its militants to the republican regime, but it was far "despite great efforts from …

“History Hestory” Djebbar ,Witersson ,And The Making Of Historiographic Metafiction, Touria Nakkouch

Dirassat

This article deals with the issue of postmodernism and postcolonialism through Djebar and Watterson and the accompanying creative theoretical issues.

Le Protectorat Espagnol Et Le Nord Marocain Organisation Administrative Et Strategie Socio-Economique Le Cas Du Bas-Loukkos (Lucus), Mohamed Ben Attou

Dirassat

THE SPANISH PROTECTORATE AND NORTHERN MOROCCO

ADMINISTRATIVE ORGANIZATION AND SOCIO-ECONOMIC STRATEGY THE CASE OF BAS-LOUKKOS (LUCUS)

The subject treated in this article is to determine the Administrative nature of the Spanish Protectorate in the Loukkous region in northern Morocco, the main rural colonization area of Spanish Morocco, using statistical and demographic data.

The Postcolonial Condition In Tayeb Salih's Season Of Migration To The North, Rachida Yassine

Dirassat

Tayeb Salih's Season of Migration to the North Disacounter-narrative written in 1969 at the early phase of African 'Decolonization'. This narrative re-writes Conrad's Heart of Darkness –and other ethnocentric representations of Europe's Other such as Shakespeare's Cali ban and Othello-from an Arab/African perspective. In his Culture and Imperialism, Said considers Salih's novel an example of the postcolonial native writers' reclamation of the fictive to poi of colonial culture "on the very same territory once ruled by a consciousness that assumed the subordination of a designated inferior. Saree Makdisee makes a similar point in his essay," The Empire Renarrated: Season of …

The Politics Of Self-Representation In Abdelmajid Benjelloun’S Novel In Childhood : An Ambivalent And Displaced Morrocan « Self », Azize Kour

Dirassat

This article examines the politics of Moroccan cultural self- representation from a novelistic perspective. It attempts to foreground the ambivalent standpoint that many Moroccan novelists evince in imag (in) ing Moroccan cultural identity. A hybrid approach to the Self/ Other dialectic comes into play in this endeavour at self-definition. Importantly, this article tries to outline Moroccan self-representation from gendered, spatial and national perspectives. It, therefore, seeks to answer the following questions: How does Abdelmajid Benjelloun's autobiographical novel In Childhood represent Moroccan identity and culture? Is its portrayal of Moroccaness supportive or critical of the Orientalist lenses that Morocco has been …

Women Behind Walls And The Subversion Of Colonial Photography, Elhoussaine Idbahsine

Dirassat

The colonial postcard was used to misrepresent the oriental women and enhance the colonial stereotypes in north Africa, women are always seen submissive and easily surrender.

Picturing the Moorish women in their harems unfolds their rebellions and collective engagement in the colonial visual discourse by oppositional look, they use the wall to show their resistance and rejection of colonialism. Powerful moments of women resistance and refuse of submission to the lens of the colonial camera.

Résumé De Thèse Fr Doctorat : Le "Berbère" Stéréotypé : Etude Des Processus De Construction Des Images Et Des Représentations Des "Berbères" Du Maroc Dans Les Sources Coloniales Françaises, Lahoucine Bouyaakoubi

Dirassat

The summary of this doctoral these:”Le Berbere! “steryotype: study of the process of construction of image and representations of ”Berbers” of Morocco in French colonial sources.