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Art And Embodiment: Biological And Phenomenological Contributions To Understanding Beauty And The Aesthetic, Adrienne Dengerink Chaplin

Contemporary Aesthetics (Journal Archive)

Increasing awareness of the crucial and complex role of the body in making and experiencing art has led to a diverse range of biological and phenomenological philosophies of art. The shared emphasis on the role of the body re-connects these contemporary theories of art to aesthetics' pre-Kantian origin as a science of sense-perception (aesthesis) and feeling. Tracing some of the current positions in such diverse thinkers as Dissanayake, Langer, and Merleau-Ponty, this paper will examine their shared interest in art as a pre-reflective, non-discursive mode of knowing, symbolizing, and being-in-the-world. This paper argues that while some biologically based theories have …

Book Review Of Philip Pothen's "Nietzsche And The Fate Of Art", Murray Skees

Faculty Publications

No abstract provided.

Colorization Revisited, Julie C. Van Camp

Contemporary Aesthetics (Journal Archive)

This article is both philosophical and practical in its intent. It endeavours to bring into focus an idea with an Ancient Greek lineage, poiesis, and determine whether it may revitalise our thinking about the 'making' of art. The art-making considered in this paper will concentrate exclusively on Western art and its historical and contemporary manifestations. I suggest that poiesis - that which "pro-duces or leads (a thing) into being'" - may enable practitioners in the varying art forms, and aestheticians who reflect upon them, to come to a deeper sense of how artworks work: that they realize themselves inter-dependently …

Poiesis And Art-Making: A Way Of Letting-Be, Derek H. Whitehead Ph.D.

Contemporary Aesthetics (Journal Archive)

This article is both philosophical and practical in its intent. It endeavors to bring into focus an idea with an Ancient Greek lineage, poiesis, and determine whether it may revitalise our thinking about the 'making' of art. The art-making considered in this paper will concentrate exclusively on Western art and its historical and contemporary manifestations. I suggest that poiesis - that which "pro-duces or leads (a thing) into being'" - may enable practitioners in the varying art forms, and aestheticians who reflect upon them, to come to a deeper sense of how artworks work: that they realize themselves inter-dependently …

Literature In The Text Of Gaudy Night, Michael Cunningham

Inklings Forever: Published Colloquium Proceedings 1997-2016

In Dorothy L. Sayers’ novel, Gaudy Night, she writes a mystery story that deviates from the normal genre. Through the quotation of literature throughout the story she is able to reveal the growth of the characters and themes within the story.

The Self-Growth Of Vision And The Self-Repose Of Color: A Heideggerian Meditation On The Studio Paintings Of Jean Koeller, Charles Taylor

Philosophy Faculty Publications

No abstract provided.

Shadows That Fall: The Immanence Of Heaven In The Fiction Of Lewis And Macdonald, David Manley

Inklings Forever: Published Colloquium Proceedings 1997-2016

C.S. Lewis’s view of heaven were shaped by George MacDonald’s fiction. By examining the fiction of of both men we see their vision of heaven, how art imitates heaven, and how heaven shall come to earth.

Presented at the 1997 Frances White Ewbank Colloquium.

An Analysis Of Isenberg's Aesthetic Theory And Its Application To The Works Of Monet And Smokey, Tracee Elizabeth Gross

Undergraduate Honors Capstone Projects

Aesthetics is a branch of philosophy, which attempts to define art using a set of purported characteristics that, when applied to particular pieces, will aid in making discriminations between art and non-art. Aesthetics also traditionally examines the creation, appreciation, and criticism of art. Theories of aesthetics are constructed to assist one in making judgments as to whether or not a piece is art or is beautiful. Ideally, theories serve two primary tasks. The first is to provide an explanation, which will aid in separating out those items not covered in the scope of the theory. Also, theories are used as …

Deception In Aristotle's Rhetoric: How To Tell The Rhetorician From The Sophist, And Which One To Bet On, Eugene Garver

The Society for Ancient Greek Philosophy Newsletter

Aristotle has a simple answer to questions about the morality of rhetoric: he distinguishes the rhetorician and the sophist. What sets the sophist apart from the rhetorician is "not the faculty (dynamis) but the moral purpose (prohairesis)" (I1.1355M7; see de Soph Elen 1.165a30). Keep straight the difference between sophist and rhetorician and all moral problems will evaporate. He certainly doesn't think telling them apart needs great philosophical development or exquisite ethical judgment. Distinguishing them requires neither phronesis nor familiarity with the Rhetoric. He gives his distinction all the explanation he thinks it needs by saying:

In rhetoric, the person who …

Penny Dreadful Commission Comics No. 5, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." All comics were student-submitted, and the publication was entirely student-run. This is issue No. 5 from May 1, 1989.

Penny Dreadful Commission Comics No. 4, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." All comics were student-submitted, and the publication was entirely student-run. This is issue No. 4 dated April 1, 1989.

Penny Dreadful Commission Comics No. 3, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." The issue of March 1, 1989 has a cover that parodies Time magazine.

Penny Dreadful Commission Comics No. 2, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." This is issue No. 2 dated February 1, 1989.

Penny Dreadful Commission Comics No. 1, Students Of Risd, Risd Archives

All Student Newspapers

Penny Dreadful Commission was a student organization at RISD that wanted to "demonstrate the range and expressive power of comic art by presenting a varied collection of work." All comics were student-submitted, and the publication was entirely student-run. This is issue No. 1 dated January 1, 1989.

Salvador Dali, Curtis Carter

Philosophy Faculty Research and Publications

No abstract provided.

Intention And Interpretation In Art: A Semiotic Analysis, Gary Shapiro

Philosophy Faculty Publications

Kant was perhaps the first philosopher to note the distinctive puzzle, verging on paradox, which marks our dealings with art. Works of art seem to place us under an obligation to interpret them and yet we are convinced that our interpretations will never be exhaustive. Kant attempts to account for this peculiar phenomenon by talking of "purposiveness without purpose" or of the aesthetic idea as "a representation of the imagination to which no concept is adequate." We are constrained to see some pattern or organization in a work of art and this is typically understood as a teleological or purposive …

Indigenous Philosophy In The Valley Of Mexico, John F. Newcomer

Philosophy ETDs

This study has been undertaken in the hope of helping to open new avenues of research in both philosophy and anthropology, avenues that have heretofore been largely overlooked. It has used as an example the pre-Conquest culture-complex of the Valley of Mexico. It is not intended to be an exhaustive exposition of every aspect of that complex, for that would take it out of the realm of philosophy and too far into that of anthropology. It is rather an examination of the salient features of Aztec culture in a philosophical light. It begins with a discussion of primitive philosophy in …