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Making-To-Be: Documents, Facta, And Material-Discursive Agency, Elliott Hauser

Proceedings from the Document Academy

This paper presents the performative analysis of agency within and surrounding documents as a path towards uniting the otherwise incompatible insights of both meaningcentric and materialcentric approaches. I contrast the terms agentical, providing agency, and agentic, possessing agency, to help clarify the apparent incompatibilities of prior approaches. I argue that a relational conception of agency, wherein the agentical/agentic distinction is blurred, preserves important virtues of both meaning and materialcentric approaches to documents. This paves the way for a unified materialdiscursive account of documents and a cure for document studies’ inherited duality malady. Extending prior work on capta (Drucker, 2011) and …

Powerful Particulars As “Autodocuments” In Documentality, Ronald E. Day

Proceedings from the Document Academy

The purpose of this short paper is to sketch the problem of whether documentality, in the sense of the appearance of evidence, must always take the form of a type-token relationship. In contrast to a type-token epistemology common in the Library and Information Science tradition, the paper argues that there is precedence for a theory of documentality that views evidentiality as a product of the powers of particulars to make themselves present. To make this argument, it appeals to Robert Pagès theory of documents and, over a half century later, Bernd Frohmann’s proposal for a philosophy of information, “Documentality.” Such …

“Living Document”: From Documents To Documentality, From Mimesis To Performative Indexicality, Ronald E. Day

Proceedings from the Document Academy

In this article, in distinction to documentation as an epistemic understanding of documents, I will discuss the epistemology of documentality as an indexical theory of documental functions, which I will develop through Bruno Latour’s notion of information. This notion of indexicality is different than Suzanne Briet’s notion of indexicality (which I have discussed elsewhere (Briet, 2006)).

I will begin this paper with an historical problem that illustrates the issues of viewing documents as content representation. This is the problem identified by Vincent Debaene (Debaene, 2014) in early and mid-twentieth century French field anthropology of the “two book” phenomenon, which attempted …

Ishi, Briet's Antelope, And The Documentality Of Human Documents, Martin I. Nord

Proceedings from the Document Academy

Ishi, the “last wild Indian in North America,” was “discovered” in 1911 and spent the last years of his life living in an anthropology museum. There he was studied by anthropologists and viewed by the public as a living exhibit. In this paper, I take some initial steps in arguing that Ishi, the person, became a document to most people. The similarities between Ishi and Suzanne Briet’s hypothetical antelope, newly discovered and placed in a zoo, are eerie. Ishi, like the antelope, is brought into public knowledge as both an initial document and a wide variety of secondary documents derived …

Metaphors For Meaningful Documents, Martin I. Nord

Proceedings from the Document Academy

The ever-increasing speed and reach of Information and Communication Technologies (ICTs) are often lauded for the beneficial social effects we are told they have. This raises questions about the connection between knowledge and social relationships, especially concerning meaningful relationships in a world where people are increasingly represented as data. To answer this question, one approach is to consider the role of documents in communicating “meaningful” content in pursuit of understanding. Because this is difficult to articulate, this paper takes the approach of using metaphors—specifically of the document as a bridge, a window, a painting, a briefcase, and a mirror—to consider …

Documents And Moral Knowledge: Art In Yellowstone National Park, Tim Gorichanaz

Proceedings from the Document Academy

Documents have traditionally been conceptualized as representations of reality. Recently, scholars have been exploring how documents can also construct reality. In this paper, I follow this thread, discussing how documents can supply moral knowledge, showing what people ought to value in the world, thereby guiding action. Specifically, I discuss two works of art depicting Yellowstone National Park: a painting by Thomas Moran, done in the 19th century; and a photograph by Michael Nichols, from the 21st. Both of these works respond to a dualism in the human relationship to the wilderness, dating back at least to the European colonization of …

The Documentality Of Memory In The Post-Truth Era, Claire Scopsi

Proceedings from the Document Academy

This article analyzes the documentality of memories in order to ground further consideration of memory for historical research in the post-truth era. The article compares discussions of the document in document theory to those in French historical epistemology in order to establish what is a reliable documentary source. Formerly, reliability was rooted in the paradigm of truth and the authenticity guaranteed by institutions and scientists. In today's post-truth era, these foundations are questioned. This article suggests that we consider the production of historical narratives as a design process, and that we evaluate the truthfulness of a source according to three …

On The Borders Of The Document: Trip To Turakia, Sabine Roux, Caroline Courbieres

Proceedings from the Document Academy

Analysis of documentary boundaries through the study of a set of documents related to the French Theater Company Turak. We describe as artistic documents the different documents that circulate during the creation of a play. There is an initial documentary collection comprised of the documentation for the performance on which the company relies to stage the play itself. At different stages of artistic creation, the company designs documents that are useful for the pursuit of creative reflection. The theater company also develops documents aimed at promoting the play for professionals and the public. Finally, the spectators also produce many documents …

Representativity And Complementarity In Tai Chi As Embodied Documentation, Joacim Hansson

Proceedings from the Document Academy

The aim of this paper is to investigate what happens if we leave the criteria of materiality and permanence behind in the study of documents. How far can we stretch the definition of a document or define a documentation process in a situation where neither the originary fact, or object, nor that by which this is represented is material or permanent? Empirically, the paper is constructed as a case study of the traditional Chinese practice of Tai Chi and presents a formulation of the Tai Chi form as an immaterial document and Tai Chi pratice as a doumentation process. The …

Personal Video And Observation Of The Ordinary, Brian C. O'Connor

Proceedings from the Document Academy

No abstract provided.

The Document: A Multiple Concept, Sabine Roux

Proceedings from the Document Academy

This paper discusses the concept of the document evolved throughout the 20th century in France, particularly through the writings of Robert Escarpit and Jean Meyriat. The document began as a simple notion and then gradually took on new meanings such that it is now seen as a construction of social values. Multiplicity is posited as a fundamental characteristic of the document, which affects its meaning, its interpretation and its social values. Like a rhizome, the document circulates in social spaces with multiple, nomadic associations through attribution, intention, meaning, interpretations and social values (political issues, artistic and aesthetic dimensions, economy, etc.) …

Using Heider’S Epistemology Of Thing And Medium For Unpacking The Conception Of Documents: Gantt Charts And Boundary Objects, Sebastian K. Boell, Florian Hoof

Proceedings from the Document Academy

Documents play a central role for many organizational processes. Current conceptualizations of documents predominantly engage with documents in two different ways. One sees documents as things with specific properties, and a second sees documents as medium enabling communication across different groups of actors. What is currently not well understood is how documents are perceived either as thing or as medium. This chapter engages with this issue by drawing from Fritz Heider’s epistemology of thing and medium, a concept stemming from social and media theory. According to Heider things are uniform and medium are multiform. Applying this concept to documents we …

Dutch Landscape Painting: Documenting Globalization And Environmental Imagination, Irene J. Klaver

Proceedings from the Document Academy

There is an old saying that God made the Earth, but the Dutch made the Netherlands; they did this by engineering relationships of the water and land.

The Dutch landscape is an authored landscape documenting human reaction to geological, economic, and cultural changes. As a consequence of Dutch globalization, landscape painting arose as a new form of painting, documenting these changes and reactions to them. In a period of newly created land, reclaimed and constructed by sheer human activity, the explicit construction of new environments apparently elicited an implicit desire to hold on to an older, familiar traditional landscape. The …

Docam 2014 Founders Lecture: Photocutionary Acts, Selfies And Public Knowledge, Brian C. O'Connor

Proceedings from the Document Academy

This paper is drawn from the DOCAM 2014 Founders Lecture Selfies and Public Knowledge: DOCAM 2014 Founders Lecture, "Selfies and Public Knowledge: Technology & Situational Documents"