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A Conductor’S Analysis Of Almeida Prado’S Passion Of Our Lord Jesus Christ According To Saint Mark, Cléusia Carreira Gonçalves Jan 2015

A Conductor’S Analysis Of Almeida Prado’S Passion Of Our Lord Jesus Christ According To Saint Mark, Cléusia Carreira Gonçalves

LSU Doctoral Dissertations

This study is based on the analysis and performance considerations of the Passion of our Lord Jesus Christ According to Saint Mark by the Brazilian composer Almeida Prado (1943-2010). This passion setting, which comprises mixed choir, actors, organ, harpsichord and timpani, was composed in 1967. The setting of the passion story strictly follows the gospel account, and no other poetic text, reflective chorales or arias were added. Among other factors, this work is unique in that the choir is used to carry the narrative throughout the work. Also, the composer masterfully uses text-painting in the choral and instrumental parts in …


For The Sake Of St. Cecilia: Analysis And Re-Orchestration Of Gerald Finzi's For St. Cecilia, Op. 30, Christopher Brent Rosborough Jan 2015

For The Sake Of St. Cecilia: Analysis And Re-Orchestration Of Gerald Finzi's For St. Cecilia, Op. 30, Christopher Brent Rosborough

LSU Doctoral Dissertations

Gerald Finzi contributed few pieces to the field of choral music, however the works that have been made available are filled with charm and finesse. Similar to the manner of Duparc, his small output encompasses great depth, beauty, and ingenuity. One such work is For St. Cecilia, Op. 30. Hidden behind the veil of the tradition of English musical festivals, Finzi’s St. Cecilia along with other great works became otherwise lost or discarded in the milieu of nineteenth and twentieth century British composition. Uncovering Finzi’s ode, one might find the size of orchestra and chorus a bit daunting. However, in …


The Stylistic Variance And Underlying Unity In Selected Organ Works By Clarence Mader, Jacob Richard Benda Jan 2015

The Stylistic Variance And Underlying Unity In Selected Organ Works By Clarence Mader, Jacob Richard Benda

LSU Doctoral Dissertations

Clarence Mader (1904-1971) is not a commonplace name heard within most academic institutions or concert halls at this point in music history. During his lifetime, however, he was regarded as a musician of the highest caliber. His expertise was not limited to a singular musical facet but included several. Mader spent the majority of his professional career in California as organist, composer, teacher and organ consultant. Chapter Two will outline the various influences that shaped Mader as a composer during the 20th century in America, as well as identify the common threads that permeate his music. A former pupil of …


The Saxophone In Puerto Rico: History And Annotated Bibliography Of Selected Works, Marcos David Colón-Martín Jan 2015

The Saxophone In Puerto Rico: History And Annotated Bibliography Of Selected Works, Marcos David Colón-Martín

LSU Doctoral Dissertations

The tradition of classical saxophone performance in Puerto Rico officially began quite recently in 1994. Musicians performing regularly in the style are few and local composition of new music for the instrument is rare. This research provides a historical overview of the saxophone in the musical culture of Puerto Rico and explores reasons for the delay on saxophone classical performance to develop. In an attempt to help promote the local performance and composition of new works, the author provides an annotated bibliography of music for saxophone by selected Puerto Rican composers.


Olivier Messiaen's Influence In The Violoncello Works Of Toru Takemitsu, Susannah Violet Montandon Jan 2015

Olivier Messiaen's Influence In The Violoncello Works Of Toru Takemitsu, Susannah Violet Montandon

LSU Doctoral Dissertations

This monograph is an examination of Oliver Messiaen’s influence in the violoncello solo and chamber compositions of Tōru Takemitsu. A total of sixteen pieces: Le Son Calligraphie I (1958), Le Son Calligraphie III (1960), Scene (1959), Landscape (1960), Corona II (1962), Valeria (1969), Quatrain (1975), Quatrain II (1977), Waterways (1978), A Way Alone (1981), Orion for Violoncello and Piano (1984), Orion and Pleiades: Concerto for Violoncello and Orchestra (1984), Entre-Temps (1986), A Solitary Road (1988), Herbstlied (1993), and Between Tides (1993), are studied to determine the degree of Messiaen’s influence. The research is through a cellistic and musicological analysis including …


Alexander Moyzes And His Piano Sonata In The Context Of Slovak Music Between The Wars, Ivan Koska Jan 2015

Alexander Moyzes And His Piano Sonata In The Context Of Slovak Music Between The Wars, Ivan Koska

LSU Doctoral Dissertations

The purpose of this monograph is to introduce to the English-speaking public the Slovak twentieth-century composer Alexander Moyzes and his Piano Sonata in E Minor, Op. 2 (1942), virtually unknown outside Slovakia. The style of the Sonata represents a retreat from earlier, more experimental positions of its author; this shift can be explained by a closer look at historical and aesthetic circumstances surrounding its composition. The first chapter provides an essential biography of the composer with an emphasis on his life and works between 1925 and 1940. The second chapter compares single movements of the Sonata with earlier manuscripts and …


A Model Of The Tonal-Chromatic System And Its Application To Selected Works Of Gustav Mahler, Andrew David Nicolette Jan 2015

A Model Of The Tonal-Chromatic System And Its Application To Selected Works Of Gustav Mahler, Andrew David Nicolette

LSU Doctoral Dissertations

During the latter half of the twentieth century there was a marked shift in the way that many scholars approached analysis of late-nineteenth-century tonality. This shift in approach was motivated by the behavior and interaction of harmonic and melodic entities encountered in the music of the great composers of the nineteenth century, such as Schubert, Schumann, Brahms, Mahler, Wagner, and Strauss. The question arose: did the diatonic system remain at the heart of tonality during the late nineteenth century, or—as some propose—did a new chromatic-based tonality emerge? The acceptance of this new chromatic-based tonality is at the heart of this …


The Journeys Of Humboldt: A Guide To Efrain Oscher’S Composition For Orchestra, Bernardo Virgilio Miethe Jan 2015

The Journeys Of Humboldt: A Guide To Efrain Oscher’S Composition For Orchestra, Bernardo Virgilio Miethe

LSU Doctoral Dissertations

The purpose of this monograph is to provide a conductor’s guide to the preparation, performance, and programing of Efrain Oscher’s composition for orchestra “Los Viajes de Humboldt” since there has been no other research done on this composition. This monograph offers a biography of the composer and an insight into the composer’s intentions and thoughts when composing this piece. The following monograph also provides a better understanding of the historical context of this piece by detailing the journey of Alexander von Humboldt to the Americas, in particular, his experiences of his time spent in Venezuela from 1799 to 1800. Moreover, …


Costa Rican Composer Luis Diego Herra And His Symphony I An Annotated Edition, Norman Armando Gamboa Jan 2015

Costa Rican Composer Luis Diego Herra And His Symphony I An Annotated Edition, Norman Armando Gamboa

LSU Doctoral Dissertations

Luis Diego Herra (b. 1952) is regarded as one of the most important and versatile Costa Rican musicians of the present generation. A pioneer in the orchestral conducting arena, he was one of the first Central American conductors to pursue formal studies abroad. He served as professor of orchestral conducting and composition at the University of Costa Rica School of Music. Herra is a prolific composer, arranger, editor, and pedagogue, with an extensive output of more than 50 works. This research will focus on one of his most relevant compositions, the Symphony I of 1990, which marked a new chapter …


Thomas Davis, The Nation, And Songs Of Irish Nationalism, Timothy Mason Love Jan 2015

Thomas Davis, The Nation, And Songs Of Irish Nationalism, Timothy Mason Love

LSU Doctoral Dissertations

Thomas Davis was a significant figure in the flourishing movement of cultural nationalism in mid-nineteenth-century Ireland. A cofounder of _The Nation_, Davis used the journal’s pages as a medium through which to promote a nationalist vision for Ireland distinctive for its nonsectarian appeal. Along with impassioned editorial prose, Davis employed poetry and song to carry his message to the public. “Young Ireland,” as Davis and his colleagues became known, focused their efforts especially on the traditional Irish song, elevating it as a symbol for their cultural heritage while harnessing its emotional power to strengthen their political cause. The songs printed …


Dmitri Kabalevsky: A Pedagogical Analysis Of Five Sets Of Variations, Op. 51 And Easy Variations, Op. 40, Patrick Collin Bachmann Jan 2015

Dmitri Kabalevsky: A Pedagogical Analysis Of Five Sets Of Variations, Op. 51 And Easy Variations, Op. 40, Patrick Collin Bachmann

LSU Doctoral Dissertations

This monograph explores the life of Russian born composer, educator, and pianist Dmitri Kabalevsky. The first chapter presents a biography of Kabalevksy with special attention given to how biographical details from his life relate to his pedagogical piano works. The second chapter talks about the “Three Whales” of music: the song, march, and dance. Kabalevsky believed these three genres were the most accessible forms of music and that all music was built upon these vital categories. The third chapter analyzes Kabalevsky's compositional style and clarifies the specific features of his compositions that make them pedagogically sound and attractive to the …


Homenaje A García Lorca, A Conductor’S Approach, Alejandro Artemio Larumbe Martínez Jan 2015

Homenaje A García Lorca, A Conductor’S Approach, Alejandro Artemio Larumbe Martínez

LSU Doctoral Dissertations

The purpose of this dissertation is to provide a conductor’s analysis of the Mexican composer Silvestre Revueltas’s Homenaje a García Lorca from research of his work and life. Revueltas wrote Homenaje a García Lorca, a chamber orchestral piece, in response to the murder of the Spanish poet Federico García Lorca in 1936 during the Spanish Civil War. Homenaje is orchestrated for twelve instruments in three contrasting movements: Baile (dance), Duelo (mourning), and Son (son is the name of a genre of traditional Mexican music). Homenaje is widely regarded as one of Revueltas’s most compelling works. It combines a highly personal …


A Performer's Guide To Sergei Lyapunov's Concerto For Piano And Orchestra No.1, Op.4, Irina Cunev Jan 2015

A Performer's Guide To Sergei Lyapunov's Concerto For Piano And Orchestra No.1, Op.4, Irina Cunev

LSU Doctoral Dissertations

This document is intended to contribute to the ongoing study of Sergei Lyapunov’s work by focusing on his First Piano Concerto, a brilliant work that was once highly esteemed, but which has been unjustly neglected over the years. The main purposes of this study and the accompanying public lecture-recital are threefold: 1) to provide a historical background and to discuss major music trends that shaped Lyapunov’s style, along with biographical information about the composer’s life, 2) to provide a specific descriptive analysis of key stylistic elements utilized in the concerto and 3) to provide a detailed discussion of pianistic techniques …


A Performer's Guide To Ivor Gurney's The Western Playland (And Of Sorrow), Ridley Chauvin Jan 2015

A Performer's Guide To Ivor Gurney's The Western Playland (And Of Sorrow), Ridley Chauvin

LSU Doctoral Dissertations

The purpose of this document is to serve as a performance guide for Ivor Gurney’s song cycle, The Western Playland (and of Sorrow), a song cycle for baritone, piano and string quartet, consisting of eight songs set to the poetry of A. E. Housman. Within this performance guide an analysis of each song and poem in The Western Playland (and of Sorrow) will be explored, along with performance recommendations for each of the eight songs. Given that there were relatively few composers writing works for string quartet, piano and solo voice during the years Ivor Gurney was composing, the author …


A Performer's Guide To Richard Danielpour's A Woman's Life, Carline Waugh Jan 2015

A Performer's Guide To Richard Danielpour's A Woman's Life, Carline Waugh

LSU Doctoral Dissertations

This document serves as a guide to the song cycle A Woman’s Life composed by Richard Danielpour in 2007. The document presents relevant biographical information on the composer and a discussion on his influences and style. Each movement of the cycle has been selected by Dr. Maya Angelou from her poetry collections and collectively forms the narrative of A Woman’s Life. A brief discussion is presented on the life and some of the works of Angelou. Readers of this document will gain further insight into the life of soprano Angela Brown, for whom the cycle was composed. A discussion on …


The Saxophone Symposium: An Index Of The Journal Of The North American Saxophone Alliance, 1976-2014, Ashley Kelly Jan 2015

The Saxophone Symposium: An Index Of The Journal Of The North American Saxophone Alliance, 1976-2014, Ashley Kelly

LSU Doctoral Dissertations

The Saxophone Symposium is the journal of the North American Saxophone Alliance and is a peer-reviewed academic publication. Since 1976, its readership has enjoyed articles on a variety of saxophone related topics as well as reviews of contemporary recordings and publications. Aside from these academic applications, The Saxophone Symposium is an historical account of some of the saxophone culture in North America and beyond. Academic journals such as this are invaluable to both students and educators, and the ability to access the information within them is vital. Prior to the digital age, the majority of serious academic journals have been …


Southeast Asian Youth Chamber Orchestra (Seayco): A Musical Bridge Within The Southeast Asian Region, Paraschos Paraschoudis Jan 2015

Southeast Asian Youth Chamber Orchestra (Seayco): A Musical Bridge Within The Southeast Asian Region, Paraschos Paraschoudis

LSU Doctoral Dissertations

This document is presented from the perspective of the project manager of the Southeast Asian Youth Chamber Orchestra (SEAYCO) and will analyze all the necessary steps from the initial idea to the selecting of the musicians, and through the rehearsal and preparation until its first performance. The College of Music, Mahidol University in Thailand and the Goethe-Institut network of Southeast Asia formed a partnership in order to make this project possible. The sponsor of this unique endeavor was Merck KGaA, a German multinational chemical, pharmaceutical, and life-sciences company that was generous enough to fund part of this project. The main …


Straight Ahead: The Life, Pedagogy, And Influence Of Dennis L. Schneider, Louie Colton Sperry Eckhardt Jan 2015

Straight Ahead: The Life, Pedagogy, And Influence Of Dennis L. Schneider, Louie Colton Sperry Eckhardt

LSU Doctoral Dissertations

The career of Dennis L. ‘Denny’ Schneider, Professor of Trumpet at the University of Nebraska-Lincoln from 1961-1996, was expansive. From small town Nebraska, Schneider graduated from the University of Nebraska and Indiana University. After serving in the USAF Strategic Air Command Band, and teaching public school music, Schneider began teaching at the University of Nebraska. He served as principal trumpet of the Lincoln Symphony Orchestra, Omaha Symphony Orchestra, and the Nebraska Chamber Orchestra for decades. Schneider also served as principal trumpet for the Cabrillo Summer Festival Orchestra, and performed and recorded with the Summit Brass. He was the recipient of …


Ernst Mahle: A Pedagogical Edition Of His Four Concertinos For Piano And Orchestra, Joao Paulo Casarotti Jan 2015

Ernst Mahle: A Pedagogical Edition Of His Four Concertinos For Piano And Orchestra, Joao Paulo Casarotti

LSU Doctoral Dissertations

German-born composer Ernst Mahle (b. 1929) holds a respected position in the music field in Brazil, his adopted country since 1951. Mahle is the artistic director and co-founder of the “Escola de Musica de Piracicaba,” one of the most important musical institutions in Brazil. His work has focused on conducting, composition, and elementary music education. The main focus of this research will be to examine Mahle’s four concertinos for piano and orchestra intended for young performers. This paper will also provide information regarding Mahle’s sixty years of musical legacy in Brazil and his pedagogical idiom for piano solo. For a …