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Articles 241 - 264 of 264
Full-Text Articles in Entire DC Network
The Social And Religious Designs Of J.S. Bach's Brandenburg Concertos, Michael Marissen
The Social And Religious Designs Of J.S. Bach's Brandenburg Concertos, Michael Marissen
Music Faculty Works
This new investigation of the Brandenburg Concertos explores musical, social, and religious implications of Bach's treatment of eighteenth-century musical hierarchies. By reference to contemporary music theory, to alternate notions of the meaning of "concerto," and to various eighteenth-century conventions of form and instrumentation, the book argues that the Brandenburg Concertos are better understood not as an arbitrary collection of unrelated examples of "pure" instrumental music but rather as a carefully compiled and meaningfully organized set. It shows how Bach's concertos challenge (as opposed to reflect) existing musical and social hierarchies. Careful consideration of Lutheran theology and Bach's documented understanding of …
Signature-Systems And Tonal Types In The Fourteenth-Century French Chanson, Peter M. Lefferts
Signature-Systems And Tonal Types In The Fourteenth-Century French Chanson, Peter M. Lefferts
Glenn Korff School of Music: Faculty Publications
Beyond the standard and familiar theoretical instruction materials on notation and mensuration, on mode and hexachord, and on the rules of two-part counterpoint, information and insight about the techniques of musical composition in the later Middle Ages are hard to come by. From a modern vantage point, medieval music theory leaves many of the questions most interesting to us unanswered. And for our part, too, analysts of chansons and motets have yet to agree on many basic notions about how this music works, and therefore what is most necessary to talk about. It is symptomatic of this state of affairs …
Aquella Cativa, Randall Snyder
Aquella Cativa, Randall Snyder
Randall Snyder Compositions
Based on poem by Luis Vaz de Camões(1524-1580). For recitation and flute.
A Route Of Evanescence, Randall Snyder
A Route Of Evanescence, Randall Snyder
Randall Snyder Compositions
For Soprano, Oboe, Cello, and Piano.
We Play At Paste
South Winds Jostle Them
Success Is Counted Sweetest
The Soul Unto Itself
As Imperceptibly As Grief
A Route of Evanescence
text by Emily Dickinson
58 pages
Trilobite, Randall Snyder
Trilobite, Randall Snyder
Randall Snyder Compositions
For C Trumpet, Trombone, and Tuba.
13 pages
Lincoln Logs, For Oboe, Trumpet, Violin, Piano, Randall Snyder
Lincoln Logs, For Oboe, Trumpet, Violin, Piano, Randall Snyder
Randall Snyder Compositions
I Legong Studies (Bali) II Wind, Sand, and Stars (France) III The Sick Man of Europe (Turkey) IV Suzunoya (Japan) V Sarang Ga (Korea) instrumentation Oboe (optional Soprano Sax, Clarinet) Bb Trumpet (optional Alto Sax) Violin Piano notes Score is in C In addition to the complete set, selections or individual movements may be performed seperately. duration: c 15 minutes
Jasmine Dreams, Randall Snyder
Jasmine Dreams, Randall Snyder
Randall Snyder Compositions
I Légong Mantra (Bali) II Odalisque (Persia) III Sarang Ga (Korea) After living in Bali for several years the Canadian-born composer Colin McPhee once wrote “...what a marvelous thing would be a concert made up of new works by composers whose names were not included in the program.” This somewhat enigmatic statement reflected the crisis in his creative life caused by his encounter with Balinese music and concurrently his dissatisfaction with the uniquely Western European, ego-driven emphasis on “free” composition and innovation. Most of McPhee’s later music was either influenced by or transcriptions of Balinese Gamelan music. In a similar, …
Two Plainsong Meditations, John G. Barr
Two Plainsong Meditations, John G. Barr
Music Faculty Scholarship
No abstract provided.
Hymn To Spanish Martyrs, Robert Wood S.M.
Hymn To Spanish Martyrs, Robert Wood S.M.
Musical Compositions about the Marianist Charism
In praise to our martyrs
Aus Alten Marchen: The Chivalric Style Of Schumann And Brahms, Jonathan D. Bellman
Aus Alten Marchen: The Chivalric Style Of Schumann And Brahms, Jonathan D. Bellman
Music Faculty Publications
No abstract provided.
Frederic Rzewski And Spontaneous Political Music, Christian T. Asplund
Frederic Rzewski And Spontaneous Political Music, Christian T. Asplund
Faculty Publications
I am intrigued by Frederic Rzewski's ability, in his pieces from the 1960s and 70s, to model socio-political phenomena and to teach specific lessons about these phenomena on both intuitive and intellectual levels to both performers and listeners. Performers in particular will literally experience these socio-political phenomena in the course of performing these pieces. Rzewski seems to have achieved Brecht's ideal of a gestic music without dryness or lack of credibility.
Recognition Of Familiar And Unfamiliar Melodies In Normal Aging And Alzheimers-Disease, James C. Bartlett, Andrea R. Halpern, W. Jay Dowling
Recognition Of Familiar And Unfamiliar Melodies In Normal Aging And Alzheimers-Disease, James C. Bartlett, Andrea R. Halpern, W. Jay Dowling
Faculty Journal Articles
We tested normal young and elderly adults and elderly Alzheimer's disease (AD) patients on recognition memory for tunes. In Experiment 1, AD patients and age-matched controls received a study list and an old/new recognition test of highly familiar, traditional tunes, followed by a study list and test of novel tunes. The controls performed better than did the AD patients. The controls showed the ''mirror effect'' of increased hits and reduced false alarms for traditional versus novel tunes, whereas the patients false-alarmed as often to traditional tunes as to novel tunes. Experiment 2 compared young adults and healthy elderly persons using …
"Til Death Do Us Part:" Lyric Opera In Two Acts (Honors), D. Christopher Wolff
"Til Death Do Us Part:" Lyric Opera In Two Acts (Honors), D. Christopher Wolff
Compositions
No abstract provided.
The Tristan Chord In Historical Context: A Response To John Rothgeb, William Rothstein
The Tristan Chord In Historical Context: A Response To John Rothgeb, William Rothstein
Publications and Research
John Rothgeb’s analysis of the “Tristan chord” engages a large intertextual network, stretching back to the Baroque and centering on recitative. Examples of a specific figure of recitative, usually associated with the asking of a question, are presented and analyzed. Examples include passages in Wagner's operas before Tristan.
Music And Cultural Politics: Ideology And Resistance In Singapore, Lily Kong
Music And Cultural Politics: Ideology And Resistance In Singapore, Lily Kong
Research Collection School of Social Sciences
This paper focuses on popular music written and produced by Singaporeans to illustrate the nature of social relationships based on ideological hegemony and resistance. Analysis is based on two groups of music: 'national' songs supported by the government in the 'Sing Singapore' programme; and songs brought together in Not the Singapore song book. Interviews with local lyricists and analysis of video productions provide supplementary information. Music is used by the ruling elite to perpetuate certain ideologies aimed at political socialization and to inculcate a civil religion that directs favour and fervour towards the nation. Music is also a form of …
Interview With Andy Wallace Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Andy Wallace Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Andy Wallace conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).
Interview With Joe Wilson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Joe Wilson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Joe Wilson conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).
Interview With John Ramsey Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With John Ramsey Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with John Ramsey conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).
Interview With Don And Priscilla Urner Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Don And Priscilla Urner Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Don and Priscilla Urner conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).
Interview With Pete Seeger Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Pete Seeger Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Pete Seeger conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).
Interview With Alan Jabbour Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Alan Jabbour Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Alan Jabbour conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).
Interview With Charles And Nancy (Martin) Perdue Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Interview With Charles And Nancy (Martin) Perdue Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives
Folklife Archives Oral Histories
Transcription of interview with Charles and Nancy (Martin) Perdue conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).