Digital Commons Network^™

“As Blind Men Learn The Sun”: Towards A Poetics Of Queer Mysticism In American Literature, 1860-1960, Bradley M. Nelson

Dissertations, Theses, and Capstone Projects

This dissertation seeks to play with the similarity between the queer and the mystical, and in the process, defines something I call “queer mysticism.” I include four cardinal figures of nineteenth- and twentieth-century American poetry: Walt Whitman, Emily Dickinson, Gertrude Stein, and Robert Duncan. Beginning with Walt Whitman, I show how each of these poets bear witness to an experience of the divine that is both immanent and immanently queer. Through historical and biographical research, I uncover their poetic inspiration in popular modes of expression and in the esoteric and arcane. By establishing a connection with a few Catholic mystics …

Owning The Body: Bodily Autonomy And Consent In The Works Of Octavia Butler, Korryn Plantenberg

Theses/Capstones/Creative Projects

During the 1980’s the Second Wave feminist movement provided more interest in interdisciplinary movements towards equity in the case of gender. One movement that slowly grew was Womanism, which included the intersection between race and gender. Specifically, the experiences of black women in the United States. Inspired by this movement authors such as Octavia Butler was a black science fiction author who wrote literature focused on black women. Alongside her preoccupation, with race in science fiction, Butler explores the nature of consent and bodily autonomy in utopian and dystopian futures. Within her novels, she uses Womanism to engage with futuristic …

She Speaks Her Truth: Black Female Self-Empowerment In African-American Centric Texts, Britt N. Seese

Master of Arts in English Plan II Graduate Projects

A Master's Portfolio that looks into African-American Women in African-American literature and theatrical works.

Little Women, Little Houses: Authorship And Authority In Louisa May Alcott And Laura Ingalls Wilder, Katia Savelyeva

Student Research Submissions

Louisa May Alcott’s Little Women and Laura Ingalls Wilder’s Little House novels, share a place in the canon of American children’s literature as novels centered on female protagonists coming of age within an emblematic period in American history, respectively the duration and aftermath of the Civil War and the post-Homestead Act settlement of the Western frontier. Each text portrays the intertwined processes of girlhood and nationhood through the eyes of rebellious, gender-nonconforming protagonists, Jo and Laura, who each undergo an arc towards starting a traditional family and immersing themselves in normative national projects (respectively a philanthropic school for the poor, …

Almost Speechless: Representations Of Womanhood And Female Voices In Turn­-Of-­The-Century American Novels, Carmen Sylvia Smith

Department of English: Dissertations, Theses, and Student Research

In this dissertation, I close read four turn-­of-­the-­century American novels by Henry James, Kate Chopin, Charles Chesnutt, and Willa Cather to analyze how the voices and silences of fictional women characters work to disrupt cultural ideals about womanhood. Examining which aspects of the characters’ identities are expressed in direct dialogue and which traits are conveyed to the reader through narrative devices reveals how cultural ideals about womanhood restrict women’s self-­expressive autonomy and work to exclude female voices from the public sphere.

Chapter One examines Henry James’s The Bostonians (1886) and how erotic rivals Olive Chancellor and Basil Ransom compete to …

Lost Voices: William Faulkner, Toni Morrison, And The Nature Of History, Luke Hardin

Undergraduate Theses

The novels of William Faulkner and Toni Morrison are nothing if not haunted. Though the authors themselves remain, in many ways, diametrically opposed, their works remain inextricably entangled due to the looming specter of history that hangs over their pages. Perhaps more-so than any other writers in the 20th Century, these two towering figures of American fiction took seriously the task of unpacking the migrainous burden of history. Read together, they offer differing perspectives on the nature of writing one's own past, and how this is informed by race and class. Specifically, Faulkner's novel Absalom, Absalom! has long been regarded …

Re-Thinking The Weird (In The) West: Multi-Ethnic Literatures And The Southwest, Jana M. Koehler

English Language and Literature ETDs

My dissertation examines the genre of weird fiction, specifically texts that engage the concept of the Weird West. While authors such as Robert E. Howard and H.P. Lovecraft are often seen as the founders of this genre, I argue that ethnic and women writers, such as Charlotte Perkins Gilman, Ishmael Reed, Leslie Marmon Silko, Lucha Corpi, and others, explore the hidden histories of the West and Southwest in ways that incite a rethinking of the weird. Most importantly, I seek to demonstrate how the weird is not only a literary genre but a literary aesthetic and methodology that women and …

Dialogue And "Dialect": Character Speech In American Fiction, Carly Overfelt

Doctoral Dissertations

This dissertation investigates the linguistic construction of race and place in turn-of-the-century American novels and short stories. Literary analyses of character speech continue to reinforce the old dichotomy of Standard versus nonstandard/dialectal English. I challenge the ideology of Standard English in my readings of works by Mark Twain, Charles Chesnutt, Sarah Orne Jewett, and little-known Cherokee author, Ora V. Eddleman Reed, among others. I argue that these texts create their own standards that interact with (and sometimes resist) the language ideology of their time. By analyzing all variation, rather than only what has been traditionally viewed as “dialect,” I reveal …

I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski

ETD Archive

In recent years, there has been a trend in young adult adaptations of Wuthering Heights to amend the plot so that Catherine Earnshaw chooses to have a romantic relationship with Heathcliff, when in Bronte’s novel she decides against it. In the following study, I trace the factors that contribute to Catherine’s rejection of Heathcliff as a romantic partner in the original text. Many critics have argued that her motives are primarily Machiavellian since she chooses a suitor with more wealth and familial connections than Heathcliff. These are indeed factors; however, by engaging with contemporary research on adolescent development, I show …

“There Was That In Her Face And Form Which Made Him Loathe The Sight Of Her”: Disfiguration And Deformity Of Female Characters In 19th Century American Women’S Literature, Kelsi E. Cunningham Miss

Electronic Theses and Dissertations

Rebecca Harding Davis, Sarah Orne Jewett, and Mary Wilkins Freeman challenge the way that society treats and views the disabled and deformed. Through different representations of the disabled characters, the three short stories by these authors reveal the realities that women faced in the 19^th century in response to rigid beauty standards and expectations. The authors in this study address the marginalized position of the disabled characters and show how society’s attempts to “normalize” the women confine them to a fixed identity. Analyzing the texts in relation to disability studies and the authors’ perceived effectiveness of social charity will …

Mind Against Matter: Isolating Consciousness In American Fiction, 1980-2010, Eric E. Casero

Theses and Dissertations--English

Mind Against Matter uses cognitive literary theory to explore a set of contemporary texts that emphasize characters’ feelings of alienation and isolation from their social and material worlds. Focusing on novels by Nicholson Baker and David Markson, short stories by David Foster Wallace, and the film The Truman Show, I consider how these texts focus on characters’ individual, subjective experiences while deemphasizing their physical environments and social contexts. I argue that by privileging subjectivity in this way, these texts portray their characters as independent, to varying degrees, from their material and cultural surroundings. The texts isolate individual consciousness, causing …

Southern Gothic Fiction And New Naturalism: Toward A Reading Of New Naturalism, Jeremy Kevin Locke

Doctoral Dissertations

This dissertation explores the intersections of American naturalism and the Southern Gothic by seeking to demonstrate how William Faulkner’s As I Lay Dying, Flannery O’Connor’s Wise Blood, and Cormac McCarthy’s Blood Meridian, or the Evening Redness in the West revise key elements of fin-de-siècle naturalist fiction in a manner that enables them to create a new naturalism that they use to shed light upon the tendency of the sociocultural narratives that give meaning to the traditional conception of the Southern community to entrap characters within predetermined identities. Of particular interest are these texts’ revisions of the figures of the naturalist …

White Male Nostalgia In Don Delillo's Underworld, Tim Engles

Tim Engles

No abstract provided.

Partial Minds: The Strategic Underrepresentation Of Consciousness In Postwar American Novels, Nathan A. Shank

Theses and Dissertations--English

Partial Minds argues that contemporary American novels strategically break conventionally-defined norms for the representation of fictional minds to highlight unusual character thoughts. Certain states of mind—including traumatic experiences, conflicting feelings, some memories, and the simultaneous possession of multiple identities—are more difficult to represent than others, and so some authors or narrators reject conventional cognitive representations, such as naming feelings, if they seem poor tools for effectively communicating that character’s exceptional quality to the reader. For example, the trauma of Marianne in Joyce Carol Oates’s We Were the Mulvaneys is represented by the narrator, her brother Judd. But in attempting to …

White Male Nostalgia In Don Delillo's Underworld, Tim Engles

Faculty Research & Creative Activity

No abstract provided.

The Regulating Daughter In John Updike's Rabbit Novels, Sue Norton

Articles

This article considers the ways in which John Updike creates female characters who suffer in some way so that their family units can remain intact. His Rabbit novels privilege the so-called nuclear family as an abiding family form, one which rests upon the sacrificial choices made by girls and women. It uses Family Systems Theory as a tool of interpretation in reading the texts and establishing their underlying ethos.

Clockwork Heroines: Female Characters In Steampunk Literature, Cassie N. Bergman

Masters Theses & Specialist Projects

Steampunk is a progressive literary genre that evokes, imitates, and re-imagines the nineteenth century and favors the Industrial Revolution ideals of science and technology. In a historical framework, it mixes nineteenth-century conventions and retrofuturistic machinery with science fiction and fantasy elements. Steampunk authors are able to radically redefine socio-cultural implications that affect both past and contemporary societies. The following study explores the multitude of characteristics that define Steampunk literature as an interdisciplinary study. Chapter 1 explores the definitions and literary genres that construct Steampunk and includes a brief literary history of Steampunk works. Chapter 2 focuses on Cherie Priest’s novel …

Transnational Influence In The Poetry Of Sarah Piatt: Poems Of Ireland And The American Civil War, Amy R. Hudgins

Global Honors Theses

Sarah Piatt, a recently recovered nineteenth century poet, is best known, where she is known at all, as an American poet. While this label is certainly appropriate, it should not obscure Piatt’s decidedly international focus, or more precisely, her transnational focus, especially in regard to Ireland. Piatt’s verse, considered by some to be the best poetry of her time second only to the work of Emily Dickinson, is remarkable for its quantity and breadth, but more importantly, for its subversive use of genteel style. Though her poems are generally divided into four overlapping categories, the two thematic classes of her …

Mothers, Sons, And The Gothic Family In Brown, Poe, And Wharton, Elizabeth Lain Lyon

Scripps Senior Theses

Within Gothic literature, the mother is frequently missing. In Charles Brockden Brown’s Edgar Huntly, Edgar Allan Poe’s “Morella,” “Ligeia,” and “Eleonora,” and Edith Wharton’s “Bewitched,” men are left without parents, and they attempt to recuperate a mother-figure. To do so, the men in these texts psychologically project the role of their mother onto other women. Wives, sisters, and daughters all have the potential to become mothers to these men. This is a catastrophe for the women involved, for male perception fails to distinguish females as autonomous, unique beings. By conflating roles in the family structure, men destroy women and …

Reasonable Conversions: Susanna Rowan's Mentoria And Conversion Narratives For Young Readers, Karen Roggenkamp

Faculty Publications

Though not well known, Rowson's Mentoria-a curious conglomeration of thematically-related pieces from multiple genres, including the essay, epistolary novel, conduct book, and fairy tale-offers particularly fertile ground for thinking about the nexus between eighteenth-century didactic books and earlier works for young readers.2 At the heart of Mentoria is a series of letters describing girls who yield, with dire and frequently deadly consequences, to the passionate pleas of male suitors.3 Fallen women populate Rowson's world, and scholars have traditionally read Mentoria within the familiar bounds of the eighteenth-century seduction novel.4 However, Rowson's creation transforms the older tradition of didactic, child-centered conversion …

Cultural Reclamations In Helena Viramontes’ “The Moths”, Ashley Denney

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Reading, Learning, Teaching Toni Morrison, Karen Stein

Karen F Stein

Toni Morrison, the 1993 Nobel Prize winning fiction author, is an unabashedly confrontational author. Her profound and complex novels address problems such as slavery, violence, poverty, and sexual abuse. Her work encompasses a project of total cultural renewal: she re-imagines and reaffirms the experience of African-Americans from the days of slavery up to the present, avoiding stereotypes or oversimplification. She employs African and Western literary traditions and conventions as bases for both structure and critique, re-writing some of the "master narratives" of American culture and history.

The Transatlantic Pocahontas, Gary Dyer

English Faculty Publications

No abstract provided.

Salvation And Rebirth In The Catcher In The Rye And The Bell Jar, Erica Lawrence

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.