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Literature in English, North America
Department of English: Dissertations, Theses, and Student Research
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Inscribing The South For Harper's Weekly In 1866, Ashlyn Stewart
Inscribing The South For Harper's Weekly In 1866, Ashlyn Stewart
Department of English: Dissertations, Theses, and Student Research
The top weekly publication in the nineteenth-century United States, Harper’s Weekly, faced a new challenge after it had survived the Civil War: what would keep readers subscribing to the periodical in peacetime? To maintain their remarkably large readership, the editors looked southward and produced abundant content about the Reconstruction South for its primarily Northeastern readership. A noteworthy portion of that content was a series of powerful illustrated articles known as “Pictures of the South,” which ran from April to October 1866. Seasoned war correspondents Alfred R. Waud and Theodore R. Davis travelled through the rapidly rebuilding South on behalf of …
Non/Human: (Re)Seeing The “Animal” In Nineteenth-Century American Literature, Matthew Guzman
Non/Human: (Re)Seeing The “Animal” In Nineteenth-Century American Literature, Matthew Guzman
Department of English: Dissertations, Theses, and Student Research
Non/human: (Re)seeing the “Animal” in Nineteenth-Century American Literature uses canonical literary texts as specific anchor points for charting the unstable relations between human and nonhuman animals throughout the century. I argue that throughout the nineteenth century, there are distinct shifts in the way(s) humans think about, discuss, and represent nonhuman animals, and understanding these shifts can change the way we interpret the literature and the culture(s). Moreover, I supplement and integrate those literary anchors, when appropriate, with texts from contemporaneous science, law, art, and other primary and secondary source materials. For example, the first chapter, “Cooper’s Animal Movements: Across Land, …
Letters From Olive Fremstad To Willa Cather: A View Beyond The Song Of The Lark, Jessica Tebo
Letters From Olive Fremstad To Willa Cather: A View Beyond The Song Of The Lark, Jessica Tebo
Department of English: Dissertations, Theses, and Student Research
In 1913, Willa Cather met opera-diva Olive Fremstad and the two formed a friendship that would span at least a decade. Fremstad has long been recognized as an inspiration for the character Thea Kronborg of Cather’s Song of the Lark (1915) but has not been portrayed as influential in any other aspects to Cather’s career. Letters sent by Fremstad to Cather have recently been located, and they reveal an ongoing and interdisciplinary dialogue between the two women that negotiates issues surrounding art and professionalism. I locate these letters within the broader context of Cather’s public and fictional statements about art …