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Lines, Tina Korani
Lines, Tina Korani
LSU Master's Theses
Sometimes one is unaware of one thing: a rule, a boundary, a difference — all of which we cannot see with our eyes, but learning certainly present. When one rcognizes the reality of it, decisions are made. Those decisions shape the world as we know it. “Beyond the Lines” is an exploratory project that aims to increase one’s awareness and reveal that humans are whole beings that can surpass barriers that life places in front of them. This thesis explores human connections and separations, by using the concept of dots and lines, in ways both literally and metaphorical. Through visual …
Dislocation, Brian Randall Deppe
Dislocation, Brian Randall Deppe
LSU Master's Theses
This photographic project, Dislocation, seeks to document the current state and decline of Cortana Mall in Baton Rouge, Louisiana. The mall was built in 1976 during the height of shopping mall construction and was one of the largest shopping centers in the country with five anchor stores and 139 retail spaces. Now, just 48 stores and two anchor stores remain open. This high vacancy rate and deterioration of the mall is due to suburban flight, the building of new shopping centers in southern Baton Rouge, and changing consumer trends, which has led to malls closing across the country. My photographs …
Oblivion, Michael Stumbras
Oblivion, Michael Stumbras
LSU Master's Theses
I am fascinated by the myriad ways humans construct meaning in the face of existential uncertainty. For the exhibition Oblivion, I endeavor to provide a gallery experience, a body of metaphorically charged functional vessels, and a number of ritualistic accoutrements that address death, futility, and the passage of time as it inexorably flows toward obsolescence. The process of handcraft and the method of firing that I employ highlights the absurdity of the endeavor of the handmade: the seemingly futile and interminable quest for perfection and meaning. This futilitarian pottery exaggerates the errors of the hand and flaunts artifacts of the …
Chronicle & Character, Taryn Moller Nicoll
Chronicle & Character, Taryn Moller Nicoll
LSU Master's Theses
In this thesis paper, I argue that the works in the exhibition 'Chronicle & Character' aim to demonstrate artistic citizenship and can contribute positively to society by provoking conversation about universally applicable (but often uncomfortable) topics. Experts such as David J. Elliot state that being an artistic citizen means that one’s concerns as an artist must shift from issues constrained to the artist alone to those of the artist’s surrounding community. The exhibition 'Chronicle & Character' contains works that serve as detailed chronicles of the medical or physiological experiences of my loved ones. This body of work presents how three …
One Two One, Brianna Morgan Ozanne
One Two One, Brianna Morgan Ozanne
LSU Master's Theses
These things, they speak in whispers. Come close, lean in, listen up. Whisper back. Tell me everything. I know you’ve been here, too. I know you’ll understand. I know you have a shoebox full of memories just like these hidden deep inside your closet. I know.
Urban Illusions, Haley R. Hatfield
Urban Illusions, Haley R. Hatfield
LSU Master's Theses
Urban Illusions is an immersive and interactive documentary experience that curates moments of reality in virtual environments to educate and expose viewers to a string of social and political issues that have been exposed in Baton Rouge. These moments also reflect a transformative time across the United States. The research and exhibition experiments with 360-degree videos and virtual reality to document issues occurring from racial tension stemming from prejudicial police violence and residual segregation that is still present in Baton Rouge. The intent of this work is to establish a methodology benefiting from modern technology in order to document real …
Dig, Spin, Repeat, Brittany Anne Sievers
Dig, Spin, Repeat, Brittany Anne Sievers
LSU Master's Theses
Dig, Spin, Repeat, is a body of process based installation objects that uses minimalistic aesthetics placed strategically in the gallery to highlight the architecture of the room. By connecting these unique architectural elements, the work aims to achieve mindfulness similar to the research of Ellen Langer: encouraging active observation. Drawing from my background in sports and factory work, I create multiple repetitive forms out of hand-spun yarn and sourced clay. The room-sized installation objects produced from these raw materials explore the value of staying in the present moment for both the viewer and myself.
After;Life, Morgan Lynn Anderson
After;Life, Morgan Lynn Anderson
LSU Master's Theses
After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.
The Truth About Your Monsters, Cassidy Creek
The Truth About Your Monsters, Cassidy Creek
LSU Master's Theses
The Truth About Your Monsters is an immersive and dialogical exhibition formatted as a walk-through storybook environment. Viewers are transported into a child’s make believe world through hands-on stations. By building on the skeleton of an archetypal narrative, audience members are encouraged to tap into their own experience as they contribute imagery and action to the narrative. I call on audience members to discuss personal or universal fears by prompting them to draw images of monsters that represent their fear.
Momentary Eddies, Leah Marie Hamel
Momentary Eddies, Leah Marie Hamel
LSU Master's Theses
Our lives are in a constant state of change, from the most intimate scale physically and emotionally to the world surrounding us externally. The relationships we build with ourselves, others, and the world surrounding us are important structures we carry with us throughout life. Momentary Eddies is a visual poem about the interconnectedness of our inner and outer landscapes. I have created a hauntingly dreamlike space that explores a landscape of emotions that are an entangled part of personal intimate relationships and how the emotional and physical topographies of these relationships connect to the environment surrounding us. These paper sculptures …
Truss Damage, Hira Tariq
Truss Damage, Hira Tariq
LSU Master's Theses
Truss Damage examines negative cultural restrictions are imposed on family structures. It is an exploration of experimental and interactive narratives formed within virtual and real spaces. My research and implementation includes creating multisensory experiences through immersive technologies. With the use of devices such as Microsoft's Kinect controller, large LCD panels, and framed digital prints I am to bringing forth fragments of my past in order to create an interactive experience through movement and discovery of symbolic features.
Intimate Immensities, Jonathan Walker Wright
Intimate Immensities, Jonathan Walker Wright
LSU Master's Theses
The works in the “Intimate Immensities” series of landscape paintings function as “aporia,” or irresolvable contradictions. Using two aspects of Charles Sanders Peirce’s semiotic designations of the sign: the “icon” and “index,” these paintings function as both iconographic representations of mankind’s spiritual connection with nature and indexical relics of the creative process as ritual. The foundational view out of which the work emerges is grounded in the Kagyu lineage of Tibetan Vajrayana Buddhism. This thesis correlates Vajrayana Buddhism, ritual and the creative process, by explaining the parallels between ritual and the cognition that occurs during the creative process. To do …
Co-Ward: Records Of A Fugitive Heart, Melodie Serena Reay
Co-Ward: Records Of A Fugitive Heart, Melodie Serena Reay
LSU Master's Theses
Co-ward: Records of a Fugitive Heart is a collection of objects that are themselves collections of events both internal and external. Each object, hand-made and/or un-made, is a record of a moment of vulnerability, in regards to moving away from, or towards, another.
Conversation, Tajreen Akter
Conversation, Tajreen Akter
LSU Master's Theses
My goal is to catch the moment in my paintings, whether it is an event from my busy everyday life or a slow formal arrangement of objects, that studies composition, light, color and movement. The drastic change in my life, traveling from Bangladesh to the United States, inspired me to render important small, quiet, little moments of my daily life by painting them. The intimacy of this connection is very important to me.
This Is Only Temporary, Melanie Robyn Wall
This Is Only Temporary, Melanie Robyn Wall
LSU Master's Theses
This is only Temporary examines my personal history of homes as reimagined spaces. The series of prints in the exhibition depicts reconstructed memories of houses. These visual narratives give context to the installation constructed from handmade paper and raw materials. The framework is reminiscent of housing plans that converge into a labyrinth. Participants actively engage the space, navigating the confined structure. A playful nature runs throughout the prints and installation reflecting upon reinterpreted memories within transitional spaces.
A Crow And A Hanger, Kelsey Ann-Morgan Livingston
A Crow And A Hanger, Kelsey Ann-Morgan Livingston
LSU Master's Theses
A Crow and A Hanger is a body of work that explores and illustrates the nature of life and death through the use of mixed-media drawing and printmaking techniques. My intention for this work, and this thesis paper, is to explain my thought process and how the imagery came to be. For me it is not at all important for every viewer to fully understand each image and the thoughts that went into the body as a whole. I let the images and their titles lead the viewer in a general direction and allow for their personal history and biases …
Gotta Catch 'Em All, Jennifer Lynn Lombardi
Gotta Catch 'Em All, Jennifer Lynn Lombardi
LSU Master's Theses
The ability to imagine is essential to shaping who we are, and is an important part of our humanity. Children have the ability to use aspects of their environment as their playthings, becoming the characters in their world through their sense of imagination. We lose this ability as we grow, leaving us with only memories and sentimentality. I have come to realize that my art is an expression of the longing and search to regain that ability to become fused with my imagination and my environment. I allow myself to become lost in a world of fantasy once more, and …
This Is My Attempt To Hold On, Kimberly Reneé Jones
This Is My Attempt To Hold On, Kimberly Reneé Jones
LSU Master's Theses
I am an identical twin. The connection I share with my twin sister is intense and immediate. But now, we live over 800 miles apart. This Is My Attempt To Hold On serves as a visual metaphor for the longing for the undiluted rapport we have when we are together, and the frustrations of communicating with her through a digital device. I am constantly dissatisfied with my attempts to connect with her. I watch myself, my words, and my thoughts become diffused through the pixels. The work exists as composites of various mediums, creating a dialogue between photography, printmaking, sculpture, …
A Peculiar Paradigm Of Perpetual Parallax, Randi Marie Willett
A Peculiar Paradigm Of Perpetual Parallax, Randi Marie Willett
LSU Master's Theses
Reality estranges as an encumbrance, a cage that traps with its clipped wings, layered veils, and stiff blankets. This hold subsists as an immovable vessel potted but never earthbound—mounted in a strained compartment, like jars with tight lids, lacking: in air, in breath, in imaginary attributes. Finally, with a last breath, an emergence blooms upon that which contextualizes momentary “reality” or rather that which defines a metaphorical escape from… actuality. My singular endeavor is to escape. My momentary escape is found in the illusory. My illusion is a perception of reality and with this perception I find my singular endeavor... …
Between-Space: Bungalows And Shadows Of Spanish Town, Anna Carey Aldridge
Between-Space: Bungalows And Shadows Of Spanish Town, Anna Carey Aldridge
LSU Master's Theses
In Spanish Town, the fabrics of the patterned streets are cross-stitched with roots of mature trees providing an airy canopy to the neighborhood below. I live in a space on the second floor of a cubed structure situated only a few steps between a small one-way street and a row of unkempt brush imitating a flowerbed. With its relationship to the street, the house seems to stand above the surrounding pitched roofs of one-story rectangles. Behind the house, you will find a light blue-gray staircase ascending to a small porch floor mounted in the trees. There is something warm and …
Facing Reality, Mitchell Patrick Hobbs
Facing Reality, Mitchell Patrick Hobbs
LSU Master's Theses
Facing Reality is a show of landscape paintings and drawings of Baton Rouge, executed mostly through direct observation. Working this way has allowed me to slow down and specifically engage my surroundings and the physical locations that are compelling to me. I am interested in being open to the possibilities provided by experience, and using what I find to create meaningful, honest, and visually poetic pictures.
A Charming Re(A)D, Chelsea Ramirez
A Charming Re(A)D, Chelsea Ramirez
LSU Master's Theses
A Charming Re(a)d is an MFA Thesis Exhibition portraying the domestic still life surrounding the human emotional attachments to objects. A residual memory surfaces within a specific gathering of things: a moment that resonates over time becoming peculiarly precious in the daily routine. A Charming Re(a)d combines poetry with experimental collages with paint and a ceramic sculptural sound installation all rooted in drawing. Gertrude Stein’s Tender Buttons and pieces of the artist’s own written text appear as descriptive, abstract prose that define mundane objects with substance. These elements come together to further commemorate the domestic home. The written portion is …
Nature's Geometry, Lin Feng
Nature's Geometry, Lin Feng
LSU Master's Theses
The beauty of the natural world, from the literal to the abstract: color, texture, shape, sounds, plant structure and anatomy, has continuously been the source of inspiration for artists and graphic designers. Our natural environment provides a readily available resource as a basis of visual study and exploration to develop a unique visual language and construct compelling work. Therefore, the aim of my thesis investigation is to create a new visual language and communication based on the inherent beauty within nature and geometric forms found in nature. I began my investigation by developing a family of symbols based on natural …
The Veil, Eric Richard Euler
The Veil, Eric Richard Euler
LSU Master's Theses
The Veil is a print media exhibition exploring the politics surrounding internet and internet related technologies and how they shape our identity. All of the works shift within a satirical and enigmatic visual language which accumulates to form a critique of our online habits and rituals. My work is driven by questions surrounding digital identity, privacy, data mining, narcissism, and commodity fetishism. How is the internet changing us as people and consumers? What are the repercussions of frivolously sharing private information online? And how are new government bills affecting our freedom online? Gallery visitors will encounter the hand-pulled print in …
She Pricked Her Finger, Veronica Kay Hallock
She Pricked Her Finger, Veronica Kay Hallock
LSU Master's Theses
She Pricked Her Finger transports the viewer into a landscape of the bucolic and the macabre. Large scale sculptures and drawings create a panorama-environment which explores ideas of familial and geographical identity through themes of mortality and loss. Her work utilizes a self-generated folktale as a vehicle for expressing her experiences with new landscapes and many family deaths. Ultimately Veronica’s work reconciles the transition of home; the journey we take from our childhood home to the new homes we build.
Iron Redemption: A Biographical Documentary With Ethnographic Elements, Natalie Domingue
Iron Redemption: A Biographical Documentary With Ethnographic Elements, Natalie Domingue
Honors Theses
No abstract provided.
Ordinary Perspective, Autumn Rose Higgins
Ordinary Perspective, Autumn Rose Higgins
LSU Master's Theses
Ordinary Perspective is a body of ceramic work that shows a representation of a typical day, highlighting ordinary moments and creating a portrait of everyday life. This work distills down experiences into still images that sum-up the experience of the “In-Between” moments. These are the times that are not committed to memory, but are an essential part of our everyday lives. In this body of work I am addressing places where people are expected to take on the role of a loner. By observing people who are together, but not in a group allows me to observe the details of …
Danger Shelter Opportunity: The Coastal Fortifications Of Nineteenth Century Louisiana, James F. Osborne, Iv
Danger Shelter Opportunity: The Coastal Fortifications Of Nineteenth Century Louisiana, James F. Osborne, Iv
LSU Master's Theses
This document seeks to establish a contemporary record of the nineteenth-century masonry fortifications of the Third System whose continued existence in Southeastern Louisiana is in peril. Designed and implemented in the years following the invasion of Washington, D.C. during the War of 1812 by Napoleon Bonaparte’s chief engineer, Louisiana’s coastal forts represent the pinnacle of European, pre-modern-warfare military architecture. With their obsolescence secured by advances in technology in the mid to late nineteenth century, each was abandoned or decommissioned following the American Civil War. These historic constructed spaces that are each uniquely adapted to the land they occupy have never …
Built To Play, Forrest Sincoff Gard
Built To Play, Forrest Sincoff Gard
LSU Master's Theses
Built to Play is an interactive art exhibition featuring four participatory installations. Each installation transforms non-playful objects and activities into handmade porcelain replicas used for exciting gallery made games. Focusing on the carry over from child’s play to adult play the exhibition emphasizes the importance of play in our adult lives. As gallery visitors risk breaking handmade ceramic objects for a moment of fun and a chance to win art as a prize, their interaction completes the exhibition.
A Storied Surface, Courtney Wilburn Marse
A Storied Surface, Courtney Wilburn Marse
LSU Master's Theses
A Storied Surface is an exploration of narrative based graphic design engineered for textile surfaces. Beginning with an experiment involving the characters of the novel Matilda, I developed a design system. My process involves creating narratives and illustrating the characters. Then the illustration is abstracted. The abstraction is used to create prints. Finally, all of the elements including the original illustration, abstraction, and print are used to create engineered designs for three-dimensional surfaces. Advances in digital textile printing and the increasing implementation of graphic textiles in the fashion industry led me to experiment with applying my own design to textiles …