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Poe-Tic Justice, Holly Butchyk

Holly Butchyk

No abstract provided.

Pool Party, Holly Butchyk

Holly Butchyk

No abstract provided.

Journey Of Bread, Holly Butchyk

Holly Butchyk

No abstract provided.

The Borderline Poetics Of Tze Ming Mok, Jacob Edmond

Jacob Edmond

No abstract provided.

Hearts Go Walking: Conversations Between Poetry, Prayer And Theology, Vaughan S. Roberts

Vaughan S Roberts

Allusion As Form: The Waste Land And Moulin Rouge!, Stacy Magedanz

Library Faculty Publications & Presentations

Allusion is usually considered a literary technique, but relatively little attention has been paid to the notion of allusion as a literary form. In this essay, I attempt to describe the allusive form based on two prominent examples, T. S. Eliot’s Waste Land and Baz Luhrmann’s Moulin Rouge! Though radically different, the two works embody distinguishing characteristics of the allusive form. These are intertextuality, or a dependence upon outside sources for sense and significance; heightened and self-conscious artificiality; a confrontational attitude toward the audience; elitism, based on the exclusivity of allusions; appropriation of multiple cultures; and pervasive anachronism. Though prone …

Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann

Studies in 20th & 21st Century Literature

In her 1975 essay, Le Rire de la méduse, Hélène Cixous enthusiastically announced that it was high time for women to enter into discourse. A full half-century earlier, Claude Cahun (1894-1954), a powerful writer and a haunting photographer and artist, was already inscribing herself, Woman, and a woman's voice in visual and verbal self-portraits, photomontages, prose texts, poetry, and aesthetic and political treatises. Cahun's uncanny interventions in both verbal and visual discourse cannily interrogate conventions of literary and pictorial representation and the constructions of self, gender and culture that they exhibit. Insistently asking readers and spectators, "What's wrong with …

Brood, Ian Kilroy

Other

A long poem looking at the generation that grew up in Ireland after the historic 1979 visit of Pope John Paul II. Brood was filmed for Irish television with the support of the Arts Council, the Irish Film Board and RTÉ.

Occasional Papers: On Creativity In The Arts, Janice Rowan Poley

Hollybush Series

Volume 3 of The Hollybush Series contains thirteen essays on creativity, and three photographs of visual artwork, by Rowan College of New Jersey faculty.

The editor is Janice Rowan Poley and the authors of the works are Joseph Robinette, Antoinette Libro, Rodney Gates, William Morris, Kenneth Kaleta, William Travis, E. Michael Desilets, Donald Gephardt, Joseph Tishler, Bertram Greenspan, Daniel Chard, Richard Ambacher, Harold Oliver, N. Jeane Hartman, Richard Grupenhoff, and Joseph Bierman.

In Memoriam; By Alfred, Lord Tennyson; A Photographic Interpretation, Eunice Blanchard

English - All Scholarship

In Memoriam; by Alfred, Lord Tennyson; A Photographic Interpretation is a photographic essay completed by Eunice Blanchard in 1947 as an English Term Paper at Syracuse University in Syracuse, NY. Blanchard tells the story of Tennyson's poem through original photography.

Acknowledgements:

Arthur W. Brown, Instructor in English; C. Wesley Brewster, Instructor in Photography; D.M. Norton, Assistant to Mr. Brewster; Photography Models: Janet Clark, Betty Sanders, Aubrey Vaughn Woolsey. Jr.

This is the original work of Eunice Blanchard, under CCBY 4.0. It is an open-access work, copyrighted and licensed by the author for re-use.

The Voice Of The Phi Sigma -- 1910 -- Vol. 34, Phi Sigma

The Voice of the Phi Sigma

This item is part of the Phi Sigma collection at the College Archives & Special Collections department of Columbia College Chicago. Contact archives@colum.edu for more information and to view the collection.