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Abraham Van Buskirk: United Empire Loyalist Opposed To The American War For Independence, Rolf Buschardt Christensen

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In 1983 when Canada celebrated the 200th anniversary of the arrival of the Loyalists-the refugees from the American Revolution-the Canadian media reported that among the Loyalists was Abraham Van Buskirk, who was of Danish origin. That's all the media said about him; the point being that not all Loyalists were of English background. Here's his story-and the historical background, which shaped his life.

Foreword, Helle Mathiasen

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Since its founding in 1977, the Danish American Heritage Society (DAHS) has encouraged and supported efforts to research and preserve our ethnic heritage in Canada and the United States. The Society believes in the intrinsic value of building bridges between ideas and people on both sides of the Atlantic Ocean. An additional goal is the promotion of fellowship among those with an interest in events relating to Danish life, culture, and history.

Opening Remarks, James Iversen

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Ladies and gentlemen, as president of the Danish American Heritage Society (DAHS), it is my great pleasure and privilege to bid all of you a very sincere velkommen to this, the third international conference on Danish Immigration to North America. There are approximately 420 people registered for this conference, representing 31 of the 50 United States, plus Washington, D.C., and Denmark. I think one of the remarkable aspects of this conference is that so many people are here from different sections of the country and also from Denmark who have not met each other before, so it is a wonderful …

Karen Blixen: The Quintessential Dane, Linda G. Donelson

The Bridge

The year 2005 marks the 200th anniversary of the birth of Hans Christian Andersen and the 150th anniversary of the death of Soren Kierkegaard. It also is the 120th anniversary of Karen Blixen' s birth in 1885, and it is appropriate to talk about her at this conference. For the millions of Americans who have seen the movie Out of Africa, she may be the most famous Dane of all. We often imagine Karen Blixen as personified by Meryl Streep in the movie. But if you have read the book Out of Africa, you may rather think of Karen Blixen …

The Greater Challenge: Staying Home Or Emigrating?, Inger Wiehl

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This presentation poses the challenge of emigrating versus that of staying home, exemplified by a Southern Jutlander who stayed home during the years of Prussian rule between 1864 and 1920 and one who left for America during those years. It begs the larger question of who endures more, those who leave or those who stay behind, a salient issue underlying all emigration and any significant parting. Put in classical terms: Who faces the greater challenge Odysseus or Penelope? He endures any number of dangers on his way back from Troy; she stays by her loom and keeps home intact for …

What Can We Learn From Danish Farmers?, Palle Pedersen

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During the past 100 years, Danish agriculture has developed its position and ability to compete on international markets. Since Denmark joined the European Economic Community in 1973, productivity in Danish agriculture has increased considerably; and, with a food production sufficient for 15 million people and a population of only 5.2 million, Denmark exports two-thirds of it agricultural production to more than 180 countries. Overall, Denmark is the largest food exporter in the world relative to its population.1

N.F.S. Grundtvig's Approach To Christian Community And Civic Responsibility, Mark C. Mattes

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A perennial concern of Christian social ethics is the attempt to discern the best paradigm for relating the Christian faith and life to wider culture. H. Richard Niebuhr's typology1 of how Christ relates to culture, i. e., "Christ against culture" (sectarian), "Christ above culture" (Roman Catholic), "Christ transforming culture" (Reformed), "Christ of culture" (liberal Protestant), and "Christ and culture in paradox" (Lutheran) continues to provide a helpful framework in which to understand the role of the Christian ethos in public life. One important interpretation of this latter type, "Christ and culture in paradox" is that of the nineteenth century Danish …

Grundtvig' S Relevance Today: The Current Debate, Henrik Wiegh Poulsen

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Hardly any individual has meant more to Denmark and the Danes than Grundtvig. But lately he has suffered a fall from grace in public opinion. Why is this and what does it mean to Grundtvig and to Danish society?

A Tale Of Two Geniuses--With Opposing Views Of Tales--And An Ingenious Critic Of Both: H.C. Andersen, Soren Kierkegaard, And Georg Brandes, Poul Houe

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The year 2005 marks the 200th anniversary of Hans Christian Andersen's birth and the 150th anniversary of Soren Kierkegaard's death. Kierkegaard's critique of Andersen as a novelist was merciless, and Andersen's relation to Kierkegaard the man and the thinker was not easygoing either. Both of these towering nineteenth century Golden Age Danes were first portrayed in a big way by the same Danish critic, Georg Brandes, himself a pivotal figure in nineteenth century European criticism. I thought it appropriate, therefore, to focus my paper on Andersen, Kierkegaard, and Brandes as three cornerstones of nineteenth century Danish culture.

The Reception Of Danish Science Fiction In The United States, Kristine J. Anderson

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Science fiction is a distinctly American genre. Although scholars have traced its origins back as far as the Latin writer Lucian of Samosata,1 it was Hugo Gernsback, a publisher of pulp magazines in the United States, who first gave the genre its name in the June 1929 issue of Wonder Stories. Gernsback had been serializing the scientific romances of such writers as Jules Verne and HG. Wells, emphasizing their treatment of technology and putting them forth as models for other budding writers to imitate. The magazines that Gernsback initiated became very popular, spawning more from other publishers. Groups of aficionados …

Enok Mortensen And The Immigrant Experience: A View From The Lower Class, Rudolf Jensen

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To begin with, I would like to cite several short quotations from Enok Mortensen's fiction to show his primary themes as well as his writing style.

...for jer Emigranter er der aldrig noget, der er saa godt som det var i Danmark...altid skal I sammenligne...1 [for you immigrants there is never anything as good as it was in Denmark...you always have to compare.]

...herover gik man med en underlig Uro i Sindet altid...bare et hundrede Dollars mere, eller Tusinde...eller Millionen...2 [over here in America you are always restless...only a hundred dollars more, or a thousand, or a million.]

...I det …

The Veil Between Fact And Fiction In The Novels Of Kristian Ostergaard, John Mark Nielsen

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The bicentennial of the births of Hans Christian Andersen and August de Bournonville and the 150th anniversary of the death of Soren Kierkegaard provide opportunity to reflect and celebrate how artists and philosophers interpret and express the complex network of values and ideas inherent in any culture. Great artists and thinkers are particularly successful in producing work that transcends a specific culture and achieves universality recognizable beyond the boundaries of that culture into which they were born. Certainly the works produced by Andersen, Bournonville, and Kierkgaard are not just Danish; their work engages and invites audiences to consider what it …

Danish Poets Today

The Bridge

The Danish poet, playwright and novelist Pia Tafdrup read from her work Queen's Gate and presented some of her other poems at the session Danish Poets Today With the author's permission we are able to present one of the poems from Queen's Gate.

Carl Theodor Dreyer' S Response To Anti-Semitism In His Unfilmed Jesus Film Scenario, Peter G. Christensen

The Bridge

The controversy in 2004 over possible anti-Semitism in Mel Gibson's The Passion of the Christ had precedents in earlier Jesus-films. Pier Paolo Pasolini's The Gospel According to Matthew and Franco Zeffirelli's Jesus of Nazareth have also been accused of anti-Semitism. Carl Theodor Dreyer (1889-1968) wanted to combat anti-Semitism, as he directly stated in his own essays attached to his Jesus screenplay, which since his death has been published in English, Danish, and French versions. Dreyer began the film project in 1949-1950 in Independence, Missouri, writing in English, and he worked on it until the end of his life. However, he …

Appendixb.

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Back Cover

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Full Issue

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