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Téacsúil Fionnachtain, Alan Delozier

Critical Inquiries Into Irish Studies

No abstract provided.

Gothic Girlhood And Resistance: Confronting Ireland’S Neoliberal Containment Culture In Tana French’S The Secret Place, Mollie Kervick

Critical Inquiries Into Irish Studies

The Secret Place (2014) exposes a persistent Western cultural impulse to contain the emotions of teenage girls when they demonstrate control over their lives. In the Irish context, the dismissal of teenage girls is resonant of a containment culture in which controlling women’s bodies and minds has been essential to upholding heteropatriarchal ideals. Resistance to the novel’s unresolved supernatural elements by readers and critics and the lack of sustained academic scholarship also point to an unsettling complacency with the neoliberal impulse to contain female emotion and lived experience in post-Celtic Tiger Ireland.

Marquette Literary Review, Issue 4, Spring 2012, Sara Patek, Hannah Fogarty, Bridget Gamble, Angela Sorby, Tierney Acott, Jamie Collins, Chris Morales, Amelia Milota, Daniel Bryne, Erin Kelly, Morgan Rossi, Ben Stanley, Charlie Mohl, Bradley Fremgen

Marquette Literary Review

Table of contents

Ring of Fire, Tierney Acott, prose, ... 3

Just Imaginings, Jamie Collins, poem, … 7

Mariah, Chris Morales, poem, ... 9

All of this would stop, Amelia Milota, poem, ... 10

Jack, Avourneen, Daniel Bryne, poem, ... 11

This is a stick-up, Chris Morales, poem, … 13

952, Erin Kelly, prose, … 14

Synonymous, Amelia Milota, poem, … 17

Thoughts Collected on a Plane, Morgan Rossi, poem, … 18

What kind of middle name is Clifford? Hannah Fogarty, poem, … 20

Gold, Bridget Gamble, prose, … 21

Growing, Ben Stanley, poem, … 27

Bare Back, Morgan Rossi, …

Marquette Literary Review, Issue 7, Spring 2014, Michele Furman, Erin Mckay, Ivana Osmanovic, Katie Murphy, Mary Cate Simone, Taylor Gall, Shannon Cassells, Larry Watson, Katelyn Bishop, N. Searles, Mary Klauer, Brian Torbik, Jered Golub, Meredith Augspurger, Haley Hendrick, Taylor Levicki, Allie Othman, Stephanie Dlobik, Collen Daw, Morgan Ludington

Marquette Literary Review

Table of contents

The Late Worm … 3

Katelyn Bishop

Leroy Brown … 3 - 4

County Line Road, Indiana … 4 - 6

N. Searles

We Don't Even Have an Interstate Exit … 6

Katelyn Bishop

Lawyers Don’t Ride Buses … 7 - 8

Ghosts of Our Own Making … 8 - 9

Unnecessary Roughness … 9

Riptide … 9

Erin McKay

Untitled … 9-10

Ivana Osmanovic

The Prayer … 10-11

Taylor Gall

1973-Now … 11

What Happened When You Left Me … 11-12

Weighted Wings … 12

Mary Klauer

Nostalgia’s Bliss … 13

Shannon Cassells

On The Rocks …

Parnassus

Parnassus

The 2022 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Another Paris: Gabriel And Greek Mythology In “The Dead”, Rebekah Olsen

Criterion: A Journal of Literary Criticism

The works of James Joyce, including his short story collection Dubliners, have been studied to distraction by academics throughout the twentieth and twenty-first centuries. In this paper, I expound on ideas of Edwardian masculinity in Joyce's "The Dead," as well as the links between the myth of the Judgement of Paris and Gabriel's experience with the three key women in the story: Lily, the maid, Molly Ivors, the modern woman, and Gretta, Gabriel's wife. These women are first perceived as graces, merely ornamental figures, but they force their personhood onto Gabriel, and he is shocked by their deviation from his …

Robert Burns’S Life On The Stage: A Bibliography Of Dramatic Works, 1842–2019, Thomas Keith

Studies in Scottish Literature

This article traces the changing history of how the Scottish poet Robert Burns has been portrayed on stage, both in Scotland and elsewhere, discussing the the issues playwrights have faced and some of the approaches they have used, and provides an annotated chronological bibliography of ninety plays about Burns's life written or first staged between 1842 and 2019, with information on first known performance and on any published versions or known manuscript or typescript, and with brief notes where information is available on the style of the play and critical reaction.

Visions: “If You See Her Face You Die”: Orientalist Gothic And Colonialism In Bithia Croker’S Indian Ghost Stories., Preeshita Biswas

ABO: Interactive Journal for Women in the Arts, 1640-1830

This paper analyzes Bithia Mary Croker’s ghost stories of the British Raj to argue that Croker in her texts reframes the eighteenth-century Orientalist Gothic writing tradition to critique British imperial presence in India. I specifically discuss two of Croker’s short stories, namely “To Let” (1893) and “If You See Her Face” (1893) published in her anthology of Indian ghost fiction To Let (1893). The paper traces how Croker uses two distinct characteristics of eighteenth-century colonial Indian society–-the tradition of nautch performances and the architectural space of the dak bungalows–-which continued into early-nineteenth century British India under the vigilance of …

Women’S Acts Of Childbirth And Conquest In English Historical Writing, Emma O. Bérat

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay explores how female characters in historical literature written in high to late medieval England shape land claims, political history, and genealogy through their acts of childbirth. Recent scholarship has shown how medieval writers frequently imagined virginal female bodies – religious and secular – in relation to land claim, but less work exists on how they also used the non-virginal bodies of mothers and vivid descriptions of childbirth to assert rights to land and lineage. This essay examines three birth stories associated with conquest or claims to contested lands from Geoffrey of Monmouth’s Historia Regum Britanniae, William of …

Where Are The Women?: An Ecofeminist Reading Of William Golding’S Lord Of The Flies, Hawk Chang

CLCWeb: Comparative Literature and Culture

The absence of female characters and their voices in William Golding’s Lord of the Flies (1954) has been previously examined. On the surface, this fiction focuses on the struggle and survival of a group of boys who are left alone on a Pacific island against the background of nuclear warfare. The only presence of women in the story seems to be the aunt via a boy’s narration. However, when approaching the fiction through the lens of ecofeminism, we can find a range of feminized entities which are metaphorically embodied in the natural surroundings of the secluded island. The boys’ interactions …

The Natural-Supernatural Solway, Fiona Stafford

Studies in Scottish Literature

Explores, through discussion of Burns's letters from Annan Water on the Solway, and in his poems, Burns's treatment of the supernatural, specifically his references to treatment of Kelpies, the mythical Scottish waterhorses seen in the destructive force of Solway tides and storms, carrying this forward to the work of Allan Cunningham, including his story “Judith Macrone, the Prophetess” (1821) and his poem "The Mermaid of Galloway" (1810).

Introduction: Literary Geographies: The Solway Firth, Gerard Lee Mckeever

Studies in Scottish Literature

Introduces the symposium that follows by describing the Solway Firth, its shores and its significance in the late 18th and early 19th century, defining the perspective of the symposium as "critical regionalism," examining the theme through an 1821 magazine story-series about a steam-boat on the Solway and through Allan Cunningham's novel Lord Roldan (1836), and reviewing the other symposium papers to highlight their contributions to this theme.

Articulate Vol. Xvii

Articulāte

No abstract provided.

Articulate Vol. Viii

Articulāte

No abstract provided.

Articulate Vol. V

Articulāte

No abstract provided.

The Boy In The Text: Mary Barber, Her Son, And Children's Poetry In Poems On Several Occasions, Chantel M. Lavoie

ABO: Interactive Journal for Women in the Arts, 1640-1830

The Boy in the Text: Mary Barber, Her Son, and Children’s Poetry in Poems on Several Occasions

This paper reconsiders the work of Dublin poet Mary Barber, whose collection of poems appeared in 1733/34. There she acknowledges the assistance of Jonathan Swift, and frames her poetry as a pedagogical aid to her children’s education—particularly that of her eldest son, Constantine. Barber’s relationship with Swift has received much critical attention, as has her focus on her own motherhood—sometimes in critiques that suggest both of these hampered the quality and scope of her work. This paper asks readers to look at her …

“Edna O’Brien: An Interview With Maureen O’Connor”, Maureen O'Connor, Martha Carpentier, Elizabeth Brewer Redwine

Critical Inquiries Into Irish Studies

No abstract provided.

Poetic Maturity, Identity, And A Troublesome Future In “Personal Helicon”, Taylor Bitton

Criterion: A Journal of Literary Criticism

No abstract provided.

Full Issue Fall 2020

Criterion: A Journal of Literary Criticism

No abstract provided.

Seamus Heaney And The Role Of The Political Poet, Alex Coleman

Criterion: A Journal of Literary Criticism

No abstract provided.

"Was Is Not Is": "Give Unto Them Beauty For Ashes" (Isaiah 61.1-3), Katey Workman

Criterion: A Journal of Literary Criticism

No abstract provided.

Hettie Jones And Bonnie Bremser: Complicating Feminist And Beat Master Narratives, Nancy Effinger Wilson

Journal of Feminist Scholarship

The Beat master narrative suggests that all Beats ignored racism; the feminist wave model suggests that there was no feminist activism between the first and second wave of feminism and no attention to the intersection of race and gender prior to the third wave. Both models discount and in the process erase the efforts by Beat writers Bonnie Bremser and Hettie Jones who challenged racism and sexism before the more visible civil rights and feminist movements of the 1960s. Employing Milton Bennett's Developmental Model of Intercultural Sensitivity to analyze the intercultural/interracial attitudes present in Bonnie Bremser’s Troia and Hettie Jones’ …

Kate O’Brien: Queer Hauntings In The Feminist Archive, Naoise Murphy

Journal of Feminist Scholarship

The archive of Irish writer Kate O’Brien is a notable example of how queerness haunts the mainstream of feminist literary spaces. The 2019 Museum of Literature Ireland (MoLI) exhibition Kate O’Brien: Arrow to the Heart, which set out to restore this censored novelist’s place in the archive of twentieth-century Irish writing, provides a case study of these dynamics. Queer and feminist perspectives on the archive, with a focus on affect, hauntings and Sara Ahmed’s “queer use,” illuminate the conflicting epistemologies regulating the O’Brien archive. Reading this exhibition as an Irish queer, affective experience collides with entrenched structures of power …

'Some Pastoral Improvement' In The Gentle Shepherd: Mediation, Remediation, And Minority, Steve Newman

Studies in Scottish Literature

This essay shows how in The Gentle Shepherd Allan Ramsay engages in the complex work of "pastoral improvement" on an individual and national scale and foresees--to a point--how his work will be received in the decades and even centuries to come. After situating his work within the uprising of the Galloway Levellers, pastoral, and the early work of agricultural improvement, I consider how the concept of improvement shapes the reception of his work in the Linley-Tickell production of the 1780s--including a surprising appearance from the Shakespearean forger, William Henry Ireland--and the key role The Gentle Shepherd plays in "The Young …

The Irish Vampire: Dracula, Parnell, And The Troubled Dreams Of Nationhood, Michael Valdez Moses

Journal X

No abstract provided.

Tears And Blood: Lady Wilde And The Emergence Of Irish Cultural Nationalism, Marjorie Howes

Journal X

No abstract provided.

George Moore, W. T. Stead, And The Boer War, Joseph O. Baylen

Studies in English

No abstract provided.

The King And The People In Burns And Lady Nairne, With A Coda On Jane Austen’S Favorite Burns Song, Carol Mcguirk

Studies in Scottish Literature

Explores the treatment of the monarchy, and the Jacobite song tradition, in Robert Burns (who "refuses political silence yet ... embraces indirection, even contradiction") and Caroline Oliphant, Lady Nairne (whose "lyrics highlight Scottish solidarity... offering her readers [and the performers of her songs] an immersion experience in being Jacobite"), with discussion also of Jane Austen's favourite Burns song "“Their Groves of Sweet Myrtle,” suggesting that this is echoed in Austen's Emma.

The Reputation Of David Gray, David Mcvey

Studies in Scottish Literature

Discusses responses to the poetry, including the death, of the Scottish poet David Gray (1838-1861), primarily with reference to his longer poem The Luggie and his sonnet sequence In The Shadows, exploring the extent to which Gray himself consciously constructed a reputation around his own imminent death from TB, through reference to the career and death of earlier sufferers, including Michael Bruce, Robert Pollock, and John Keats.

Writing The Highland Tour: A Story Of A Deeply Troubling Kind, Andrew Hook

Studies in Scottish Literature

Review and discussion of Nigel Leask, Stepping Westward: Writing the Highland Tour c.1720-1830 (Oxford: Oxford University Press, 2020), from Burt and Pennant to Dr Johnson, William and Dorothy Wordsworth, and John Keats, praising the book as timely, and suggesting that in discussing attitudes to the people of the Scottish Highlands it tells "a story of a deeply troubling kind."