Digital Commons Network^™

Mixed Feelings: The Emotional Appeals Of Zitkala-Ša’S American Indian Stories, Kayla Joan Baur

Publications and Research

Zitkala-Ša (Lakota: Zitkála-Šá, meaning Red Bird) was among the first to write about the experiences of Native American children in the U.S. Indian boarding school program to an English-speaking audience. As a writer and political activist, Zitkala-Ša uses emotional appeals and cultural ideas she learned through her white education to expose the very boarding school institutions that taught her. In American Indian Studies (1921), Zitkala-Ša critiques the violence that the Indian boarding school system inflicts on young Native Americans. She presents these critiques through emotional appeals that take two forms: one, a more traditional sentimental appeal associated with middle-class white …

Remixing The Canon: Shakespeare, Popular Culture, And The Undergraduate Editor, Andie Silva

Publications and Research

This essay explores the benefits and challenges of using digital editing as a platform for social knowledge production. First, I discuss the underlying impetus for the project, my choice of Scalar as a digital platform, and a number of specific assignments designed to develop skills toward the final edition. Next, I analyze examples from student work, considering the larger implications of students’ annotation choices and the thematic focus each of them chose for their acts. Finally, I outline some of the potential pitfalls of this course. My aim is to privilege students’ discovery, negotiation, and ownership of ideas. As a …

“9/11 And The Collapse Of The American Dream: Imbolo Mbue’S Behold The Dreamers”, Elizabeth Toohey

Publications and Research

Behold the Dreamers follows a Cameroonian couple who, as newcomers to America, harbor dreams of success unavailable to them back home. Undocumented immigration, the widening gulf between rich and poor, and the thinly veiled racism of an avowedly "post-racial" culture converge in this new generation of immigrants' painful encounter with the American dream. I consider the ways Mbue's novel shares themes with a "second wave" of post- 9/11 literature—first, in centering the disillusionment of a protagonist aspiring to the American dream; next, in its representation of New York as a space haunted by 9/11, but also of resistance to the …

No Longer, Not Yet: Retrofuture Hauntings On The Jetsons, Stefano Morello

Publications and Research

From Back to the Future to The Wonder Years, from Peggy Sue Got Married to The Stray Cats’ records – 1980s youth culture abounds with what Michael D. Dwyer has called “pop nostalgia,” a set of critical affective responses to representations of previous eras used to remake the present or to imagine corrective alternatives to it. Longings for the Fifties, Dwyer observes, were especially key to America’s self-fashioning during the Reagan era (2015).

Moving from these premises, I turn to anachronisms, aesthetic resonances, and intertextual references that point to, as Mark Fisher would have it, both a lost past …

The White Album As Neo-Victorian Fiction Of Loss, Lucas Kwong

Publications and Research

Although much has been written about the Beatles' celebration of Victorian culture on the album Sgt. Pepper's Lonely Hearts Club Band, little scholarship, if any, has focused on the White Album’s relationship to the late Victorian period. This paper examines the White Album through the lens of what Victorian studies scholar Stephen Arata has called “fictions of loss,” a body of late Victorian texts depicting intertwined processes of “national, biological, [and] aesthetic” decline. Through examining songs like "Helter Skelter" and "Revolution Number 9," I argue that the White Album deserves consideration alongside Dracula and She as a “fiction of loss,” …

When Wuxia Met Romance: The Pleasures And Politics Of Transculturalism In Sherry Thomas’S My Beautiful Enemy, Jayashree Kamble

Publications and Research

A case study of Sherry Thomas’s Qing-era My Beautiful Enemy (and its prequel, The Hidden Blade) allows for a fruitful discussion of changing representations of diversity in romance fiction and its appeal to readers. MBE’s heroine is Anglo-Chinese, and the novel’s plot draws on wuxia, a literary and cinematic genre that has a long history in China, Hong Kong, and Taiwan. It is also associated with immigration and exile, perhaps resonating with Thomas’s own move from China to the U.S. Readers might find its infusion in romance appealing for two reasons: one, it features a warrior heroine (a …

Trumppunk Resists Presidential Bunk Or, Updating Obscure Mirrorshades With Revelatory Magnifying Glasses Enhances Seeing The Forces Of Normalcy, Marleen S. Barr

Publications and Research

Trumppunk is a genre that Marleen S. Barr theorizes as a complement to her original fiction published in WHEN TRUMP CHANGED: THE FEMINIST SCIENCE FICTION JUSTICE LEAGUE QUASHES THE ORANGE OUTRAGE PUSSY GRABBER.

Taverns, Theaters, Publics: The Intertheatrical Politics Of Caroline Drama, Allison Deutermann

Publications and Research

No abstract provided.

Dalgish Studies, Teaches The Complexities Of Languages., Aldemaro Romero Jr.

Publications and Research

“I tell my students that if they want to see the world, they might consider studying linguistics, because that is how I got my start,” says Dr. Gerard Dalgish, a professor of English at Baruch College. “I went to many different countries, and if you have that sort of background, you can live for a while working part-time or something like that if you like the particular place you’re visiting.”

These compelling words come from someone who has specialized in teaching English as a second language or ESL, as it is also known.

The Uprising Of The Anecdotes: Women’S Letters And Mass-Produced News In Jacob’S Room And Three Guineas, Ria Banerjee

Publications and Research

This short article explores the similarities between Walter Benjamin's theory about the disruptive potential of an anecdote vis-a-vis the conventional narrative and Virginia Woolf's use of anecdotes in her novel, Jacob's Room and her anti-war treatise, Three Guineas.

Disciplines, Institutions—And Desires, Will Stockton, Mario Digangi, Ruth Mazo Karras, Melissa E. Sanchez

Publications and Research

Will Stockton: I would like to begin by asking you to consider the chiasmus under which we gather: “Desiring History and Historicizing Desire.” The chiasmus focuses our attention on the crossing of two terms, each with noun and verb forms their grammatical flexibility indexed, perhaps, to the methodological flexibility of the fields in which most of us work: early modern (here both Renaissance and late-medieval) queer and/or sexuality studies. Talk a bit about the definitions of desir/e/ing and histor/y/icizing, and the relation of these terms to the periodization and thematization of your and our work. Is defining these words more …

Unworking Milton: Steps To A Georgics Of The Mind, Steven Swarbrick

Publications and Research

Traditionally read as a poem about laboring subjects who gain power through abstract and abstracting forms of bodily discipline, John Milton’s Paradise Lost (1667, 1674) more compellingly foregrounds the erotics of the Garden as a space where humans and nonhumans intra-act materially and sexually. Following Christopher Hill, who long ago pointed to not one but two revolutions in the history of seventeenth-century English radicalism—the first, ‘the one which succeeded[,] . . . the protestant ethic’; and the second, ‘the revolution which never happened,’ which sought ‘communal property, a far wider democracy[,] and rejected the protestant ethic’—I show how Milton’s Paradise …

The Odds And The Ends: What To Do With Some Letters Of Catharine Macaulay, Olivera Jokic

Publications and Research

Biographers of Catharine Macaulay (1731–91), much like her contemporaries, often agreed that the woman’s reputation was shaped by the peculiar company she kept: prominent, intellectual, political, radical, revolutionary, and occasion- ally “foolish.”3 This essay examines why it matters what company a writer keeps, especially when that writer is a woman and her reputation is tied to the status of her letters and her correspondents.

Collecting To The Core: American Crime Fiction, Michael Adams

Publications and Research

Overview of key secondary works analyzing American crime fiction: general works, works dealing with specific periods, works dealing with crime fiction by women and African Americans.

Something New Under The Sun: Episode 4, Marleen S. Barr

Publications and Research

This is the introduction to Marleen S. Barr's guest edited issue of DELETION: THE OPEN ACCESS ONLINE FORUM IN SCIENCE FICTION STUDIES. The issue is called "Episode 4: The New! The Now! The Fantastic!"

Science-Fictional North Korea: A Defective History, Seo-Young J. Chu

Publications and Research

Kafkaesque, Orwellian, eerie, surreal, bizarre, grotesque, alien, wacky, fascinating, dystopian, illusive, theatrical, antic, haunting, apocalyptic: these are just a few of the vaguely science-fictional adjectives that are now associated with North Korea. At the same time, North Korea has become an oddly convenient trope for a certain aesthetic – an uncanny opacity; an ominous mystique – that many writers and artists have exploited to generate striking science-fictional effects in texts with little or no connection to North Korean reality. (The 2002 Bond film Die another Day, for example, draws from North Korea’s science-fictional aura to animate North Korean super-villains who …

The Queer Dialectic Of Whitman’S Nation: "Let" In “Respondez”, Václav Paris

Publications and Research

This article considers Whitman's "Respondez" - perhaps his strangest poem. It seeks to explicate the poem by looking at his shifting use of the word "let." The article draws on studies of queer theory, nationalism, modernism, to reveal an unfamiliar and far more radical Whitman than we are familiar with.

Here We Come To Save Tomorrow: A Conversation With Dr. Marleen S. Barr, Marleen S. Barr

Publications and Research

This is an interview with Marleen S. Barr conducted by The Octavia E. Butler Society.

Creating Room For A Singularity Of Our Own: Reading Sue Lange's "We, Robots", Marleen S. Barr

Publications and Research

The accessibility of Lange’s text might mitigate against recognizing its importance. Lange’s simple sentence structure and direct communicative mode convey a presently overlooked logical moral assertion: the impending Singularity is not a male-dominated patriarchal domain. The Singularity, in other words, should not be construed in a manner which excludes women and feminism. This assertion is patently obvious. But, nonetheless, it is often ignored. Before I read Lange’s novella as a description of the Singularity which feminists can embrace, I include the following background information: 1) a discussion about why the discourse relating to the Singularity needs to be expanded and …

Picturing The Wake: Arcimboldo, Joyce And His ‘Monster,’, Václav Paris

Publications and Research

This essay considers Finnegans Wake through the lens of Arcimboldo's art. Drawing on surrealism, French theory, and close readings of parts of Joyce's most difficult book, it shows the work to be visually richer and stranger than we imagined.

Censuring The Praise Of Alienation: Interstices Of Ante-Alienation In Things Fall Apart, No Longer At Ease, And Arrow Of God, Kevin Frank

Publications and Research

Interrogating Abiola Irele’s largely unchallenged praise of alienation, this essay is bold and insightful in returning to Chinua Achebe’s African trilogy to examine the subtler, equally dangerous agent of externality: ante-alienation, or social alienation within traditional African culture, which precedes race-based, colonial alienation. This ante-alienation challenges Négritude’s paradisiacal view of Africa and raises questions about Africans always being happiest with themselves within their traditional culture.

The Pencil, The Pin, The Table, The Bowl And The Wheel, Valerie Allen

Publications and Research

The commodity created under global capitalism originates from everywhere and seems to have been made by everyone. Endlessly fungible, it is also endlessly divisible. Analysis of the commodity reveals the indissoluble link between commodification and technologization. Although the medieval commodity is a very different kind of object, not issuing from an economy dedicated to commodity production, and being produced more regionally, the link between production and technology applies to the Middle Ages as much as it does to now. Medieval technology, in particular road-building, is commonly regarded as a regression in comparison to Roman engineering skills. I argue, however, for …

The Pitchman In Print: Oral Performance Art In Text And Context, Joseph Ugoretz

Publications and Research

Oral performance art, patterned performative speech for an audience, is perhaps the oldest and most ubiquitous human art form. Specific instances of this art include the performances of griots and guslars, troubadors and shamans, as well as rappers and riddlers, preachers and politicians. While this art form is by definition oral, it is also the case that, frequently, literary art has represented oral performance art. There is written art which depicts oral art, which describes it, appropriates it, criticizes and co‑opts it.

In this dissertation, I define oral performance art as constituting a separate and unique artistic genre, one which …