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“Bury Your Head Between My Knees And Seek Pardon”: Gender, Sexuality, And National Conflict In John Okada’S No-No Boy, Patricia A. Thomas

University of New Orleans Theses and Dissertations

In “‘Bury Your Head Between My Knees and Seek Pardon’: Gender, Sexuality, and National Conflict in John Okada’s 1957 novel, No-No Boy,” I analyze the ways in which the complexities of gendered sexuality expressed by protagonist Ichiro Yamada intersect with post-World War II and Internment-era national identifications for American nisei. I demonstrate that this apparent story of one man’s pursuit to resolve his conflict over national identity is, in reality, a tour de force of literary subversion that not only destabilizes the subterfuge that surrounded internment but also—in its deliberate failure to resolve questions of national conflict on the …

The Virgin's Kiss: Gender, Leprosy, And Romance In The Life Of St. Frideswide, Gary Stephen Fuller

Theses and Dissertations

The longer thirteenth-century Middle English verse life of Saint Frideswide found in the collection of saints' lives known as the South English Legendary (SEL) narrates an event unique to medieval hagiography. In the poem, a leper asks the virgin saint to kiss him with her "sweet mouth," which she does in spite of her feelings of considerable shame, and the leper is healed. The erotic nature of the leper's request, Frideswide's reluctance to grant it, and her shame throughout the incident represent a significant departure from the twelfth-century Latin texts on which the SEL version of the saint's …

Gender Politics In The Novels Of Eliza Haywood, Susan Muse

Dissertations (1934 -)

This study investigates how Eliza Haywood addressed ideological conflicts about gender produced by modernization in early eighteenth-century England. Expanding Michael McKeon's theory of the novel to include "questions of gender," I address a wide sample of novels in order to show how Haywood's writing developed during her long career. Her first preoccupation was the sexual double standard that defined "fallen women" as society's exiles. Influenced by the "she-tragedy" of the late seventeenth and early eighteenth century, Haywood wrote novels that elicited pity for fallen women and searched for reasons to explain their condition. Haywood's writing became overtly political with her …

The Machine, The Victim, And The Third Thing: Navigating The Gender Spectrum In Margaret Atwood's Oryx And Crake And The Year Of The Flood, Lindsay Mccoy Anderson

Electronic Theses and Dissertations

This thesis explores Atwood's depiction of gender in Oryx and Crake and The Year of the Flood. In an interview from 1972, Margaret Atwood spoke on survival: "People see two alternatives. You can be part of the machine or you can be something that gets run over by it. And I think there has to be a third thing." I assert that Atwood depicts this "third thing" through her characters who navigate between the binaries of "masculine" and "feminine" in a third realm of gender. As the female characters—regardless of their passive or aggressive behavior—engage in a quest for agency, …

"I Is An Other": An Exploration Of The Development Of Childhood And Adolescent Self-Concept, Jessica Lebovits

Senior Projects Spring 2012

A multidisciplinary project that combines original empirical research with an analysis of two Modernist novels, The Waves by Virginia Woolf and A Portrait of the Artist as a Young Man by James Joyce.

Subversive Liminality And Ideological Warfare: The Zombie Mash-Up As Resistance To Hypermasculine Revenge Narratives Post-9/11, Veronica L. Cooper

Online Theses and Dissertations

This project plots the coincidence of the "zombie renaissance" and system-justifying nationalist rhetoric post-9/11. The project discusses this cultural cross-section with zombie mash-up fiction, using masculinity and trauma theories, in an attempt to illuminate the motives of "us vs. them" rhetoric and hypermasculine revenge narratives in the post-9/11 decade. First, I use Adventures of Huckleberry Finn and Zombie Jim (2009) to examine liminality as subversive counter-discourse to the masculine hegemony post-9/11. Second, I use Pride and Prejudice and Zombies (2009) to look at the effects of revenge culture and how non-emphasized femininity and hegemonic (hyper)masculinity co-construct each other.

"What Shall We Use To Fill The Empty Spaces?": Displacement In Frank Norris's Mcteague, Jennifer Bugna Lambeth

Electronic Theses and Dissertations

Author's abstract: McTeague, Frank Norris's Naturalistc text written in 1899, depicts the corruption of a California couple due to influences outside of their control. In positioning Trina McTeague as a woman unable to identify with either of the two major feminine ideologies of the day, the Angel in the House and the New Woman, this paper examines her identity as conflicted because of this lack of autonomy. Her failure to identify herself leads to a mental break that is reflected in the domestic spaces she inhabits. The places she lives each become smaller and dirtier reflecting her diminished mental capacity. …

Lizard Girl And Other Girl Stories, Melinda Beth Keefauver

Doctoral Dissertations

This dissertation addresses the notable lack of the comic mode in contemporary ecofiction and aims to integrate humor and ecological inflection through the female narrative voice. Comedy and ecology rarely intersect in literary fiction. Ecofiction tends to be unfunny because the category grows out of the nonfiction tradition of nature writing, a genre that yields solemn, reverent, meditative essays that lack humor. Also, works of ecofiction can seem didactic, lacking the complexity, richness, and ambiguity that characterize literary fiction. Furthermore, literary critics often view comedic stories as lacking in literary quality. However, comedy has an intensifying effect on narrative, imbuing …

From Orators To Cyborgs: The Evolution Of Delivery, Performativity, And Gender, Victoria E. Willis

English Dissertations

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The purpose of this project is to provide a thorough account of delivery by tracing the history and evolution of delivery from antiquity to the present day in order to expose the spread and transmission of proto-masculine ideologies through delivery. By looking at delivery from an evolutionary perspective, delivery no longer becomes a tool of rhetoric, but the technology of rhetoric, evolving over time in the same way the system of rhetoric itself has evolved. Contemporary scholarship …

Sensory Coding In William Faulkner's Novels: Investigating Class, Gender, Queerness, And Race Through A Non-Visual Paradigm, Laura R. Davis

English Dissertations

ABSTRACT

Although the title of William Faulkner’s famous novel The Sound and the Fury overtly references the senses, most critics have focused on the fury rather than on the sound. However, Faulkner’s stories, vividly and descriptively set in the U.S. South, contain not only characters and plot, but also depict a rich sensory world. To neglect the way Faulkner’s characters employ their senses is to miss subtle but important clues regarding societal codes that structure hierarchies of class, gender, queerness, and race in his novels. Thus, a more complete examination of the sensory world in Faulkner’s fiction across multiple texts …

"I Unsex'd My Dress": Lord Byron's Seduction Of Gender In "The Corsair", "Lara", And "Don Juan", Alexis Spiceland Lee

Dissertations

The goal of this project is to posit a theory of how Byron’s texts, specifically through the development of his hero, construct gender and sexuality as styles of seduction that resist easy classification by binary systems. I propose that Byron’s works characterize gender through ironic performances of seduction that, because they reveal that binary structures lack a stable core, dissolve systemic differentiation and thus fatally complicate any attempt to force the individual into rigid categories of gender or sexual identity. Byron’s works deploy seduction as a tactic of ironic representation of both gender and sexual practice that is necessarily multiplicitous …

Pierced Through The Ear: Poetic Villainy In Othello, Kathleen Emerald Somers

Theses and Dissertations

The paper examines Othello as metapoetry. Throughout the play, key points of comparison between Iago and Shakespeare's methodologies for employing allegory, symbolism, and mimetic plot and character construction shed light upon Shakespeare's self-reflexive use of poetry as an art of imitation. More specifically, the contrast between Shakespeare and Iago's poetry delineates between dynamic and reductive uses of allegory, emphasizes an Aristotelian model of mimesis that makes reason integral to plot and character formation, and underscores an ethical function to poetry generally. In consequence of the division between Iago and Shakespeare as unethical and ethical poets respectively, critical contention concerning the …

Un-Fairytales: Realism And Black Feminist Rhetoric In The Works Of Jessie Fauset, Danielle L. Tillman

English Theses

I am baffled each time someone asks me, “Who is Jessie Fauset?” As I delved into critical work written on Fauset, I found her critics dismissed her work because they read them as bad fairytales that showcase the lives of middle-class Blacks. I respectfully disagree. It is true that her novels concentrate on the Black middle-class; they also focus on the realities of Black women, at a time when they were branching out of their homes and starting careers, not out of financial necessity but arising from their desire for working. They establish the start of what Patricia Hill Collins …

String Theory, Rachel A. Baird

ETD Archive

DEE struggles to uphold her political ideals in the face of her very proper mother, THERESA, and her long-time, over-achieving friend, LEENA. She makes stands that shock and antagonize both women, including becoming a case worker for bad neighborhoods, and having lesbian romantic relationships rather than heterosexual ones. Her friend GABRIEL, a cynical gay man, is her one ally in these choices. When DEE falls in love with a man, however, these relationships are inverted, and GABRIEL feels betrayed by her cavalier attitude towards sexual orientation. GABRIEL stops speaking to DEE, and DEE and ALLEN get married. When ALLEN dies, …

Negotiating Identity: Culturally Situated Epideictic In The Victorian Travel Narratives Of Isabella Bird, Katherine Reilly Robinson

Theses and Dissertations

Epideictic rhetoric, one of the classical modes of persuasion described by Aristotle, has faced some criticism concerning its value in the realm of rhetoric. Though attitudes have been shifting over the last several decades, there is still a tendency to undervalue epideictic, falling back on the Aristotelian system of ceremonial oratory. However, its “praise and blame” style of persuasion employs of the type of rhetor / audience identification described by Kenneth Burke. Epideictic rhetoric is a major component of virtually any communication, as the speaker or writer seeks to create a bond with that audience so as to persuade them …

Taking Eudora Welty's Text Out Of The Closet: Delta Wedding's George Fairchild And The Queering Of Saint George, James R. Wallace

English Theses

Eudora Welty’s characterization of George Fairchild (Delta Wedding) queers the heroic masculine ideal, St George, whose legendary exploits have been popularized in narrative literature, Catholic iconography, and children’s fairy tale. Lauded by the Fairchild women for his “difference,” George’s sexuality offers him an identity apart from the suffocating Fairchild family myth. George Fairchild’s queer sexuality and homoeroticism augments our critical understanding of Delta Wedding, the character, as well as other characters. The author’s subtly politicized construction of the novel’s ostensible hero subverts literary tradition, the gender binary, and patriarchal myth.

Reading Masculinity In Virginia Woolf's The Waves, David Michael Mraz

ETD Archive

The Waves subtly subverts traditional notions of gender, and creates a space for divergent expressions of masculinity, specifically, the masculinity referred to in this paper relates to norms established in England during the Edwardian and Post World War I periods. In The Waves, the three male voices, Bernard, Neville and Louis, are introduced at school to a pro-imperialist vision of masculinity which is further reinforced through their relationship with the silent Percival. However, unlike Percival, the three male voice characters are either barred from the homosocial (Nevill and Louis) or are ambivalent to its production (Bernard). By employing masculinity theory …

Genre And Gender In Charles Bukowski's Notes Of A Dirty Old Man, Kallisto J. Vimr

ETD Archive

Charles Bukowski's notes of a dirty old man is a genre-blurring, gender-blending "start" to the perpetual "work-in-progress" that constitutes his oeuvre. Bukowski's genre heterogeneity provides a literal shape-shifting that allows the Bukowski-character to experiment with his a fluid, indeterminate subjectivity, helping unravel the tight myth that binds him as a "dirty old man." Examining one of the vignettes in the book, the column recounting Bukowski meeting Neal Cassady, showcases Bukowski's engagement with autobiography and creative nonfiction in order to respond to constructions of verisimilitude this is inextricably linked to other organized constructions Bukowski must work in--or out from--namely the hierarchy …

Rethinking The Historical Lens: A Case For Relational Identity In Sandra Cisneros's The House On Mango Street, Annalisa Wiggins

Theses and Dissertations

My thesis proposes a theory of relational identity development in Chicana literature. Gloria Anzaldua's Borderlands/La Frontera offers an interpretation of Chicana identity that is largely based on historical models and mythology, which many scholars have found useful in interpreting Chicana literature. However, I contend that another text, Sandra Cisneros's The House on Mango Street, not only illustrates the need for an alternative paradigm for considering identity development, but in fact offers such an alternative. I argue that Cisneros shows a model for relational identity development, wherein the individual develops in the context of her community and is not determined solely …

The Perils And Empowerments Of Mountain Literacies: Reading Loss And Shifting Identities In Appalachian Memoirs And Novels, Erica Abrams Locklear

LSU Doctoral Dissertations

This dissertation analyzes the literary portrayal of literacy events in memoirs and novels written by Appalachian women during the twentieth and twenty-first centuries. Drawing from contemporary literacy scholarship, my project engages several definitions of the term "literacy," including theories defining it as a technical skill, a social act, cultural knowledge, or a potent form of ideological power. In a region historically (and often inaccurately) stigmatized as illiterate, "literacy" is a loaded term, a concept doubly associated with cultural pride and with cultural loss. By applying literacy theories to Appalachian literature, I analyze the identity conflicts literacy attainment causes for several …

Geoffrey Chaucer's The Canterbury Tales: Rhetoric And Gender In Marriage, Andrea Marcotte

University of New Orleans Theses and Dissertations

In the Middle Ages, marriage represented a shift in the balance of power for both men and women. Struggling to define what constitutes the ideal marriage in medieval society, the marriage group of Geoffrey Chaucer's The Canterbury Tales attempts to reconcile the ongoing battle for sovereignty between husband and wife. Existing hierarchies restricted women; therefore, marriage fittingly presented more obstacles for women. Chaucer creates the dynamic personalities of the Wife of Bath, the Clerk and the Merchant to debate marriage intelligently while citing their experiences within marriage in their prologues. The rhetorical device of ethos plays a significant role for …

A Gentlemen's Benevolence: Symptoms Of Class, Gender, And Social Change In Emma, Nicholas Nickleby, And The Mill On The Floss, Aubrey Lea Hammer

Theses and Dissertations

Austen, Dickens, and Eliot each responded to discussions of their time concerning class, gender, and social change. One of the ways they addressed these issues, and sought to find solutions to the problems facing their culture, was through benevolence. Knightley, in Emma, uses benevolence as a means of mediating self-interest and sympathy. By acting out of sympathy, through benevolence, he achieves the self-interested benefits of reinforcing the class system and achieving his romantic conquests. Likewise, Dickens' Nicholas Nickleby learns how to use benevolence as a means of social mobility from his mentors, the Cheerybles. Throughout Nicholas Nickleby the hero learns …

Who Speaks And Who Listens? Genre, Gender, And Memory In Holocaust Discourses, Lisa A. Costello

LSU Doctoral Dissertations

The Holocaust discourses examined in Who Speaks and Who Listens? Genre, Gender and Memory in Holocaust Discourses perform writing that does something through the presentation of meaningful content and its interaction with the process of the writing act. These discourses are utterances necessarily wedged between the past and the future—between the fear that the traumatic past of the Holocaust recedes too much and the concern with what might become of this past for the generations that follow. The theory of performative memorialization describes how multiple discourses of the Holocaust engage with each other and with the audiences that receive and …

James Thurber's Little Man And The Battle Of The Sexes: The Humor Of Gender And Conflict, Andrew S. Jorgensen

Theses and Dissertations

James Thurber, along with others who wrote for The New Yorker magazine, developed the 'little man' comic figure. The little man as a central character was a shift from earlier nineteenth-century traditions in humor. This twentieth-century protagonist was a comic antihero whose function was to create sympathy rather than scorn and bring into question the values and behaviors of society rather than affirm them, as earlier comic figures did. The little man was urban, inept, frustrated, childlike, suspicious, and stubborn. His female counterpart was often a foil: confident and controlling enough to highlight his most pitiable and funniest features. Contradictory …

Marginally Male: Re-Centering Effeminate Male Characters In E. M. Forster's A Room With A View And Howards End, Damion Clark

English Theses

In this thesis I argue that understanding Forster’s effeminate male characters is central to understanding the novels that they appear in. Tibby in Howards End and Cecil in A Room with a View are often viewed as inconsequential figures that provide comic relief and inspire pity. But if, instead of keeping them at the margins, readers put Tibby and Cecil in direct contact and conflict with the dominant themes of gender identity, gendered power structures, and gender equality in these novels, these characters develop a deeper significance that details the fin de siècle’s ever-changing attitudes regarding prescribed gender roles for …

Margaret Cavendish And Scientific Discourse In Seventeenth-Century England, Alisa Curtis Bolander

Theses and Dissertations

Although the natural philosophy of Margaret Cavendish is eclectic and uncustomary, it offers an important critique of contemporary scientific methods, especially mechanism and experimentalism. As presented in Observations upon Experimental Philosophy and Blazing World, Cavendish's natural philosophy incorporates rationalistic and subjective elements, urging contemporary natural philosophers to recognize that pure objectivity is unattainable through any method of inquiry and that reason is essential in making sense and use of scientific observation.

In addition to its scientific implications, Cavendish's three-tiered model of matter presents interesting sociopolitical associations. Through her own use of metaphor and her theoretical fusion of matter and motion, …

Gender, Class & Social Evolution In George Eliot's Middlemarch, Tim Mount

Seton Hall University Dissertations and Theses (ETDs)

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Cut To The Quick: Lorena Bobbitt And America Gender Ideology, Jessica Staheli

Undergraduate Honors Capstone Projects

On the morning of June 23rd, 1993, Lorena Bobbitt severed her husband's penis with a kitchen carving knife, literally enacting the old myth of women as castrators. America reacted to Lorena's and her husband John's situation first with horror and then with humor. Soon after the attack was made public, jokes and commentaries proliferated on television and in magazines, journals, and newspapers. Because Americans were so shocked by Lorena's action, they scrambled to represent and explain it in a manner that made the act morally comprehensible. Looking at interviews, jokes, commentaries, and John's subsequent career in pornography reveals the specific …

(En)Gendered Performances And The Problematics Of Identity Construction In Contemporary Gay Literature, William Paul Banks

Legacy ETDs

No abstract provided.

Progress, Process And The Critique Of Development: The Interplay Of Gender And Genre In The Morgesons, Janet E. Graber

Honors Papers

Elizabeth Barstow Stoddard's work received little public attention or critical acclaim during her lifetime. Only now, more than a hundred years after her best work was completed, has Stoddard begun to find an enthusiastic audience. Stoddard wanted badly the success which eluded her, yet she was not willing to sacrifice her intellectual and artistic integrity in order to sell books. She had only contempt for the countless women writers of her day, "the tribe of intellectual gardeners and vegetable growers," who gained widespread popularity with their frothy, ornate, and romantic fiction. She wanted to be seen as a consequential and …