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Herman Melville And Richard Wright: Camaraderie And Revolt, Linda Braune

Theses and Dissertations - UTB/UTPA

In 1940, Black leftist writer Richard Wright, in his classic Native Son, sought out a great figure in the American Black canon, W. E. B. Du Bois, to understand and delineate double consciousness of Blacks. But it is surprising, perhaps, that Wright also drew from a major figure in the white canon, Herman Melville, in order to explore the overcoming of double consciousness and its effects. Although another tradition might interpret Melville’s Captain Ahab as “predicting” Wright’s story of Bigger Thomas, I suggest that it is the Pequod crew of Moby-Dick, not the driven and driving Captain, which compels Wright’s …