Digital Commons Network^™

Developing The Modern Heroine Of Fantasy Literature: An Examination Of Lyra From "His Dark Materials" And Clary From "The Mortal Instruments", Diana Aileen Borghols Herrera

Theses and Dissertations - UTB/UTPA

This work looks at the figure of the heroine as present through the characters of Lyra Belacqua in His Dark Materials and Clary Fairchild in The Mortal Instruments. The characters will be analysed within the fantasy genre and the tradition of the heroic figure. By defining the hero and the heroine, two types of characters with different traits, I will show that the heroic archetype for the female is not entirely set. Lyra and Clary share some similarities but their relation to their respective role is perceived and fulfilled through varying degrees of commitment. The analysis will be contained to …

Landing: On The Other Side, Marianita Escamilla

Theses and Dissertations - UTB/UTPA

Landing: On the Other Side a collection of essays that discuss one woman's struggle with the Chronic Fatigue Syndrome, Fibromyalgia (FM). The narratives are organized non-chronologically because the more pervasive effects of this chronic illness manifest in waves that do not follow a simple means of progression. Rather, FM's most powerful symptom is the highly variable pain strength coupled with its unpredictability.

The mass marketability of this text, as with other illness/disability narratives, lies in the universal message of prevailing against adversity. A person need not suffer from this illness or any ailment to comprehend the narrator's plight. While this …

The Best Bullies: A Critical Analysis Of Young Adult Anti-Bullying Novels, Nina Marie Bone

Theses and Dissertations - UTB/UTPA

Recently, bullying has become a critical area of research across disciplines exploring effective tools for dealing with this increasing problem. Emerging from this critical research is a new sub-genre of young adult (YA) anti-bullying literature that is becoming increasingly popular. This thesis offers a critical analysis of the contemporary YA anti-bullying literature and how it corresponds to The Bullying Circle, a highly effective bully prevention program tool. This work will incorporate scholarship about the educational interpretation of YAL and the potential impact it has on adolescents. Looking at The Chocolate War by Robert Cormier and Stargirl by Jerry Spinelli with …

Deconstructing The Rhetoric Of Fear In Post 9/11 Young Adult Literature, Ronald Dean Straight

Theses and Dissertations - UTB/UTPA

This study demonstrates how M.T. Anderson's "Feed" (2002), Scott Westerfeld's "Uglies" (2006), and Veronica Roth's "Divergent" (2011) offer young adult readers alternative messages through tropes and rhetorical devices within a mediated reality. The outcome of these messages offers mixed messages about rebellion and conformity to young adults living in a post 9/11 global community. The development of this message begins with teens in "Feed" exploring a dystopian future where society is tied together through technology that eliminates boundaries. The teens within the story explore a world, for a week, where those boundaries are reestablished due to an act of terror, …

Postmodern And Posthuman Literature, John P. Gallagher

Theses and Dissertations - UTB/UTPA

The thesis is an analysis and application of Posthuman theory. Beginning with a debate on societal progress between Slavoj Zizek and Francis Fukuyama, the thesis explores the possibility of a Posthuman ethics. The main theoretical contributors are Carey Wolfe, Corey Anton, and Benedict Anderson. The primary texts analyzed are Eric Blair's (George Orwell) 1984, Aldous Huxley's Brave New World, and William Gibson's Neuromancer.

"But, Whatever The Reason, His Heart Or His Shoes, He Stood There On Christmas Eve, Hating The Whos": Dr. Seuss' The Grinch As The Racialized Other In American Culture, Marina Malli

Theses and Dissertations - UTB/UTPA

This thesis analyzes Dr. Seuss’ the Grinch as a modern myth in US society that provides an imaginary resolution to the perceived encroachment of racial and cultural heterogeneity in the various time periods in which the text has circulated. Each chapter closely reads three different versions of the story, including Dr. Seuss’ children’s book published in 1957, the 1966 animated TV special directed by Chuck Jones, and the 2000 film directed by Ron Howard and starring Jim Carrey. In each chapter, I consider the racial politics prevalent in each time period in order to elucidate my claim that various media …

Mirrors Of Mechanized Man: Capitalism And Intertextuality As Represented In The Works Of Herman Melville, Franz Kafka And Don Delillo, Samantha J. Amberson-Dominguez

Theses and Dissertations - UTB/UTPA

It is contended that literature, as a product of the socioeconomic conditions in which it was generated, can be used to explore the relationship between individuals and technological advancement, as existing within specific stages of capitalism’s development. Using Marxist analysis to examine texts generated during the cultural eras of realism, modernism, and postmodernism, it is argued that physical, mental, and emotional state of characters, as represented within works written by Herman Melville, Franz Kafka, and Don DeLillo, respectively, reflect the increasing levels of human alienation as experienced by individuals under the constraining forces of market capitalism, imperialism, and late capitalism.

Creating Her Own Power: "Morte Darthur's" Morgan Le Fay, Cynthia A. Scott

Theses and Dissertations - UTB/UTPA

Morgan le Fay is one of the most recognizable female characters in Thomas Malory’s Morte Darthur as she persistently creates conflict for King Arthur and his knights. While many scholars have focused on the idea of a subjugated female presence in Malory’s text, this paper addresses the power that Morgan displays and how it suggests underlying masculine anxieties existing in a patriarchy. Three specific components of Morgan’s power are discussed: her ability to reject and manipulate prescribed gender codes, her power of enchantment, and her disruption of homosocial bonds. The strategic combination of these three components allows Morgan to exhibit …

Herman Melville And Richard Wright: Camaraderie And Revolt, Linda Braune

Theses and Dissertations - UTB/UTPA

In 1940, Black leftist writer Richard Wright, in his classic Native Son, sought out a great figure in the American Black canon, W. E. B. Du Bois, to understand and delineate double consciousness of Blacks. But it is surprising, perhaps, that Wright also drew from a major figure in the white canon, Herman Melville, in order to explore the overcoming of double consciousness and its effects. Although another tradition might interpret Melville’s Captain Ahab as “predicting” Wright’s story of Bigger Thomas, I suggest that it is the Pequod crew of Moby-Dick, not the driven and driving Captain, which compels Wright’s …

The Construction And Performance Of Masculinity Through The Voice Of Mexican American Male Authors: Arturo Islas' "The Rain God" And Rigoberto González's "Men Without Bliss", Edna Elizabeth Camacho

Theses and Dissertations - UTB/UTPA

The thesis closely analyzes Arturo Islas’ novel The Rain God (1984) and Rigoberto Gonzalez’s collection of short stories Men Without Bliss (2008) as representations of Mexican American literature that attempt to construct and define masculinity through the actions of male characters. The Rain God, explores the performance of masculinity through the image of the body, similarly to the performance of an actor on a stage. Islas introduces four men who hide, and deny a space for expunging their emotions. Men Without Bliss, showcases the emotions that men suppress and exemplifies their vulnerability as their strength rather than a debilitating characteristic …

Del Norte: A Collection Of Short Stories Y El Corrido De Dani, Jesus Alfredo Reyna

Theses and Dissertations - UTB/UTPA

Del Norte is the title name given to this first series of vignettes and short stories. The narratives are divided into four parts including a one act play that attempt to bridge the gap between the idea of a homeland as well as the Mexican American identity through the eyes of a migrant family and its major narrator. Unlike derivative associations with the term Del Norte in other academic disciplines, my interpretation of being from “Del Norte” is manifested into stories about a homeland omnipresent in the familial relationships described in my stories. The narratives exist within this paradigm. The …