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Gesamtkunstwerk: Architecture/Interior Architecture - Elemental Integration As A Pedagogical Foundation For Design Education, Rebecca O'Neal Dagg Mar 2002

Gesamtkunstwerk: Architecture/Interior Architecture - Elemental Integration As A Pedagogical Foundation For Design Education, Rebecca O'Neal Dagg

Proceedings of the 18th National Conference on the Beginning Design Student

The Architecture/ Interior Architecture [ARIA] duel degree program at Auburn University's School of Architecture is a unique design education model that offers a holistic approach to the relationship between interior and exterior space early in the design student's education. This program's mission at a fundamental pedagogical basis incorporates Architecture and Interior Architecture within Auburn's architecture curriculum model, allowing the development of the concept of "total design" into the design mentality of students. Gesamtkunstwerk, the German word most commonly interpreted in reference to Modem Architecture historical discourse to mean "total work of art:' offers inspiration to the ARIA program model via …


Educating Emerging Vision, Marcella Eaton, Karen Wilson Baptist Mar 2002

Educating Emerging Vision, Marcella Eaton, Karen Wilson Baptist

Proceedings of the 18th National Conference on the Beginning Design Student

Learning to see requires practice, risk-taking, and a deliberate awakening of conscious perception. Vision which can be interpreted as an integrated human capacity that emerges from the world of lived experience, is participatory and engaged rather than detached and observatory. Learning to look - vision- is deeply subjective, emerging from experience and critical consciousness. When vision becomes clear, students become aware of what was once hidden, lost, or invisible to them. Awakened vision requires a response. Educators must teach learners to balance their vision with action.channeling 'seeing' as a force against fear, and isolation, (that so often occurs in the …


Design As Language, Patrick Louis Carrico Mar 2002

Design As Language, Patrick Louis Carrico

Proceedings of the 18th National Conference on the Beginning Design Student

Good design has many faces; one is articulated well by the principals of Gestalt, while another is formed by tradition and style. When teaching design, it is important to delineate between the two. What makes the Mona Lisa universal and the cover of "Staying Alive" doomed is that the former uses good design grammar; and the latter uses an obsolete design dialect. Understanding their difference is integral in deciding the line between less expressive designs, like commercial design, and the design layer of a cathartic painting. Design is a language.