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Death, Dreaming, And Diaspora: Achieving Orientation Through Afro-Spirituality, Liz Johnston, Jaime Elizabeth Johnston

LSU Doctoral Dissertations

Enslavement, colonization, and the systems that uphold racial injustice were and still are a series of new, unfathomable, and challenging experiences that prompt individuals within the diaspora to seek orientation. How does a human cope with centuries of attempts at the systematic destruction of their humanity, culture, and identity? How can they reclaim that identity, especially when so much of it seems lost? I address these questions by utilizing texts from the expansive body of work regarding ethnographic-historical-religious studies on Afro-spiritual practices to better analyze instances in literature in the ongoing practice of diasporic orientation. In this project, I argue …

Responsible Classrooms: Unfinalizability, Responsibility, And Participatory Literacy In Secondary English Language Arts, Emma Jamilah Gist

LSU Doctoral Dissertations

This study examines participatory literacy practice in secondary English language arts classrooms. While literacy achievement in this context is often measured according to a student’s ability to receive and repeat predetermined information within the scope of mandated curricula and standardized tests, this study attends specifically to classroom literacy practice that centers authentic, unanticipated, dialogic student response. Within its consideration of literacy practice, this study applies the Bakhtinian notion of unfinalizability to consider those conditions that allow for learning experiences that are not predetermined but are rather uniquely, unpredictably, and unrepeatably co-constructed by individual students, student groups, and teachers. These unfinalizable …

Las Voces Desde La Liminalidad Sino-Peruana: –Una Lectura Comparativa De Mongolia Y La Vida No Es Una Tómbola–, Jing Tan

LSU Master's Theses

Chinese immigrants first arrived in Peru in the mid-19th Century. Since then, the Sino-Peruvian community has lived through myriad vicissitudes. Today, despite its indisputable influence in Peru’s history, it is still largely invisible in society, just as the concept of an Asian Latin American identity remains elusive in the national consciousness. In the literary and academic world, the scarcity of a voice highlighting Chinese legacies in Peruvian literature is echoed by the dearth of such a voice in the criticism regarding works by Sino-Peruvian writers about Sino-Peruvian experiences.

This comparative analysis engages with two novels that evince deep parallelism with …

The Exemplary Spartacus: Reception, Adaptation, And Reconstruction, Benjamin Franklin Howland

LSU Doctoral Dissertations

My project, “The Exemplary Spartacus: Reception, Adaptation, and Reconstruction,” focusses on various representations of the gladiator Spartacus. I assert that Spartacus has almost exclusively been and continues to be an exemplary figure, with an extensive and connected literary tradition, working as an empty signifier in differing temporalities and localities. I draw specific attention to a core issue in the study of Spartacus, namely, the plethora of modern representations of Spartacus in various genres, and the continuing influence these representations exert through their blurring of the historical figure with local themes and ideologies. Each draw from the same ancient sources, infusing …

The Function Of Poetry In The Maqamat Al-Hariri, Hussam Almujalli

LSU Doctoral Dissertations

The Maqamat al-Hariri is one of the most notable examples of prose in Arabic literature. Called one of the most eloquent statements of medieval Arabic prose, it also serves as a religious, social, cultural, and political document of the Abbasid Caliphate. As a writer, al-Hariri became a famous figure in Arabic literature after writing his maqamat. This dissertation studies al-Hariri as a poet through his most important prose work, the Maqamat al-Hariri.

Chapter 1 of the dissertation provides an overview of the maqama genre, including its definition, themes, stylistic features, character types, a brief history of maqamat studies, …

"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva

LSU Doctoral Dissertations

The history of colonial and racial oppression made hair stories and testimonials fundamental to understanding hair as a unifying element particular for women of African descent in the post-slavery era. Seen as such, their hair narrations provide the first-person perspective of their life experiences while at the same time inviting a critical investigation of colonial and racial oppression. Contemporary women writers develop these types of narrations into a special language of hair that helps them tell a story that is not apparent or straightforward. This literary device that uses hair to uncover deeper social and political issues is bound up …

Development Of A Literary Dispositif: Convening Diasporan, Blues, And Cosmopolitan Lines Of Inquiry To Reveal The Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, And Antonio D’Alfonso, Anna Ciamparella

LSU Doctoral Dissertations

This dissertation seeks to create a literary dialogue among the Italian poet Giuseppe Ungaretti, the African American author Langston Hughes, and the Quebecois writer Antonio D’Alfonso. Giuseppe Ungaretti and Langston Hughes were more or less contemporaries. Ungaretti was born in 1888 and Hughes in 1902, and both were active in modernist movements that shaped the literary history of their own countries. D’Alfonso was born in Canada about half a center after Ungaretti and Hughes. Besides significant generational differences, these three authors also underwent personal and intellectual experiences that shaped their writing in seemingly incomparable ways. While a traditional comparative approach …

Remembering In Spite Of All: The Construction Of Collective Memory Of State Terrorism In Mexico, Argentina, And Chile, Telba Espinoza-Contreras

LSU Doctoral Dissertations

This dissertation seeks to contribute to the understanding of the formation of collective memory of State violence in Argentina, Chile, and Mexico. By comparing these three cases, I pursue to discern how citizens can challenge the silence and amnesia that the groups in power want to impose on society after a period of State terrorism. In order to examine the process of formation of collective memory, this dissertation highlights two important figures from which citizens have been able to build counter-hegemonic narratives, that is, los exiliados and los desaparecidos. I will highlight how they become lenses through which citizens can …

Immigration, Ethnicity, And Citizenship: The Words And Faces Of The Chinese Of North America, Pengyi Huang

LSU Doctoral Dissertations

In this dissertation, I have analyzed the migrant experience of Chinese immigrants in North America through their representation in literature and photography. Each of its three chapters focuses on three major ethnic issues affecting the lives and identity of Chinese immigrants and their offspring in North America: the first concerns the ways in which occupation, home, and family affect the destinies of Chinese immigrants; the second deals with the role of language in the lives of Chinese immigrants and the career of Chinese migrant writers; the third addresses stereotypes about Chinese immigrants and their offspring and the redefinition of their …

Re-Examining And Redefining The Concepts Of Community, Justice, And Masculinity In The Works Of René Depestre, Carlos Fuentes, And Ernest Gaines, Jacqueline Nicole Zimmer

LSU Doctoral Dissertations

In La Communauté desoeuvrée (1983) French philosopher Jean-Luc Nancy describes how a community is creating by bringing its members together under a collective identity. The invention of myths, such as the myth of racial superiority and the mythic revolutionary community, functions to sustain the hegemonic dominance wielded in Haiti by the United States and later by François Duvalier, the Porfiriato and its aftermath in Mexico, and white society in the United States Deep South. These myths often engender policies founded in the inhospitable treatment of those who are deemed lesser or ‘other’. Nancy’s conception of being singular plural posits that …

The Politics Of Sensations: Body And Texture In Contemporary Cinema And Literature (Argentina - Cuba - Ireland), Guillermo Abel Severiche

LSU Doctoral Dissertations

In my dissertation, I argue that the human body and physical sensations are not only objects or metaphors that appear in cultural artifacts, but also means of political representation. There are cultural artifacts with a corporeal dimension in which human bodily sensations and states, such as sexual arousal, disease, and pain, are represented. The body becomes a dimension integrated in the discursive form of the artwork. The (literary or cinematic) text evokes a texture, a sensitive skin. This corporeal means is politically engaged with the context in which the artwork has been produced: The body becomes a space of political …

(Re)Writing History In Maryse Condé, Femi Euba, And Reinaldo Arenas, Lázara Bolton

LSU Doctoral Dissertations

This comparative study asserts the centrality of spirituality to literature that explores life in the African Diaspora. Specifically, it emphasizes the importance of spirituality both to the authors and to the lives of their characters in the novels Victoire, les saveurs et les mots (2006) by the Guadeloupian author Maryse Condé, Camwood at Crossroads (2007) by Nigerian author Femi Euba, and El color del verano (1991) by Cuban author Reinaldo Arenas. A close reading of the three novels shows that they are representative of autohistoría literary works, which represent the spirituality of the writer, as well as the people written …

Dwelling Poetically, Proceeding Orphically: The Platonic Tradition And The Heideggerian Humanism Of Ernesto Grassi, Geoffrey Alexander Leeves Bain

LSU Doctoral Dissertations

Martin Heidegger exerted an immense influence over twentieth century thought by providing profound insights into the nature of Being as well as scathing social critiques, focused on the destructive force of late modern technological reductionism. As part of Heidegger’s project, he elaborated upon a sophisticated history of Being in which two great monsters of Platonism and Humanism are cast as Antichrist and False Prophet. Subsequently, however, his own student Ernesto Grassi argued that Renaissance Humanism was not a stepping stone towards subjectivism and technological thinking, but rather stood in conformity with the fundamental essence of Heidegger’s own project. This study …

Virgil's Shipwreck: How A Roman Poet Made And Unmade The Epic In The West, Jesse Bryan Burchfield Russell

LSU Doctoral Dissertations

We are still feeling the effects of the Second World War sixty-seven years after its conclusion. Much of post-war thinking has attempted to sort through the roots of the totalitarian ideology that developed in Europe and caused such massive destruction. Marxist and Frankfurt School critics have demonstrated that the roots of Fascism go deeper in the West than the twentieth century and are part and parcel of the West’s combination of technology and myth. Additionally, Post-Colonial critics have pointed out that the horrors of this war were also perpetrated throughout Europe’s colonial endeavors and have undertaken the task of deconstructing …

Trans-Atlantic Circulation Of Black Tropes: Èsù And The West African Griot As Poetic References For Liberation In Cultures Of The African Diaspora, Jean-Baptiste Meunier

LSU Doctoral Dissertations

My dissertation, under the direction of Dr Pius Ngandu Nkashama explores the spread of African rhetorical tropes in the Atlantic world. Building on Henry Louis Gates theory of Signifying, I use the West African God of fate Èsù and the West African cultural figure of the griot as cultural referents for the persistence of African tropes in the New World and their subsequent dissemination throughout the Atlantic world. Analyzing those two West African referents and their connections to New World cultures such as Afro-Brazilian capoeira angola, hip hop and African-American poetry, I attempt to demonstrate the centrality of the trope …

Southern Bellas: The Construction Of Mestiza Identity In Southern Narratives, Wendy Aimee Braun

LSU Doctoral Dissertations

This project analyzes representations and self-representations of Mestizas living in areas of the Deep South that lack a significant Latino presence. Incorporating a range of media, I take a comparative approach to Southern cultural narratives and propose a re-reading of these works through an examination of identity formation and cultural negotiation. By centering the Southern Mestiza, this dissertation advances concepts of intersectionality to address the role of region, as well as race and gender, in the representation and experiences of women often overlooked in Southern and U.S. Latino studies. The Introductory chapter summarizes the theoretical framework for the study, including …

Short Story Cycles Of The Americas, A Transitional Post-Colonial Form: A Study Of V.S. Naipaul's Miguel Street, Ernest Gaines's Bloodline, And Garbriel Garcia Marquez's Los Funerales De Mama Grande, Benjamin Sands Yves Forkner

LSU Doctoral Dissertations

This dissertation is a study of three short story cycles which are representative of the genre in the Americas: Miguel Street (1959) by V.S. Naipaul, Los Funerales de Mama Grande (1962) by Gabriel Garcia Marquez and Bloodline (1968) by Ernest Gaines. I analyze each of these cycles in depth concentrating on the structure, the order of the stories, and unifying elements such as characters, themes, internal symbolism, place, language and events, in order to demonstrate that these short story collections are indeed short story cycles. I examine these cycles in light of the two themes or factors out of which …

Hear (No) Evil, See (No) Evil, Speak (No) Evil: Artistic Representations Of Argentina's "Dirty War", Juliana Theresa Reineman

LSU Doctoral Dissertations

My dissertation utilizes an interdisciplinary approach to analyze Argentina’s “Dirty War; in it, I argue that our view of the Other is the key to not repeating the past. Literature has long been accepted as a resource for understanding culture; this dissertation moves beyond literature, and includes photography, art, and film to demonstrate how artists have represented and responded to this period of political oppression. Adopting a psychoanalytic approach for my research, I begin with a literary analysis of multiple texts which exhibit features of what Anne Whitehead calls “trauma fiction,” texts in which the narrative voice displays the repetition …

More Than Words, More Than Wounds: (Re)Writing 'Wounded' Women And Healing Pedagogies, Rachel Nicole Spear

LSU Doctoral Dissertations

This project reconceptualizes how women and their personal stories of trauma have been read and represented in literary, feminist, and pedagogical studies, asserting that these authors and their texts should be recognized respectively as wounded healers and healing narratives. By situating my study within links among trauma, women, and writing, I argue that women and their personal stories of trauma exist in marginal, or rather, wounded positions. I problematize scholarship where links among these three commonly emerge (namely psychoanalytic, autobiographical, and feminist fields) to challenge monolithic readings and re-write these women and texts as more than wounded. More than Words, …

Reading Out Of Doors: How Nature Becomes Text And Vice-Versa, Richmond Minor Eustis

LSU Doctoral Dissertations

The tensions between city and country, the artificial and the natural, the real and the fake are at the heart of attempts to render nature in writing. In many such texts, nature—especially wilderness—is the realm of the real, authentic, and pure, while the city is the realm of the artificial and corrupt. This placement of value in nature, members of the critical theory camp tend to counter, is misguided. Any effort to render nature in text is by its “nature” artificial—far more about human values embedded in language itself than about some extra-textual world. With an approach derived from theorists …

City As Prison: Negotiating Identity In The Urban Space In The Nineteenth-Century Novel, Anita Michelle Dubroc

LSU Master's Theses

The primary goal of this thesis is to examine how the city is read in the works of four nineteenth-century authors: Charles Dickens’ Great Expectations (1860), Honoré de Balzac’s Le Père Goriot (1834), Fernán Caballero’s La Gaviota (1849), and Madame de Staël’s Corinne ou l’Italie (1807). They show the city not just as a setting, but as a character. At times, nineteenth-century urban life becomes so overwhelming to urban newcomers, that the geographical space and its society imprison residents. The nineteenth-century city was marked by change: industrialization, population shift from rural areas to urban capitals, and changes in political regime. …

Native Spiritualities As Resistance: Disrupting Colonialism In The Americas, Kirstin Lea Squint

LSU Doctoral Dissertations

This project analyzes eight novels which represent revolt or resistance by varied Native peoples against the European and Euro-American colonization of the Americas. I take a comparative approach to literatures of the Americas because of the dearth of research examining the literatures of both continents side by side, particularly literatures by and about Indigenous Americans. Chapter One introduces the theoretical bases for the project, including colonial and postcolonial theories, Native American literary theories, and aesthetic concerns specific to American Indian literatures. The second chapter is a comparative analysis of Miguel Angel Asturias’s Men of Maize and Leslie Marmon Silko’s Almanac …

Ancient Greek And Ancient Hebrew Agrarianism: An Ecocritical Study Of Hesiod's Works And Days And The Book Of Proverbs, Ernest Nathan Manning

LSU Master's Theses

The subject of this thesis revolves around the “Western” view of nature and its social origins. The author advances the subject through a comparison of two ancient texts: Hesiod’s Works and Days and the Old Testament book of Proverbs. He concludes that the Western view of nature gestated in agricultural societies of small-farmers who saw themselves as being both part of and separate from the natural world. Their ability to control nature being limited, they saw civilization as fulfilling a limited agricultural role in the cosmos, as being different but part of and not controlling the whole. In the last …

Displacement And The Text: Exploring Otherness In Jean Rhys' Wide Sargasso Sea, Maryse Condé'S La Migration Des Coeurs, Rosario Ferré'S The House On The Lagoon, And Tina De Rosa's Paper Fish, Melody Boyd Carriere

LSU Doctoral Dissertations

This dissertation is a study of how some displaced Caribbean and Italian American women examine identity within a literary tradition that considers them "Other." I have chosen four culturally diverse novels to explore, each one written by a different female author: Jean Rhys' Wide Sargasso Sea, Maryse Condé's La migration des cœurs, Rosario Ferré's The House on the Lagoon, and Tina De Rosa's Paper Fish. I identify the causes of the protagonists' displacement, and analyze the actions they take to make themselves heard in a tradition that has formerly silenced them. The role of the mother is especially important in …

Reading Trauma In Postmodern And Postcolonial Literature: Charlotte Delbo, Toni Morrison, And The Literary Imagination Of The Aftermath, Sylviane Finck

LSU Doctoral Dissertations

Some personal or collective histories can never be completely integrated into the continuum of one's emotional life. Such stories produced in traumatic times or in disastrous events are likely to remain only partially understood or accepted. Examining the human consequence of traumatic events such as the enslavement of Africans in the United States or the attempted extermination of the Jewish people in Europe is one challenging focus of this work. It is comparatively productive, however, if these events are approached from the perspective of the trauma they have produced-an approach that suspends chronological and geographical barriers of time and space. …

Money And Tragedy In The Nineteenth-Century Novel, Clany Soileau

LSU Doctoral Dissertations

The nineteenth-century novelists studied in this dissertation used tragic form to investigate economic and social changes taking place around them. Honoré de Balzac’s Le Père Goriot (1834), William Dean Howells’ The Rise of Silas Lapham (1884-1885), Giovanni Verga’s Mastro-don Gesualdo (1888), Benito Pérez Galdós’s Miau, (1888), and Thomas Mann’s Buddenbrooks (1901) reflect the interest of writers in France, the United States, Italy, Spain, and Germany in questions concerning how money in an evolving capitalist society not only had a major role in shaping the behavior and personalities of specific individuals but also affected such institutions as the family. Under these …

Repression And Reduction: The Apparatchik's Discourse In The Works Of Ammianus Marcellinus, Denis Diderot, Victor Serge And George Orwell, Jason Paul Juneau

LSU Doctoral Dissertations

In monopolizing political power, the state claims to possess the best idea towards leading a society and solving its problems. While these claims may vary according to regime, all face the eventual failure of expectation on the part of its subjects. No regime can master all the variables in running the country, and so it must convince their subjects otherwise of its legitimacy, despite the reality of their failure. The apparatchik’s discourse is the interaction of the state’s discourse and that of its institutions. This discourse is used to uphold the state’s legitimacy through the expertise of its institutions. The …

Exile As Severance, Alexandru Boldor

LSU Doctoral Dissertations

Exile is a phenomenon probably as ancient as humanity itself, and one of the oldest topics in universal literature. The great majority of its variants (political, economical, social,) are founded on the idea of "forced displacement." Consequently, most often exile is reflected in literary creations in discourses dominated by a sentiment of loss. However, in some cases exile is not seen as a tragic event, but rather as an opportunity for intellectual growth - as attested by a number of authors who have chosen voluntarily to exile themselves. The rationale behind this occurrence is a mental process I called "severance." …

Haunted By The Uncanny - Development Of A Genre From The Late Eighteenth To The Late Nineteenth Century, Alexandra Maria Reuber

LSU Doctoral Dissertations

This dissertation traces the development of the supernatural from the late eighteenth to the late nineteenth-century. Since supernatural elements are unknown and unfamiliar, they easily arouse anxiety, fear, and even result in terror. As such they produce the effect of the uncanny and introduce the psychological component into the selected literary corpus taken from the English Gothic novel, the German Schauerroman, and the French littérature fantastique. The analysis of the selected material is based on a psychoanalytical approach using Sigmund Freud’s understanding of the uncanny, his dream analysis, and his view of the conscious and unconscious, but also considers Carl …

The Figuration Of Caliban In The Constellation Of Postcolonial Theory, Paulus Sarwoto

LSU Master's Theses

The surrogation of Caliban from Shakespeare’s The Tempest to Césaire’s A Tempest has always been related to colonialism. In Shakespeare’s time, Caliban, depicted as half animal, served to represent the Other in an emerging colonial discourse. As opposed to Shakespeare’s character, Césaire’s Caliban is blatantly black and racially oppressed. Césaire indicates that A Tempest is an adaptation of Shakespeare’s The Tempest for black theater. As an adaptation, the play reinterprets the figure of Caliban to express postcolonial attitudes of the time. This thesis addresses the questions of how the figure of Caliban in Shakespeare’s play fits into the discourse of …