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Investigating The Effectiveness Of Problem-Based Learning In 3d Virtual Worlds. A Preliminary Report On The Hadrian’S Villa Project, Lee Taylor-Nelms, Lynne A. Kvapil, Bernard Frischer, John Fillwalk Dec 2013

Investigating The Effectiveness Of Problem-Based Learning In 3d Virtual Worlds. A Preliminary Report On The Hadrian’S Villa Project, Lee Taylor-Nelms, Lynne A. Kvapil, Bernard Frischer, John Fillwalk

Lynne A. Kvapil

No abstract provided.


Well That Escalated Quickly: Infanticide And Duality In Euripides’ Medea As An Expression Of Athenian Anxieties In 431 Bc, Molly B. Hutt Mar 2013

Well That Escalated Quickly: Infanticide And Duality In Euripides’ Medea As An Expression Of Athenian Anxieties In 431 Bc, Molly B. Hutt

Molly B Hutt

Euripides wrote his Medea at a time when normative and transgressive behaviors were confounded. After fighting one war against the barbarian Persians and in between two wars with the other Greeks from the Peloponnese, the Athenians could not be sure what to think about barbarians, other Greeks, and even themselves. It is against this background that I have read the Medea and closely examined it for the purposes of this paper. Euripides’ version of this myth emerged at a time when the lines between man and woman, Athenian and barbarian, and normative and transgressive were being blurred in Athens, and …


Landscape Imaging Of The Southeast Aegean Sea, Michael L. Brennan, Tufan Turanli, Bridget Buxton, Katherine L. Croff Bell, Christopher N. Roman, Meko Kofahl, Orkan Koyagasioglu, Daniel Whitesell, Thomas Chamberlain, Richard Sullivan, Robert Ballard Jan 2013

Landscape Imaging Of The Southeast Aegean Sea, Michael L. Brennan, Tufan Turanli, Bridget Buxton, Katherine L. Croff Bell, Christopher N. Roman, Meko Kofahl, Orkan Koyagasioglu, Daniel Whitesell, Thomas Chamberlain, Richard Sullivan, Robert Ballard

Christopher N. Roman

No abstract provided.


Faience Goddesses And Ivory Bull-Leapers: The Aesthetics Of Sexual Difference At Late Bronze Age Knossos, Benjamin Alberti Dec 2012

Faience Goddesses And Ivory Bull-Leapers: The Aesthetics Of Sexual Difference At Late Bronze Age Knossos, Benjamin Alberti

Benjamin Alberti

In the figurative art of Late Bronze Age Knossos one recognizes a singular form to the human body which cuts across all other distinctions. Contrary to popular and academic interpretations, sexed differences are not marked in a clearly binary fashion. Drawing on this observation, the current paper analyses the relationship between two sets of figurines from the Bronze Age Palace site of Knossos: the faience figurines from the 'Temple Repositories' and the ivory bull-leaper figurines from the 'Domestic Quarter'. The interpretation of these figurines elucidates: a) how the appearance of sexual characteristics is context specific and not a general feature …


Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich Nov 2012

Greek Bronze: Holding A Mirror To Life, Expanded Reprint From The Irish Philosophical Yearbook 2006: In Memoriam John J. Cleary 1949-2009, Babette Babich

Babette Babich

To explore the ethical and political role of life-sized bronzes in ancient Greece, as Pliny and others report between 3,000 and 73,000 such statues in a city like Rhodes, this article asks what these bronzes looked like. Using the resources of hermeneutic phenomenological reflection, as well as a review of the nature of bronze and casting techniques, it is argued that the ancient Greeks encountered such statues as images of themselves in agonistic tension in dynamic and political fashion. The Greek saw, and at the same time felt himself regarded by, the statue not as he believed the statue divine …


Tech Watch Column: So Long, Farewell, Sonnet Ireland Dec 2010

Tech Watch Column: So Long, Farewell, Sonnet Ireland

Sonnet Ireland

No abstract provided.


Artículo Político Campaña Electoral 2011, Pablo Rosser Dec 2010

Artículo Político Campaña Electoral 2011, Pablo Rosser

pablo rosser

Artículo de opinión del autor, como miembro del PSOE en Alicante.


Entries On "Priam And Hecuba", "Tiresias", And "Theseus", Carolin Hahnemann Dec 2009

Entries On "Priam And Hecuba", "Tiresias", And "Theseus", Carolin Hahnemann

Carolin Hahnemann

n/a


Revealing Iberian Woodcraft: Conserved Wooden Artefacts From South-East Spain, Pablo Rosser Dec 2009

Revealing Iberian Woodcraft: Conserved Wooden Artefacts From South-East Spain, Pablo Rosser

pablo rosser

Yolanda Carrion & Pablo Rosser Six wells at Tossal de les Basses in Spain captured a large assemblage of Iberian woodworking debris. The authors’ analysis distinguishes a wide variety of boxes, handles, staves, pegs and joinery made in different and appropriate types of wood, some – like cypress – imported from some distance away. We have here a glimpse of a sophisticated and little known industry of the fourth century BC.


Messengers From The Past, Anastasia Tsaliki Dec 2008

Messengers From The Past, Anastasia Tsaliki

Anastasia Tsaliki

Participation in this documentary directed by Gianni Minelli and produced by Zeeva Production in English and in Italian.

"On September 26th, 1997, a violent earthquake shook central Italy. The effects were devastating. Television stations from all over the world broadcasted images of the incomparable artistic heritage that risked being destroyed forever. In Monsanpolo del Tronto, a small town in the Marches, the earthquake damaged the beautiful church Maria Santissima Assunta. A few years later, during the restoration of the church, a sensational discovery was made: twenty perfectly preserved mummies from the middle of the sixteenth century wearing their original clothes. …


The Three-Figured Reliefs: Copies Or Neoattic Creations?, Peter E. Nulton Ph.D. Dec 2008

The Three-Figured Reliefs: Copies Or Neoattic Creations?, Peter E. Nulton Ph.D.

Peter E. Nulton Ph.D.

The well-known group of four three-figured reliefs, existing in several copies and once assigned to the Altar of Pity in Athens, has always eluded interpretation as a coherent iconographical program. The four scenes depicted are Orpheus and Eurydice, Herakles in the garden of the Hesperides, Herakles with Perithoos and Theseus, and Medea with the Peliads. Though some have questioned the association of the reliefs with the Altar, the conventional dating has not been challenged, in spite of the growing recognition that some of the pieces (most notably the Orpheus relief) are largely unparalleled in the Classical Greek idiom. Careful reexamination …


Unusual Burials And Necrophobia: An Insight Into The Burial Archaeology Of Fear, Anastasia Tsaliki Dec 2007

Unusual Burials And Necrophobia: An Insight Into The Burial Archaeology Of Fear, Anastasia Tsaliki

Dr Anastasia Tsaliki, PhD

No abstract provided.


Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton Feb 2007

Centum Homines: The Prototype Of The Alexander Mosaic And The Military Museum In The Hellenistic World, Peter Nulton

Peter E. Nulton Ph.D.

Although it is generally accepted that the Alexander Mosaic copies a painting of the 4th Century BCE, the attribution of this prototype has never been settled. Numerous attempts have been made to associate it with painters recorded in Pliny's Natural History, notably Philoxenos of Eretria, and Alexander's court painter, Apelles.

If the painting were the work of any artist whose name survives, as strong a case can be made for Aristeides of Thebes as for Apelles or Philoxenos. Since Pliny's comment that Aristeides painted a battle against the Persians follows his treatment of the works of Apelles, he is likely …


Health And Disease In Greece: Past, Present And Future, Anastasia Tsaliki, C. Roberts, C. Bourbou, A. Lagia, S. Triantaphyllou Dec 2004

Health And Disease In Greece: Past, Present And Future, Anastasia Tsaliki, C. Roberts, C. Bourbou, A. Lagia, S. Triantaphyllou

Dr Anastasia Tsaliki, PhD

No abstract provided.


The Sanctuary Of Apollo Hypoakraios And Imperial Athens, Peter Nulton Dec 2002

The Sanctuary Of Apollo Hypoakraios And Imperial Athens, Peter Nulton

Peter E. Nulton Ph.D.

The Cave Sanctuary of Apollo on the North Slope of the Acropolis at Athens was investigated in 1896-97 and produced a rich collection of inscriptions relating to the cult. These inscriptions are published in full for the first time in this work. The author discusses the history of the cult. Far from being of great antiquity as readers of Euripides' "Ion" have long assumed, the cult was instituted in the time of Augustus when "The Athenians thought it fitting that their archons swear an oath that upheld tradition in connection to Apollo Patroos, but simultaneously honored their 'new Apollo'", the …


"Vampiri" A Trani. Metti Un Masso Sul Morto Iapigio, Giacomo Annibaldis Mar 2002

"Vampiri" A Trani. Metti Un Masso Sul Morto Iapigio, Giacomo Annibaldis

Dr Anastasia Tsaliki, PhD

No abstract provided.


Apollo Hypoakraios Reconsidered, Peter Nulton Dec 1999

Apollo Hypoakraios Reconsidered, Peter Nulton

Peter E. Nulton Ph.D.

In 1897, the excavations of P. Kabbadias uncovered ten votive plaques in a cave on the northwest slope of the Athenian Acropolis, thereby fixing the location of the "sanctuary of Apollo in a cave" mentioned by Pausanias (I.28.4). The inscriptions indicated that they were meant as dedications to Apollo Hypoakraios or Hypo Makrais, and that the dedicants were invariably members of the college of archons. Although the corpus has increased steadily since then, the inscriptions have not been treated together since Kabbadias's original publication.

In this paper, I will offer some conclusions drawn from a thorough re-analysis of the corpus. …


Environment And Archaeology. Β - Visiting The Excavation Of The Neolithic Settlement At Poussi-Kalogeri (In Greek), Anastasia Tsaliki, Lilian Karali Dec 1994

Environment And Archaeology. Β - Visiting The Excavation Of The Neolithic Settlement At Poussi-Kalogeri (In Greek), Anastasia Tsaliki, Lilian Karali

Dr Anastasia Tsaliki, PhD

No abstract provided.