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What If Anything Still Meant Something, Andrea Munive
What If Anything Still Meant Something, Andrea Munive
CGU MFA Theses
My drawings are active reflections of my surroundings and their intrinsic relationship to the ideal and banal. My surroundings have encompassed my memories and present, revealing a sense of slow time and peripheral consciousness.
What If Anything Still Meant Something is about this duality of care and disregard- an eternal mental state it seems.
Hot, Water, Mud: Some Attachments, Dianne Dillingham
Hot, Water, Mud: Some Attachments, Dianne Dillingham
CGU MFA Theses
The works in my thesis show came out of an investigation into what it means to really know something. To have such intimate familiarity with a place or object that the shape, smell, and touch becomes unforgettable; the dirt under your nails, smell easily recalled, the carved outline of a bedpost after years of touch. These things are unremarkable in their everydayness; but they can also hold power over time. They can become attachments – motifs that resurface and repeat - that have agency.
Traces Of Earthly Things, Kristin Frost
Traces Of Earthly Things, Kristin Frost
CGU MFA Theses
My strongest memories are visual. I feel connected to the moments of my life that have left imprints in my mind, traces of events that are still thick with color, energy, and purpose. I make paintings, collages, and installations that are visual combinations of events, land forms, and places from the present and the past. Through the repeated reworking of images and ideas in each piece, I reform my own concepts of space and time. Each aspect of my multi-step process changes not only the physical features of a piece, but also the original recollection that generated it. Through this …
Travis Novak, Travis Novak
Travis Novak, Travis Novak
CGU MFA Theses
Flawed memory is a tool that allows an altered reality to exist in the disconnect between a past reality and a present fiction. My work starts with scenarios that evolve into things bigger than themselves, going beyond nostalgia to become celebrations, landmarks, or memorials. Exaggeration, embellishment, adornment, stylization, modification, and customization are methods I use to move through these scenarios and often arrive at a transformative shift...
This preservation process begins the moment a thing dies. Its optimum resides in the past allowing the function of the memory to operate as a preserver. This is the human longing for greater …