Digital Commons Network^™

A Thesis, Or Digressions On Sculptural Practice: In Which, Concepts & Influences Thereof Are Explained, Set Forth, Catalogued, Or Divulged By Way Of Commentaries To A Poem, First Conceived By The Artist, Fed Through Chatg.P.T., And Re-Edited By The Artist, To Which Are Added, Annotated References, Impressions And Ruminations Thereof, Also Including Private Thoughts & Personal Accounts Of The Artist, Jaimie An

Masters Theses

This thesis is an exercise in, perhaps a futile, attempt to trace just some of the ideas, stories, and musings I might meander through in my process. It’s not quite a map, nor is it a neat catalogue; it is a haphazard collection of tickets and receipts from a travel abroad, carelessly tossed in a carry-on, only to be stashed upon returning home. These ideas are derived from much greater thinkers and authors than myself; I am a mere collector or a translator, if that, and not a very good one, for much is lost. I do not claim comprehensive …

Unconditioning Air, Weijia Deng

Masters Theses

Unconditioning Air rethinks the boundaries contrived through environmental control. For more than a century, HVAC (heating, ventilation, and air conditioning) defined the boundaries of interior air. The regime and tools of mechanical conditioning promise stability and manageability of indoor air quality at the expense of external phenomena, and by extension, any complexity or fluctuation in the environment. As a result, air conditioning premises that ideal interior comfort is “bubble-like”, requiring increasingly standardized and highly regimented regulatory tools. The plethora of patent drawings, duct specifications, and ASHRAE comfort codes produce an oppressively tightening grip over indoor air and comfort, rendering both …

Call And Response : Experiments In Storytelling, Deanne Fernandes

Masters Theses

Being part of RISD's inaugural Masters of Illustration cohort has been an immense honor. This journey has been nothing short of transformative and healing, as it has allowed me to unearth layers of self-discovery through my creative practice.

In my thesis, I introduce a fresh research methodology rooted in the principles of call and response, with adaptability, creativity, and storytelling as its foundational pillars. Through the lenses of visual storytelling, experimental animation, graphic journalism, and fictional world-building, I demonstrate how these techniques can effectively bridge the gap between theory and practice. This dynamic approach fosters meaningful connections among diverse perspectives …

Infinite Plane: Metaphysical Architecture + Digital Space, Isabella Ruggiero

Masters Theses

In her book, The Pearly Gates of Cyberspace: A History of Space from Dante to The Internet (1999) science writer/artist Margaret Wertheim posits that cosmology is fundamentally based on how humans interpret space and situate themselves within it. Today's scientific view portrays the fabric of the universe as ubiquitous and undifferentiated in its substance, effectively a single space. In contrast, the medieval perspective delineated space into discrete entities with defined properties—in the case of Christian cosmology, through Heaven, Hell and Purgatory, separate planes with distinct material and metaphysical conditions. However, in the digital age, a new spatial cosmology has emerged, …

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

This Is For You: A Handbook For Design Students, Gabriel Drozdov

Masters Theses

This Is For You is a handbook for design students. It is a collection of stories, projects, and conversations on the subjects of design, code, and teaching. The book’s first part, “Learning,” contains stories about the experiences that shaped me as a designer. The second part, “Making,” summarizes the projects that taught me how to design. The third and final part, “Sharing,” is a series of conversations with the people that helped me along the way. In collecting and publishing these resources, This Is For You is an attempt to create an open-source example of what a career in design …

Landing: Body, Site, Material, Renata Berta

Masters Theses

I believe that in order to build on the land, I must establish a profound relationship with it. As an outsider to New England territories, I actively seek this connection through immersive activities such as swimming, surfing, climbing, and extensive walks, immersing myself in the land to better understand it and synchronize with its rhythms. In my artistic and architectural practice, I explore dissolving traditional boundaries, emphasizing the vital return to the land to create a more responsive and embodied architecture that symbiotically engages with the landscape

Within this ongoing project, “Landing: Body, Site, Material,” I conceptualize my body not …

Urban Looms, Recoloring City, Ella Son

Masters Theses

The metropolis has been a dominant and defining aspect of my life. Acutely aware of visual illusions created by the choreographed and unchoreographed movements of people in the streets and the distortions of light and shadow on the glass facades of skyscrapers, I reinterpret the patterns and colors that are in constant interplay into a collection of architectural textiles.

With an emphasis on optical layering, these immersive installations recreate the quality of being spellbound in the city. Scaled to emphasize verticality and activated through transparent overlays and dense color interplay, a rich visual field is activated. In their application, the …

Trans-Species Communication, Fueled By Efforts Of Remediation, Naomi Canino

Masters Theses

Using science fiction pop culture and films as a basis to reposition the way that we think about communicating with plants as if they are sentient beings capable of human-like qualities, the process in which I intend to understand communication will be nestled in this fantastical, sci-fi realm of envisioning the world.

By analyzing existing forms of communication between humans, other living entities and themselves, I am challenging existing perspectives in order to propose new speculative processes of bio-based augmentation that can amplify a connection to plants. In order to pursue this exploration, I have chosen a real site in …

The Day The Door Flew Open, Clara Delgado

Masters Theses

A journey is a chance to better oneself, to go and come back anew. This kind of pilgrimage does not only happen in the spectacular realm of far-off travels. Often it happens where the soles of one’s feet comprehend the curvature of the land. Then, without forewarning, time opens a sliding door that appears on the recognized ground. Stepping in, the world is realized in a new way.

The writings that strike my tongue with ravishing bittersweet flavors are fictional narratives, with voyages that sail through day and night, disguised as lovely prose while critically probing the world. This written …

Frontier: Land, Architecture, And Abstraction, Jacob Boatman

Masters Theses

The abstraction of land is a colonial process by which physical land is transformed into a conceptual or symbolic entity. This transformation occurs through various economic, architectural, and cultural practices that imbue land with abstract values, meanings, and functions beyond its physicality. This includes the division of land into parcels for economic transactions, the design and construction of built environments that shape human interactions with the land, and the cultural narratives and representations that ascribe significance to particular landscapes. Through abstraction, colonial powers devalue indigenous perspectives and relationships to the land, reducing them to mere obstacles in the path of …

On The Impulse To Notate, Lydia Chodosh

Masters Theses

On the Impulse to Notate assembles an array of dialogic encounters. Composed in fragments — written and collected, designed and curated — this catalog resists linear narrative formulas to favor an open poetic syntax.

Here, the designer relies on her propensity to notate, aggregate, and persistently recompose.

She materializes language that promotes movement toward knowledge and craft in conversation.

She reads and translates stories spatially, frequently shifting their frames.

Here—There, Glikeriya Shotanova

Masters Theses

Here—there explores the nature and ways of gathering, proposing an alternative path to organizing a cultural center. Divided into three acts (Act One: There, Act Two: Here, and Act Three: Together), it touches on the topics of collective knowledge and the importance of its accessibility to the local communities. How do we organize communities in a way that operates as a body, and how do we use industrial spaces as a bridge between knowledge and those who carry the knowledge? Due to alienation in societies, the decentralization of creative communities, and the inaccessibility of real estate to younger generations, there …

Embodied Abstractions: Identity And Representation In The Digital Era, Srikar Hari

Masters Theses

The digital image is a copy in motion. As it accelerates, it deteriorates.

It is a ghost of an image, a preview, a thumbnail, squeezed through

digital connections, resized, uploaded, downloaded, reformatted

and re-edited.

- Adapted from “In defense of the Poor Image” by Hito Steryel

With today’s digital technology, the image is no longer a stable

representation of the world, but a programmable database that

is updated in real time. It is not only part of a program, but it

contains its own operating code: the image is a program in itself.

Consequently, the image’s rhetoric has taken on …

Variations On Noise, Clinton Van Arnam

Masters Theses

Variations on Noise is a three-part collection: an index, a set of interviews, and a perspective on a working practice in graphic design and sound.

If noise is ubiquitous in our everyday lives, how do we define it and use it as a catalyst for dissonance and change? As a designer, I use noise algorithms to generate pseudo randomness and break up repetitive textures. As a musician, I use noise to create scores and performances that challenge our perception of what is comfortable and uncomfortable.

Seven interviews with designers, artists, musicians, and a Tibetan monk offer ways to approach the …

Asili, Husna Abubakar

Masters Theses

ASILI is a Swahili word meaning ORIGIN, SOURCE, and ESSENCE. It can also mean the fundamental principal of a culture. It is not cognitive, it is metaphysical.

The work that I do explores the preconceptual, prespatial and pretemporal organization of culture, specifically African culture and even more specifically, Swahili culture.

I use multiple techniques to interpolate a visual voice to an othered people both continental and abroad. I explore the mythoform that connects the mystical and dive into what of it that becomes a practice within Swahili culture. I take experience from my life as a Swahili woman, from the …

Perform—Produce, Rebecca Wilkinson

Masters Theses

Perform — Produce defines graphic design as a discipline rooted in work rather than a process that springs forth spontaneously from the creative imagination.

Perform — Produce is driven by strict constraints and machine-like craft, employing outdated tools and the physical body in processes of making that are stubbornly slow.

Perform — Produce deploys performance as a tactic to expose the otherwise invisible labor of design, and to reveal the ways design acquires value.

Perform — Produce proposes a new organizational model that integrates live happenings, cross-disciplinary exchange, and self-publishing to consider not just the product of design but also …

Searching For The Hyperobject: Crystals As Transscalar Vehicles, Jay Costello

Masters Theses

When I touch the street outside my house, I'm touching Los Angeles—a contiguous vector of material bisecting a continent. A slab, a stone, dust and oil, a googolplex of tightly packed anisotropic particles... At nightfall, I sneak to the edge of the highway and break off a piece. 'What does it mean for a worm to be aware of the scale of the planet?' Bruno Latour's evocative questioning of scalar jumps prompts an existentialism that places me somewhere between the hyperlocal and the massively distributed. Like a cosmic traveler floating through the universe, I feel adrift. I look around, grasping …

I Am Becoming., Dai Asano

Masters Theses

This is a collection of essays documenting my grappling with the idea that time is always in motion. When you say now, it is not now anymore, but we are still in now, a new now. How can I stay in the now without being swept away by the current of time? Describing a film by Ozu Yasujiro, Deleuze writes, “The vase in Late Spring is interposed between the daughter’s half smile and the beginning of her tears. There is becoming, change, passage. But the form of what changes does not itself change does not pass on. This is time, …

Memory And Experiential Lab, Yufan Xu

Masters Theses

In the tapestry of our lives, there exist moments and places that we can never revisit, scenes etched into our memories that fade with the passage of time. These experiences and memories are treasures, provide us with an anchor to our past. Unfortunately, many of these moments are like fireflies in the night, here one moment and gone the next. Yet, they remain invaluable, forever etched in our hearts and minds. I wonder if it is possible to trigger cherished past experiences and memories in our daily lives, allowing individuals to re-experience similar moments, thereby nourishing the spiritual world. Therefore, …

Equivision Habitat: The Collective Dreamworks, Shixuan Zhou

Masters Theses

近年来，武汉这座充满活力的城市在经济快速增长的同时，也经历了重大的社会变革。城市的天际线不断扩大，新的商业和住宅区正在迅速涌现，吸引了更多的中产阶级家庭。作为武汉的长期居民和观察者，我看到了这种向中产阶级社会转变的诱惑力，但我也敏锐地意识到随之而来的社会成本。武汉向中产阶级社会的转变不仅体现在消费水平的提高和生活方式的转变上，更重要的是，体现在城市空间和社区角色的重新配置上。曾经为低收入居民提供住房的旧社区正在被改造成高端公寓和商业空间。虽然这种转变改善了城市的整体形象，但也导致了原住民的流离失所。这种深刻的变化凸显了中产阶级化的双刃剑性质。在这种背景下，我开始关注那些被这一进程边缘化的人的声音和需求。老年居民失去了熟悉的社区环境，年轻人尽管渴望加入新兴的中产阶级，但仍在为高昂的生活成本而苦苦挣扎。这种日益加剧的社会分层，让我深刻反思了城市更新的公平性和可持续性。本文提出了一种基于集体所有权和通过社区土地信托进行管理的社区模式。这种模式将土地所有权从个人转移到社区集体，确保开发活动优先考虑社区的长期福利，而不是短期的商业收益。其目的不仅是提供经济适用房，还旨在培养一个具有共同愿景的社区，探索在城市发展的同时维持社会多样性和包容性的方法。

Timeless Teachings & Unbridled Possibilities, Ruijie Tai

Masters Theses

I am looking at is process of TRANSLATING AND BRIDGING.

Qi, traditionally understood as the vital force that flows through and animates living beings and the environment, lies at the edge of our perceptual capabilities.

The notion that what we cannot "see" holds significant influence over our world suggests that there are aspects of reality and forces at play beyond our direct sensory experience. AI, with its capacity for analyzing vast amounts of data and recognizing patterns beyond human capability, offers a unique tool for exploring these unseen forces.

The potential of AI to perceive and understand Qi could open …

Patchwork: 76km Between Juárez And El Paso, Naheyla Medina

Masters Theses

Located at the western edge of Texas where the Río Bravo ~ Rio Grande, becomes the border between México and the United States. Resides a spectacle of misconceptions that, along with an expansive corten steel border wall embedded into the earth, live to suppress the histories, culture, and environment entangled together like patchwork along this border space. The built environment influences our daily experiences, and our daily experiences can often influence our built environment. This project seeks to leverage, murals as a medium, creative writing, and architectural representations, to rework the mapping between Mexico and the US. Honing in on …

From Here To The Ground, Courtney Mccracken

Masters Theses

Art, for me, is a thinking process. It is also a process of connection to body and place. It directs my fractured attention toward the things I care about. As I labor through process, I am gifted with a moment of attentiveness. In a time where everything feels urgent, and our perspective can be warped by the endless flood of information, making art is a chance to stop, to think, and to feel.

It is a space for holding, and a space for being held.

Recently, I have been working primarily in animation and sound design, experimenting widely across media …

Surface Tension, Berett Wilber

Masters Theses

Land is the premise upon which all questions of identity, belonging, and consciousness are set.

Our relationship to land is simple and complex. On one hand, in our daily experience there is no daylight between body and land. On the other hand, our relationship to land is intensely mediated through design in the form of tools, ritual, technology, tradition, and law. Language and design are primary mediums through which land is transformed into a material resource and commodity.

Understanding how designed systems craft our understanding of land can help us recognize their limits — and open our eyes to the …

Unruly And Unresolved: A Shared, Precarious Survival, Sara Inacio

Masters Theses

I'm just a little rat trying to survive,

To exist and not be perceived.

Building a home,

In a place unnatural to me.

Destroyed and rebuilt again,

I've learned to live in the toxic world you've created.

In a world that is not made for my belonging, I’ve had to find my way, to exist and build with what’s within reach. Such a constant state of construction feels oddly familiar and comfortable to me, home is always in the process of becoming. As I build, I think about how the home building process always takes up the space of others, …

Endless Form, Kaela Kennedy

Masters Theses

Endless Form is a gentle argument for a practice rooted in embodied seeing and communicating. It invites the reader through multiple actions of visual and linguistic perception – observation, seeing, and attention – and examines how these methods operate to widen our fields of understanding to more empathetically engage with the world as an ecological whole. It claims that graphic design, as a practice built on the relationship between visual form and language, has a unique ability to translate the unending feedback loop between the eye, the seen, and the language we use to define it. It argues for ways …

The First Gate, Ji Zou

Masters Theses

Upon months of indecision on how to verbally communicate my thesis, I decided on the following format for my written thesis at this point in my practice. I consider this to reflect fragments of a larger practice which draws upon the influences on a subjective subconscious. My communication style has always been very transparent, straight to the point, and efficient, while the concepts I’m exploring often occupy a space that can’t be fully located through a short series of references and research. That space is constantly moving, expanding, changing, and ebbs and flows between opacities even to myself. I want …

Life Of Things, Things Of Life, Shiyue Wang

Masters Theses

In a world often captivated by the grand and explicit, my thesis, Life of Things, Things of Life explores the quiet yet profound narratives hidden within everyday objects. Drawing on my background in data design, I adopt a methodology that intertwines subjective narrative with rational analysis and challenges traditional hierarchies of value. Through processes of observation, collection, archiving, and re-contextualization, I elevate what is often overlooked as mundane and fleeting. This thesis not only uncovers the narrative potential of ordinary objects but also repositions them as protagonists in their own right, urging viewers to reconsider their conventional roles not as …

Navigating Transience, Nina Liu

Masters Theses

With advancing age, does the act of collecting and collections serve a purpose? Experimental psychologist Daniel Krawczyk claims that the act of collecting is deeply embedded in how the human brain registers time. Building upon the premise of Krawczyk’s research, I delve into a journey of collecting as I trace its evolution from childhood to adulthood, and its significance amidst the rapid digitalization of the modern world.

Through the lens of the transitional object and with a commitment to the preservation of memories, this thesis examines the intricate relationship between humans and their possessions. It proposes that the intimate activity …