Critical and Cultural Studies Commons^™

The Transnational Semiotics Of “Policing Murals”: How Representations Of Police Power In Murals Conceal And Reveal State Violence, Vivian A. Swayne

Doctoral Dissertations

Murals tell visual stories that legitimize/delegitimize formations of state power, conceal/reveal state violence, and attract collective interface from diverse parties. Scholars, artists, and organizers have studied murals as an aesthetic medium, tools for social movements, affective memorials, and episodes of conflict in the public space, but patterns and distinctions in the local, global, and digital duration of policing murals requires critical analysis. Policing murals refers to (1) murals made by police (and/or their advocates) to reproduce its preferred representations and (2) the censorship and control of unauthorized murals. Murals painted on police departments share semiotics globally, all of which conceal …

Drawing The Primetime Color Line: A Critical Discourse Analysis Of Interracial Marriages In Television Sitcoms, Jodi Lynn Rightler-Mcdaniels

Doctoral Dissertations

Changes throughout history, particularly those surrounding race relations in the U.S., frequently have a direct effect on personal social experience and the current structure of society. Although public discourse often emphasizes the rhetoric of racial progression, subtle racism abounds – both in society and in media – masked under the façade of equality. This is especially true when examining race relations between Blacks and Whites, particularly those involved in intimate heterosexual interracial relationships, as they have traditionally been viewed as negative, dangerous, and threatening to the status quo.

Television representations are often socially and culturally rooted with real issues, hence …

"Rapping About Authenticity": Exploring The Differences In Perceptions Of "Authenticity" In Rap Music By Consumers.", James L. Wright

Doctoral Dissertations

Historically, social scientists have not only marginalized rap music as a viable unit of scholarly analysis, but failed at attempts to understand the thoughts and actions of rap music consumers. This study analyzes the connection between rap music’s (and the artists’) authenticity and how those perceptions of authenticity affect music consumers’ decision making process, thus providing a possible explanation as to why music fans purchase rap music. The goal of this research was to see if the reasons rap music fans provide explaining the rationale behind their purchases match the images and perceptions presumably held by the general public about …