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Articles 1 - 6 of 6
Full-Text Articles in Social and Behavioral Sciences
Making Sense? Visual Cultures Of De-Extinction And The Anthropocentric Archive, Rosie Ibbotson
Making Sense? Visual Cultures Of De-Extinction And The Anthropocentric Archive, Rosie Ibbotson
Animal Studies Journal
This article examines the operations of visual representations within discourses advocating deextinction. Images have significant agency within these debates, yet their roles, and the assumptions they naturalise, have not been critiqued. Demonstrating the affective, triumphant and subversive potentials of these representations, this article then turns to the implications of relying on images made by and for humans within the expressly multispecies space of de-extinction. Discourses around de-extinction tend to place undue weight not just on how candidate species look(ed), but on how they appear to human eyes after the mediating processes of representation, and the notion of recreating a nonhuman …
Poetry Editorial: Seeing Words, Camilla Nelson
Poetry Editorial: Seeing Words, Camilla Nelson
The Goose
Poetry Editorial by Camilla Nelson
Mimicry And Mimesis: Matrix Insect, Madeleine Kelly
Mimicry And Mimesis: Matrix Insect, Madeleine Kelly
Animal Studies Journal
Paintings and insects might seem like odd companions. In this paper I describe how a series of paintings I made depicting insects creates associations between mimesis and mimicry in order to flag a sort of protective self-referentiality – one where painting resists its proverbial ‘end’ and insects are presented as vital new orders. Drawing upon art historical references, such as Surrealism and the modernist grid, I argue that playing on these references and the compositional effects of camouflage enlivens our regard for the sensuous worlds of both insects and painting. I conclude by exploring how paintings of insects are powerful …
The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey
The Rooster And The Lemon, Luis Mario Guerra, Connie M. Morey
The Goose
'The Rooster and the Lemon' is a collaborative work of critical-creative writing and photography between artists-writers Luis Mario Guerra and Connie Michele Morey. The text and image is a part of a larger body of work that emerged from a trip to Havana in December 2013 and is still in the process of unfolding through additional visual forms. The prose and photographs question the im/possibility of stasis and taxonomical containment in an ecological continuum where the processes of death and life and interdependent and imperceptibly entangled.
L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah
L'Image Des Réfugiés Et Des Personnes Déplacées Dans La Fiction Africaine Francophone, Augustin H. Asaah
Présence Francophone: Revue internationale de langue et de littérature
In their capacity as moralists and committed intellectuals, African Francophone writers such as C.C. Sow, N.N. Ndjekery, M.S. Keita, F. Couao-Zotti, Ahmadou Kourouma, Nimrod and E. Dongala portray various images of refugees and internally displaced persons in their works. This depiction is driven by the perceived need to humanize these displaced members of society by establishing moral/affective bridges between unfortunate members of society and readers. It is also sustained by the desire to reduce the damage caused by wars and natural disasters, as well as the need to reveal the plural identities of humans to the world.
Warm Journal: Special Issue On Competition Volume 1 Issue 3, 1973-2021 Women's Art Registry Of Minnesota
Warm Journal: Special Issue On Competition Volume 1 Issue 3, 1973-2021 Women's Art Registry Of Minnesota
WARM Journal
WARM’s focus in this issue is on competition and its impacts on personal and professional life. Within this issue is a conversation between the women on the WARM Journal Committee entitled “Dividing the Pie” which discusses women and societal images. There were compositions on competition, artwork, and poems followed by a calendar of events. Also found is information on WARM Exhibitions and a piece about Jaci Schacht’s work authored by Fran Addington. This issue concludes with reviews of local displays, an open letter to Sam Sachs, and details about WARM members and membership.