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Full-Text Articles in Social and Behavioral Sciences

Brutareale Und Brutbiologie Der Greifvogelarten Der Mongolei = Grid Mapping And Breeding Ecology Of Raptors In Mongolia, Michael Stubbe, Annegret Stubbe, Nayamsuren Batsaikhan, Sundev Gombobaatar, T. Stenzel, H. Von Wehrden, Sh. Boldbaatar, B. Nayambayar, D. Sumjaa, Ravčigijn Samjaa, N. Ceveenmjadag, A. Bold Jan 2010

Brutareale Und Brutbiologie Der Greifvogelarten Der Mongolei = Grid Mapping And Breeding Ecology Of Raptors In Mongolia, Michael Stubbe, Annegret Stubbe, Nayamsuren Batsaikhan, Sundev Gombobaatar, T. Stenzel, H. Von Wehrden, Sh. Boldbaatar, B. Nayambayar, D. Sumjaa, Ravčigijn Samjaa, N. Ceveenmjadag, A. Bold

Erforschung biologischer Ressourcen der Mongolei / Exploration into the Biological Resources of Mongolia, ISSN 0440-1298

This work summarizes the longtime ecological research of the German-Mongolian scientific cooperation regarding biodiversity studies in Central Asia, focusing on native raptor species (Aves: Falconiformes). There is included a short overview on the history of raptor research in Mongolia. One of the primary goals was the creation of distribution maps of breeding records based on definitive time and space coordinates. Additional data on the breeding biology amend the distribution data. Currently 43 raptor species are recorded for Mongolia. Whenever possible were also incorporated data from adjacent regions of Mongolia (China, Tuva, Burjatia, Pribaikalia), in order to embed the avifauna of …


Privilege And Property: Essays On The History Of Copyright, Ronan Deazley, Martin Kretschmer, Lionel Bently Jan 2010

Privilege And Property: Essays On The History Of Copyright, Ronan Deazley, Martin Kretschmer, Lionel Bently

Copyright, Fair Use, Scholarly Communication, etc.

Includes sixteen essays on the origins of copyright.

First paragraph:

What is Copyright History?

History has normative force. There was no history of colonialism, gender, fashion or crime until there were contemporary demands to explain and justify certain values. During much of the twentieth century, ‘copyright’ history (the history of legal, particularly proprietary, mechanisms for the regulation of the reproduction and distribution of cultural products – as opposed to the history of art, literature, music, or the history of publishers and art-sellers) was not thought of as a coherent, or even necessary field of inquiry. It was a pursuit of …