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Full-Text Articles in Mental and Social Health
Discours, Paroles Et Liens À L’Autre Dans Les Groupes Thérapeutiques. Ce N’Est Pas La Fin D’Un Génocide Qui Clôt Un Génocide., Marie-Odile Godard
Discours, Paroles Et Liens À L’Autre Dans Les Groupes Thérapeutiques. Ce N’Est Pas La Fin D’Un Génocide Qui Clôt Un Génocide., Marie-Odile Godard
Présence Francophone: Revue internationale de langue et de littérature
Psychologists and psychoanalysts distinguish between testimony, or personal accounts, and discourse, a fixed societal account. Because genocide, for the survivor, is not a subject of study, we must not only look at the various discourses concerning the genocide, but at their effect on the survivors. We describe how the post-G-Gacaca therapy groups, established to help survivors who had participated in Gacaca assemblies, demonstrated how expression is only effective when it is directed at someone and this person agrees to hear it and be affected by it.
Par-Delà Le Chaos : Aube Tranquille De Jean-Claude Fignolé, Lucienne J. Serrano
Par-Delà Le Chaos : Aube Tranquille De Jean-Claude Fignolé, Lucienne J. Serrano
Présence Francophone: Revue internationale de langue et de littérature
This article analyses how Fignolé’s book puts into words an unbearable state sprung from the chaos of slavery. This is an oxymoronic writing experience, because how can the unspeakable be named? Writing is not thought here, but rather a driving force digging into an intimate movement of rebellion and using language in a glib form, free from conscious meaning and logic, in order to reveal a preconscious meaning. The writer then becomes an archaeologist of pain. He tries to transcribe the scream in splintered space and time, so that memory finds landmarks once again. Writing thus becomes an experience aiming …
Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann
Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann
Présence Francophone: Revue internationale de langue et de littérature
The article analyses the narrative techniques and the theme of madness in three novels by the Senegalese writer Boubacar Boris Diop, caracterised by narrative polyphony and metatextual reflexion on the production of a story. The speech of protagonists affected by “intellectual madness” plays a strategic role in the structure of the novel which, as a hybrid genre, draws on oral and literary traditions in a still splintered aesthetic. The image of the pack represents an unreasonnable society condemning a so-called mad individual whose madness consists in bringing a counter-memory of the foundation myths.