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Experience Beyond The Imaginary: Reading Freud’S “Elisabeth Von R.” With Lacan’S “The Mirror Stage”, Jeffrey Mccurry
Experience Beyond The Imaginary: Reading Freud’S “Elisabeth Von R.” With Lacan’S “The Mirror Stage”, Jeffrey Mccurry
Middle Voices
While many read Lacan as a structuralist who sought to overthrow the authority of first-person conscious experience, his work also has resonances and affinities with a broadly phenomenological approach to psychoanalysis. This connection comes into focus when we bring Lacan’s concept of the imaginary stage into dialogue with Freud’s early work on hysteria. Lacan implied that the imaginary stage, while necessary for human development, nevertheless frustrates a significant dimension of being human, viz. the human being’s internally conflictual and contradictory experience that calls into question the very idea of a unified self or subject. When we read the early Freud’s …
The Masochian Woman: A Fantasy Of Male Desire?, Jennifer Komorowski Ms.
The Masochian Woman: A Fantasy Of Male Desire?, Jennifer Komorowski Ms.
Middle Voices
The Masochian woman is a figure who stages what is at stake for women when desire and the law come together. This requires an examination of the conflict that exists between the idea that women’s masochism is the fantasy of men and the truth about who wields power in the masochistic theatre. Thus, the inquiry into women’s masochism means following Jacques Lacan’s conception of women’s masochism in Anxiety, which describes it as holding a “completely different meaning, a fairly ironic meaning, and a completely different scope” from the pervert’s masochism or moral masochism (Lacan, 2016, p.190). Beginning with a critical …
Jacques Lacan’S "Signification Of The Phallus" And The Photography Of Robert Mapplethorpe, D. Michael Jones
Jacques Lacan’S "Signification Of The Phallus" And The Photography Of Robert Mapplethorpe, D. Michael Jones
Middle Voices
The recent exhibit of Robert Mapplethorpe’s work, “Implicit Tension” (January 25–July 10, 2019), at the Guggenheim, explores the artist’s obsession with the magical, the demonic, and the unveiled phallus. It is Mapplethorpe’s artistic obsessions, personified in the photographs of the X, Y, and Z Portfolios, as well as the deeply homophobic response his photography, even his name, evoke twenty years after his death, that make this recent exhibit an ideal space to reencounter key concepts from Jacques Lacan’s “Signification of the Phallus” in Écrits. For as Lacan (2002) points out “the phallus is the signifier of this very Aufhebung [sublation], …
Signifiers Still Matter: The Relevance Of "On An Ex Post Facto Syllabary" For Therapy Today, Yael Goldman Baldwin
Signifiers Still Matter: The Relevance Of "On An Ex Post Facto Syllabary" For Therapy Today, Yael Goldman Baldwin
Middle Voices
No abstract provided.