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Full-Text Articles in Medicine and Health Sciences

La Folie Comme Aliénation Et Dissidence Chez Mongo Beti Et V.Y. Mudimbe, Florian Alix Jun 2016

La Folie Comme Aliénation Et Dissidence Chez Mongo Beti Et V.Y. Mudimbe, Florian Alix

Présence Francophone: Revue internationale de langue et de littérature

In Le pauvre Christ de Bomba and Entre les eaux, the narrator’s evolution seems a kind of madness, as Ambroise Kom defined it: a process of social exclusion based on alienation because of norms told by dominant discourses. Individuals can’t find their right place in front of “languages in madness” which rule the colonial thought and hide part of reality. Therefore novel becomes a space where individual madness appears as a dissidence against dominant discourses.


L’Animal : Agent Du Biopouvoir Dans L’Imaginaire Postcolonial Alain Cyr Pangop Kameni Et Hervé Tchumkam, Alain Cyr Pangop Kameni, Hervé Tchumkam Jun 2015

L’Animal : Agent Du Biopouvoir Dans L’Imaginaire Postcolonial Alain Cyr Pangop Kameni Et Hervé Tchumkam, Alain Cyr Pangop Kameni, Hervé Tchumkam

Présence Francophone: Revue internationale de langue et de littérature

This article seeks to understand the status of the animal and its relation to biopolitics in postcolonial fiction. Going beyond and against Graham Huggan’s notion of “postcolonial exotic”, the analysis of the relation between human and animal is twofold: first, describe and interpret the mechanisms of power, and second, show how the figure of the beast which is at the center of political struggle and social conflict makes more complex the understanding of the “discipline and punish” in postcolonial contexts. Ultimately, drawing on the study of selected novels and drama, the aim of this paper is to show that the …


Le Fou, Le Rebelle, L’Enfant Et La Révolution Haïtienne, Gilbert Doho Jun 2005

Le Fou, Le Rebelle, L’Enfant Et La Révolution Haïtienne, Gilbert Doho

Présence Francophone: Revue internationale de langue et de littérature

The proliferation of fools in independent African nations’ capitals and major cities should have entailed profound analyses. The period after 1804 in Haiti and after 1960 for Africa is marked by irrationality. From this point of view, Aimé Césaire, doom prophet, uses the Haitian past to warn newly independent African nations. The attempt to understand the phenomena has so far been based on psychoanalysis and other euro-centric methods. In this paper, we will attempt to centre our approach on the gaze and thought of the lunatics themselves in order to understand the madness that has taken hold of post-colonial periods. …


Haïti Et Sa Diaspora Ou Le Pays En Dehors, Marie-Hélène Koffi-Tessio Jun 2005

Haïti Et Sa Diaspora Ou Le Pays En Dehors, Marie-Hélène Koffi-Tessio

Présence Francophone: Revue internationale de langue et de littérature

The article looks at the causes of large migratory movements in Haiti. Anthropologist Gérard Barthélemy suggests that emigration from the countryside stems from aspects of rural society, namely the need to accumulate wealth to start one’s own production unit and the need to chase out those who will not stick to and perpetuate the rules of the community. However, according to Jean Métellus and Jean-Claude Icart, migration movements are tightly linked to political and historical upheavals, which force people out of the country in search of safety and survival. For many migrants, the consequence is a feeling of loss and …


Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao Dec 2004

Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao

Présence Francophone: Revue internationale de langue et de littérature

This article proposes to explore the many faces of madness through a reading of Linda Lê’s Calomnies, in which two narrative voices are presented. The following shall demonstrate how this novel reproduces a “romantic” perception of madness as encountered in Michel Foucault’s work. Although this narrative text introduces a mad narrator speaking in the “I” persona, it nonetheless points out the difficulties of letting madness speak for itself. These difficulties are also examined in this study.


Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann Dec 2004

Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann

Présence Francophone: Revue internationale de langue et de littérature

The article analyses the narrative techniques and the theme of madness in three novels by the Senegalese writer Boubacar Boris Diop, caracterised by narrative polyphony and metatextual reflexion on the production of a story. The speech of protagonists affected by “intellectual madness” plays a strategic role in the structure of the novel which, as a hybrid genre, draws on oral and literary traditions in a still splintered aesthetic. The image of the pack represents an unreasonnable society condemning a so-called mad individual whose madness consists in bringing a counter-memory of the foundation myths.